Books with author Pierre Loti

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Au moment d'arriver au Japon, le narrateur explique à son fidèle «frère Yves» qu'il entend s'y marier «avec une petite femme à peau jaune», le temps de l'escale. À Nagasaki, dans une maison de thé, il rencontre M. Kangourou, l'entremetteur qui se charge de lui trouver une épouse. Mais lors de la solennelle présentation, Loti refuse Mlle Jasmin, trop jeune et surtout trop japonaise. Il se choisit une autre femme au physique moins typé, Chrysanthème. Il l'épouse donc, et s'installe dans un logement loué à un vieux couple pittoresque, M. Sucre et Mme Prune. Mme Chrysanthème attendrit parfois Loti, mais elle l'ennuie et l'exaspère plus souvent, comme tout ce qui est japonais. Ces sentiments mêlés se révèlent dans une série d'épisodes brefs, scènes de la vie quotidienne: toilettes, repas, promenades, fêtes.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Pierre Loti’s novel Madame Chrysanthème (1888) enjoyed great popularity during the author’s lifetime, served as a source of Puccini’s opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti’s story, cast in the form of his fictionalized diary, describes the affair between a French naval officer and Chrysanthème, a temporary "bride" purchased in Nagasaki. More broadly, Loti’s novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti’s favorite words, "preposterous"—in short, ripe for exploitation.

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