Books with author Phillpotts

Excerpt from Some Every-Day Folks: A NovelI cared little for his sermon, said Mrs. Watford, but I thought his teeth were singularly beautiful.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Eden Philpotts (1862-1945), English writer and poet, began to engage in literary activities in the 80-ies of the XIX century. During his life he wrote around 120 books - novels, short stories, plays. Two of his books - "The Human Boy" and "The Human Boy Again" - written for children and dedicated to Mark Twain. The action of these products takes place in one of the male boarding school in England, in the town of Merivale. Each class of this school was divided into senior and junior: Junior first, senior first, and so on. D. The fact is that boys enter school with very different training home - hence the extreme unevenness of composition class in age and knowledge. This book consists of eight chapters; each chapter - is the story of one of the students Meriveylskoy school. At the end of the book lists the names of the actors.

Example in this ebookCHAPTER I.THE BEECH TREEAbove unnumbered sisters she arose, an object noteworthy even amid these aisles, where, spun from the survival of the best endowed, fabrics of ancient forest enveloped the foot-hills of the Moor and belted heather and granite with great woodlands. A dapple of dull silver marked her ascension and glimmered upwards through the masses of her robe. From noble girth of moss-grown trunk she sprang; her high top was full of a silky summer song; while sunbeams played in the meshes of her million leaves and cascades of amber light, born from her ripening harvest, streamed over the dark foliage. She displayed in unusual perfection the special symmetry of her kind, stood higher than her neighbours, and fretted the blue above with pinnacles of feathering arborescence, whose last, subtle expression, at that altitude, escaped the eye. Her midmost boughs tended from the horizontal gradually downward, and the nether branches, rippling to earth like a waterfall, fashioned a bower or music-making dome of translucent green around about the bole. Within this arbour the roots twisted down their dragon shapes into the dark, sweet-scented earth, and fortified the beech against all winds that blew. So she stood, queen of the wold, a creation loved by song-birds, a treasure-house for squirrels, pigeons, and the pheasants that, at autumn-time, strutted gorgeous in the copper lake of her fallen leaves. Beneath her now, cool and moist in twilight of shadows, grew delicate melampyre that brought light into the herbage, stood the wan seed-vessels of bygone bluebells, and trailed grasses, with other soft, etiolate things that had never known direct sunshine. The pale trunk was delicately wrought with paler lichens, splashed and circled upon its bark; while mossy boulders of granite, lying scattered within the circumference of the tree's vastness, completed this modest harmony of grey and silver, lemon and shadowed green.Woodland roads wound at hand, and in a noontide hour of late July these paths were barred and flooded with golden sunlight; were flanked by trunks of gnarled oak and wrinkled ash; were bridged with the far-flung limbs of the former, whereon trailed and intertwined festoons of ivy and wreaths of polypody fern that mingled with tree mosses. Through this spacious temple, seen under avenues of many a pillar, sparkled falling water where the sisters Teign, their separate journeys done, murmured together and blended their crystal at an ancient bridge. Henceforth these two streams sweep under hanging woods of larch and pine, by meadows, orchards, homesteads, through the purple throat of oak and fir-crowned Fingle, and so onwards, by way of open vales, to their sad-coloured, heron-haunted estuary. Hand in hand they run, here moving a mill-wheel, there bringing sweet water to a hamlet, and ever singing their changeful song. The melody of them deepens, from its first baby prattle at springs in Sittaford's stony bosom, to the riotous roar of waterfalls below; lulls, from the music reverberated in stony gorges, to a whisper amid unechoing valleys and most placid pasture lands. Finally salt winds with solemn message from the sea welcome Teign; and mewing of gulls on shining mud-flats; and the race and ripple of the tides, who joyfully bring the little stream to that great Lover of all rivers.Leading from dingles on the eastern bank to interspaces of more open glades beside the great beech tree, a bridge, fashioned of oak saplings, still clothed with bark and ash-coloured lichen, crossed the river; and, at this sunlit moment, a woman stood upon it and a man shook the frail structure from his standpoint on the bank. His purpose was to alarm the maiden if he could; but she only laughed, and hastened across sure-footed.To be continue in this ebook............................................................................................................................

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The lovers passed through Godleigh, and then, entering the main road that ran from Little Silver to those high regions above it, pursued their way by Devonshire lanes whose lofty hedge-banks shut out all view of the grass lands extending upon each side. Here and there, however, gates opened into the hayfields, and from one, where two of Honor's ricks were slowly rising, came hum of voices. The scene was set in silver-green wisps of hay; a sweet scent clung to the air; two horses rested on the shady side of the rick; an elm or two whispered into the haze of summer; and, hard by, sat above half a dozen persons taking their midday meal under the hedge. Speech was hushed; the nearest men touched their hats, and a girl dropped a curtsey as Honor walked by at discreet distance from young Yeoland. And then, upon their passing, the haymakers broke into a new subject with ready tongue.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.