Books with author Paul Cleave

In this “outstanding psychological thriller” (Publishers Weekly, starred review) by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers on the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

In this “outstanding psychological thriller” (Publishers Weekly, starred review) by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers on the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

A “powerhouse novel.” —Booklist “This thriller is one to remember.” —New York Journal of Books “Cleave’s whirligig plot mesmerizes.” —People magazine (People Pick) “This outstanding psychological thriller forces the reader to reconsider what is real.” —Publishers Weekly (starred review) “A vivid, jangled exploration of mental illness, dark imagination, and the nowhere territory in between.” —Kirkus Reviews In this exciting psychological thriller by the Edgar-nominated author of Joe Victim, a famous crime writer struggles to differentiate between his own reality and the frightening plot lines he’s created for the page.Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter—a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer’s at the age of forty-nine, Jerry’s crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying? Hailed by critics as a “masterful” (Publishers Weekly) writer who consistently offers “ferocious storytelling that makes you think and feel” (The Listener) and whose fiction evokes “Breaking Bad reworked by the Coen Brothers” (Kirkus Reviews), Paul Cleave takes us down a cleverly twisted path to determine the fine line between an author and his characters, between fact and fiction.

Illustrated with black-and-white archival prints, drawings, and photographs From the simple camera obscura of the 1500s to the 17th century’s giant magic lanterns to the early films of Thomas Edison and the Lumicre brothers in the late 1800s, here is an intriguing story of invention and showmanship. Many of the techniques adopted by Hollywood were worked out by tinkerers, lanternists, and magicians in front of shocked and amazed audiences long before the first flickering black-and-white film was ever shown. This fascinating book explains how today’s movies—as well as photographs, special effects, and animation—came to be.Peppered with first-hand accounts and newspaper reports, excerpts from the notes of early inventors and filmmakers, and descriptions and diagrams of detailed optical gadgets, Before Hollywood provides a window into the world of entertainment before movies were invented. It offers an illustrated tour of the beginnings of technologies that we take for granted today. Sidebars, afterword, timeline, endnotes, bibliography, Internet resources, and index.

Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter - a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?

Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter - a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?

Illustrated with black-and-white archival prints, drawings, and photographsFrom the simple camera obscura of the 1500s to the 17th century's giant magic lanterns to the early films of Thomas Edison and the Lumière brothers in the late 1800s, here is an intriguing story of invention and showmanship. Many of the techniques adopted by Hollywood were worked out by tinkerers, lanternists, and magicians in front of shocked and amazed audiences long before the first flickering black-and-white film was ever shown. This fascinating book explains how today's movies—as well as photographs, special effects, and animation—came to be.Peppered with first-hand accounts and newspaper reports, excerpts from the notes of early inventors and filmmakers, and descriptions and diagrams of detailed optical gadgets, Before Hollywood provides a window into the world of entertainment before movies were invented. It offers an illustrated tour of the beginnings of technologies that we take for granted today. Sidebars, afterword, timeline, endnotes, bibliography, Internet resources, and index.

Jerry Grey is known to most of the world by his crime writing pseudonym, Henry Cutter - a name that has been keeping readers at the edge of their seats for more than a decade. Recently diagnosed with early onset Alzheimer's at the age of forty-nine, Jerry's crime writing days are coming to an end. His twelve books tell stories of brutal murders committed by bad men, of a world out of balance, of victims finding the darkest forms of justice. As his dementia begins to break down the wall between his life and the lives of the characters he has created, Jerry confesses his worst secret: The stories are real. He knows this because he committed the crimes. Those close to him, including the nurses at the care home where he now lives, insist that it is all in his head, that his memory is being toyed with and manipulated by his unfortunate disease. But if that were true, then why are so many bad things happening? Why are people dying?