Books with author Patrick O'Brian:

Life sailing with the Royal Navy in the 1780's was particularly miserable: sailors slept in crowded hammocks, ate moldy cheese and maggoty bread, and were subject to very harsh discipline. So when the HMS Bounty arrived in Tahiti after 11 months at sea, the crew of the Bounty thought it was heaven on earth. Living on the island paradise made them lazy and careless. As the return journey began, Captain Bligh's crew proved reluctant to leave. His temper began to flare, and his second-in-command and old friend Fletcher Christian suffered the worst of Bligh's outbursts. His honor at stake and a longing to return to the island, Christian led a mutiny, then set Bligh and 18 loyal crew members adrift in a launch. A daring escape by Christian and the mutineers, paired with Bligh's amazing story of survival all make up one of history's most rousing true maritime tales, and Patrick O'Brien's 85 illustrations reach epic proportions of drama and realism.

An archaeological expedition with a cargo of priceless jade is pursued across the Gobi Desert into the snows of Tibet. This story begins where Patrick O'Brian's devoted fans would want it to, with a sloop in the South China Sea barely surviving a killer typhoon. But the time is the 1930s, and the protagonist a teenaged American boy whose missionary parents have just died. In the company of his rough seafaring uncle and an elderly English cousin, an eminent archaeologist, Derrick sets off in search of ancient treasures in central Asia. Along the way they encounter a charismatic Chinese bandit and a host of bad characters, including Russian agents fomenting unrest. (Most of these meet very bad ends.) The narrative―as in all of O'Brian's novels―touches on surprising subjects: astronomy, oriental philosophy, the correct identification of ancient Han bronzes, and some very local cuisine. It ends in an ice-bound valley, with the party caught between hostile Red-Hat monks and the Great Silent Ones, which is how the Tibetans designate the yeti.

Patrick O'Brian's Aubrey-Maturin tales are widely acknowledged to be the greatest series of historical novels ever written. To commemorate the 40th anniversary of their beginning, with Master and Commander, these evocative stories are being re-issued in paperback with smart new livery. This is the nineteenth book in the series. Following the extraordinary success of The Yellow Admiral, this latest Aubrey-Maturin novel brings alive the sights and sounds of North Africa as well as the great naval battles in the days immediately following Napoleon's escape from Elba. Aubrey and Maturin are in the thick of the plots and counterplots to prevent his regaining power. Coloured by conspiracies in the Adriatic, in the Berber and Arab lands of the southern shores of the Mediterranean, by night actions, fierce pursuits, slave-trading and lion hunts, The Hundred Days is a masterpiece. 'O'Brian is far and away the best of the Napoleonic storytellers and The Hundred Days is one of the best of the series: a classic naval adventure, crammed with incident, superbly plotted and utterly gripping!This is O'Brian at his brilliant, entertaining best and when he is on this form the rest of us who write of the Napoleonic conflict might as well give up and try a new career. Fans of the series will need no encouragement to buy this book, but if you are new to Aubrey and Maturin then this is as splendid an introduction as you could wish for.' Bernard Cornwell

"O'Brian was only 15 when [Caesar] was published, but he already possessed an instinct for deft plotting and uncomplicated narrative."—The New York TimesA stark tale encompassing the cruelty and beauty of the natural world, and a clear demonstration of the storytelling gift that would later flower in the Aubrey/Maturin series. When he was fourteen years old and beset by chronic ill health, Patrick O'Brian began creating his first fictional character. "I did it in my bedroom, and a little when I should have been doing my homework," he confessed in a note on the original dust-jacket. Caesar tells the picaresque, enchanting, and quite bloodthirsty story of a creature whose father is a giant panda and whose mother is a snow leopard. Through the eyes and voice of this fabulous creature, we learn of his life as a cub, his first hunting exploits, his first encounters with man, his capture and taming. Caesar was published in 1930, three months after O'Brian's fifteenth birthday, but the dry wit and unsentimental precision O'Brian readers savor in the Aubrey/Maturin series is already in evidence. The book combines Stephen Maturin's fascination and encyclopedic knowledge of natural history with the narrative charm of Rudyard Kipling's The Jungle Book. It was published in England and the United States, and in translation in Sweden, Norway, Denmark, and Japan. Reviews hailed the author as the "boy-Thoreau." "We can see here a true storyteller in the making....a gripping narrative, which holds the reader's attention and never flags."—The Spectator

Patrick O'Brian's Aubrey-Maturin tales are widely acknowledged to be the greatest series of historical novels ever written. To commemorate the 40th anniversary of their beginning, with Master and Commander, these evocative stories are being re-issued in paperback with smart new livery. This is the twentieth book in the series. 'If we had only two or three of Patrick O'Brian's Aubrey-Maturin series, we would count ourselves lucky; with six or seven the author would be safely among the greats of historical fiction! This is great writing by an undiminished talent. Now on to Volume Twenty, and the liberation of Chile.' WILLIAM WALDEGRAVE, Literary Review This is the twentieth book in Patrick O'Brian's highly acclaimed, bestselling series chronicling the adventures of lucky Jack Aubrey and his best friend Stephen Maturin, part ship's doctor, part secret agent. The novel's stirring action follows on from that of The Hundred Days. Napoleon's hundred days of freedom and his renewed threat to Europe have ended at Waterloo and Aubrey has finally, as the title suggests, become a blue level admiral. He and Maturin have -- at last -- set sail on their much postponed mission to Chile. Vivid with the salty tang of life at sea, O'Brian's writing is as powerful as ever whether he writes of naval hierarchies, night-actions or the most celebrated fictional friendship since that of Sherlock Holmes and Dr Watson. Blue at the Mizzen also brings alive the sights and sounds of revolutionary South America in a story as exciting as any O'Brian has written.

Patrick O'Brian's Aubrey-Maturin tales are widely acknowledged to be the greatest series of historical novels ever written. To commemorate the 40th anniversary of their beginning, with Master and Commander, these evocative stories are being re-issued in paperback with smart new livery. This is the eleventh book in the series. The Reverse of the Medal is in all respects an unconventional naval tale. Jack Aubrey returns from his duties protecting whalers off South America and is persuaded by a casual acquaintance to make investments in the City on the strength of supposedly certain information. From there he is led into the half worlds of the London criminal underground and of government espionage -- the province of his friend, Stephen Maturin, on whom alone he can rely. Those who are already devoted readers of Patrick O'Brian will find here all the brilliance of characterisation and sparkle of dialogue which they have come to expect. For those who read him for the first time there will be the pleasure of discovering, quite unexpectedly, a novelist of unique character.

Tie-in edition to the major film coming next Spring from Fox. Starring Russell Crowe as Jack Aubrey and Paul Bettany (A Beautiful Mind) as Stephen Maturin. Directed by Peter Weir. Master and Commander is the first of Patrick O'Brian's now famous Aubrey/Maturin novels, regarded by many as the greatest series of historical novels ever written. It establishes the friendship between Captain Jack Aubrey RN and Stephen Maturin, who becomes his secretive ship's surgeon and an intelligence agent. It contains all the action and excitement which could possibly be hoped for in a historical novel, but it also displays the qualities which have put O'Brian far ahead of any of his competitors: his depiction of the detail of life aboard a Nelsonic man-of-war, of weapons, food, conversation and ambience, of the landscape and of the sea. O'Brian's portrayal of each of these is faultless and the sense of period throughout is acute. His power of characterisation is above all masterly. This brilliant historical novel marked the debut of a writer who grew into one of our greatest novelists ever.