Books with author Osborn. Henry Fairfield. 1857-1935.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ...and diminution in numbers would not account for their total extinction, and we are inclined to attribute this to the entrance into the whole Neanderthal country of western Europe toward the close of Lower Palaeolithic times of a new and highly superior race. Archaeologists find traces of a new culture and industry in certain Mousterian stations preceding the disappearance of the typical Mousterian industry. Such a mingling is found in the valley of the Somme in northern France. From this scanty evidence we may infer that the new race competed for a time with the Neanderthals before they dispossessed them of their principal stations and drove them out of the country or killed them in battle. The Neanderthals, no doubt, fought with wooden weapons and with the stone-headed dart and spear, but there is no evidence that they possessed the bow and arrow. There is, on the contrary, some possibility that the newly arriving Cro-Magnon race may have been familiar with the bow and arrow, for a barbed arrow or spear head appears in drawings of a later stage of Cr6-Magnon history, the so-called Magdalenian. It is thus possible, though very far from being demonstrated, that when the Cro-Magnons entered western Europe, at the dawn of the Upper Palaeolithic, they were armed with weapons which, with their superior intelligence and physique, would have given them a very great advantage in contests with the Neanderthals. CHAPTER IV OPENING OF THE UPPER PALEOLITHIC--THE GRIMALDI RACE--ARRIVAL OF THE CRO-MAGNON RACE AND OF THE AURIGNACIAN INDUSTRY--GEOGRAPHIC AND CLIMATIC CONDITIONS--MAMMALIAN LIFE--CHARACTERISTICS AND HABITS OF THE CROMAGNONS--DISTRIBUTION OF THE AURIGNACIAN INDUSTRY--THE BIRTH OF ART--ORIGIN AND DISTRIBUTION OF THE SOLUTREAN INDUSTRY--BRUNN...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfecti...

This book, "Men of the Old Stone Age: Their Environment, Life and Art", by Henry Fairfield Osborn, is a replication of a book originally published before 1915. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.