Books with author Nicolo Machiavelli

"The Prince" is a political treatise by the Florentine public servant and political theorist Niccolò Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing "Machiavellian" into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of the Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning how to consider politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It also helped make "Old Nick" an English term for the devil, and even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani.

Unabridged version of THE PRINCE, by Niccolo Machiavelli and translated by N. H. Thomson, offered here for chump change.From 1513, THE PRINCE is divided into chapters covering ruling power, be it in the office or across continents. Topics include power forms (mixed, heredity), power acquisition (with help, through criminal acts), and power aspects (bearing, flatters, secretaries).Read it. Learn from it. Use it. Contents DEDICATION 3CHAPTER I: OF THE VARIOUS KINDS OF PRINCEDOM, AND OF THE WAYS IN WHICH THEY ARE ACQUIRED 3CHAPTER II: OF HEREDITARY PRINCEDOMS 3CHAPTER III: OF MIXED PRINCEDOMS 4CHAPTER IV: WHY THE KINGDOM OF DARIUS, CONQUERED BY ALEXANDER, DID NOT, ON ALEXANDER’S DEATH, REBEL AGAINST HIS SUCCESSORS 7CHAPTER V: HOW CITIES OR PROVINCES WHICH BEFORE THEIR ACQUISITION HAVE LIVED UNDER THEIR OWN LAWS ARE TO BE GOVERNED 8CHAPTER VI: OF NEW PRINCEDOMS WHICH A PRINCE ACQUIRES WITH HIS OWN ARMS AND BY MERIT 9CHAPTER VII: OF NEW PRINCEDOMS ACQUIRED BY THE AID OF OTHERS AND BY GOOD FORTUNE 11CHAPTER VIII: OF THOSE WHO BY THEIR CRIMES COME TO BE PRINCES 14CHAPTER IX: OF THE CIVIL PRINCEDOM 16CHAPTER X: HOW THE STRENGTH OF ALL PRINCEDOMS SHOULD BE MEASURED 17CHAPTER XI: OF ECCLESIASTICAL PRINCEDOMS 18CHAPTER XII: HOW MANY DIFFERENT KINDS OF SOLDIERS THERE ARE, AND OF MERCENARIES 19CHAPTER XIII: OF AUXILIARY, MIXED, AND NATIONAL ARMS 21CHAPTER XIV: OF THE DUTY OF A PRINCE IN RESPECT OF MILITARY AFFAIRS 23CHAPTER XV: OF THE QUALITIES IN RESPECT OF WHICH MEN, AND MOST OF ALL PRINCES, ARE PRAISED OR BLAMED 24CHAPTER XVI: OF LIBERALITY AND MISERLINESS 25CHAPTER XVII: OF CRUELTY AND CLEMENCY, AND WHETHER IT IS BETTER TO BE LOVED OR FEARED 26CHAPTER XVIII: HOW PRINCES SHOULD KEEP FAITH 27CHAPTER XIX: THAT A PRINCE SHOULD SEEK TO ESCAPE CONTEMPT AND HATRED 28CHAPTER XX: WHETHER FORTRESSES, AND CERTAIN OTHER EXPEDIENTS TO WHICH PRINCES OFTEN HAVE RECOURSE, ARE PROFITABLE OR HURTFUL 33CHAPTER XXI: HOW A PRINCE SHOULD BEAR HIMSELF SO AS TO ACQUIRE REPUTATION 35CHAPTER XXII: OF THE SECRETARIES OF PRINCES 36CHAPTER XXIII: THAT FLATTERERS SHOULD BE SHUNNED 37CHAPTER XXIV: WHY THE PRINCES OF ITALY HAVE LOST THEIR STATES 38CHAPTER XXV: WHAT FORTUNE CAN EFFECT IN HUMAN AFFAIRS, AND HOW SHE MAY BE WITHSTOOD 38CHAPTER XXVI: AN EXHORTATION TO LIBERATE ITALY FROM THE BARBARIANS 40

Niccolo Machiavelli - The PrinceNiccolo Machiavelli - The PrinceNiccolo Machiavelli's famous book The Prince is one of the first of modern political philosophy. The author describes ways for gaining and keeping political power.His radical, recklessly utilitaristic views caused critics and even the prohibition of his work during parts of history.Though it might be 500 years old, the book's theories haven't lost their relevance.

THE PRINCE (Italian: Il Principe) is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of the Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. THE PRINCE is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning how to consider politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It also helped make "Old Nick" an English term for the devil, and even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which THE PRINCE has been compared to is the Life of Castruccio Castracani. The descriptions within THE PRINCE have the general theme of accepting that the aims of princes-such as glory and survival-can justify the use of immoral means to achieve those ends: "He who neglects what is done for what ought to be done, sooner effects his ruin than his preservation."

Although there is little recorded of the youth of Machiavelli, the Florence of those days is so well known that the early environment of this representative citizen may be easily imagined. Florence has been described as a city with two opposite currents of life, one directed by the fervent and austere Savonarola, the other by the splendour-loving Lorenzo. Savonarola's influence upon the young Machiavelli must have been slight, for although at one time he wielded immense power over the fortunes of Florence, he only furnished Machiavelli with a subject of a gibe in "The Prince," where he is cited as an example of an unarmed prophet who came to a bad end. Whereas the magnificence of the Medicean rule during the life of Lorenzo appeared to have impressed Machiavelli strongly, for he frequently recurs to it in his writings, and it is to Lorenzo's grandson that he dedicates "The Prince."

The Prince is a 16th-century political treatise, by the Italian diplomat and political theorist Niccolò Machiavelli. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries.In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani.

Niccolo Machiavelli's "The Prince" is intended to be a treatise on ruling and is considered by many to be a classic of political science. In the book Machiavelli offers many bits of practical advice on how to rule and even though the book was written in the early 16th century its ideas are still very relevant today. Where "The Prince" differs from other political literature before it is in its separation of the lofty idealism of morality and ethics from the practical demands of governing. It is this very aspect of Machiavelli's work that has made his name synonymous with an almost immoral opportunism and his book a timeless classic.

Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential works. From the musings of intellectuals such as Thomas Paine in Common Sense to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of our intellectual history through the words of the exceptional few. Widely acknowledged as Machiavelli s defining work, The Prince is an innovative and rich treatise marked by his political theories and the principles of leadership. Based upon his own experiences witnessing the actions of great men and the often immoral aspects that come with power, Machiavelli encouraged ambition amongst leaderswhich was a break from the philosophy of other contemporary thinkers. The Prince identifies the aims of powerful leaders, which can help to justify the use of largely immoral means in their methods. With a new foreword by scholar Christopher Celenza, this essential work on politics contemplates leadership in a manner still relevant today. This lesson in autocratic rule will provide the reader with the author s rational approach to control and the contextualization for the term Machiavellian. "