Books with author Neil Phillip

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.

From the mighty Zeus of Ancient Greece to the trickster Coyote of Native America, a host legendary icons spring to life in this comprehensive overview of world mythology. With a cultural and topical approach, Mythology examines the various interpretations of phenomena such as creation, afterlife, deities, and heroes from the Greek, Norse, Egyptian, Native American, Asian, Celtic, African, Maya, Inca, and Hindu traditions. Stunning color photographs and a rich array of artifacts and renderings highlight the influence of mythology on the arts and world religions.

Discover the captivating stories told by different cultures to explain the mysteries of our world. Here is an intriguing and captivating introduction to the culturally diverse world of mythology. Stunning photographs of masks, jewelry and sculptures offer a unique "eyewitness" view of mythology and its gods, heroes and monsters. See the world in a sealskin, Quetzalcoatl's spectacular headdress, Native American love dolls, a fire-breathing dragon, African trickster Eshu, the one-eyed Cyclops and golden Garuda, an animal idol. Learn about the supernatural powers of the gods, the mystical powers of shamans, the purpose of the Native American Sun Dance, the story behind the stunning medicine beaver mask and why Romulus and Remus were reared by a wolf. Discover who swallowed the Sun god Ra, the secrets of the towering totem pole, the sacred art of sandpainting, how many animals make a Chimera, who had snakes for hair and the magical powers of Thor's hammer, and much, much more!

Discover the captivating stories told by different cultures to explain the mysteries of our world. Be an "eyewitness" to the magical powers and amazing adventures of gods, heroes, and beasts. See an Egyptian god who frightens evil spirits, find out why Maori priests studied kites in flight, discover the mystical power of the unicorn’s horn, and much, much more. This edition comes with a fold-out wall chart and clip-art CD! The most trusted nonfiction series on the market, Eyewitness Books provide an in-depth, comprehensive look at their subjects with a unique integration of words and pictures.

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.

The world of children's poetry is as diverse and as miraculous as the human imagination itself, a land where owls and pussy-cats set to sea in beautiful pea-green boats, and tigers burn bright in the forests of the night. It embraces word play, parody, nonsense, lullaby, and elegy, and ranges from brief nursery rhymes to long narratives. It can be utterly silly, but it also recognizes that if children's lives are full of wonder and delight, they are also fraught with worries, disappointments, and moments of sadness. The best children's poets come to terms with grief as well as joy. Now, in The New Oxford Book of Children's Verse, Neil Philip has surveyed and mapped this delightfully protean landscape, in a book that spans some two hundred and fifty years, from Isaac Watts, the first true children's poet, to such classic figures as Lewis Carroll, Edward Lear, and A. A. Milne, to scores of contemporary writers, such as Richard Wilbur, Sandra Cisneros, and Jack Prelutsky. The range of poems is remarkable. Young readers will find long narratives such as Henry Wadsworth Longfellow's "Paul Revere's Ride" ("Listen, my children, and you shall hear / Of the midnight ride of Paul Revere") and Robert Browning's "Pied Piper of Hamelin" ("Rats! / They fought the dogs and killed the cats") as well as Mick Gowar's "Rat Trap," a political satire that parodies Browning's poem. The book also includes many miniature gems, such as Ogden Nash's "The Eel" ("I don't mind eels / Except at meals, / And the way they feels") and Hughes Mearns's "The Little Man" ("As I was walking up the stair / I met a man who wasn't there; / He wasn't there again today. / I wish, I wish he'd stay away"). There is of course much zany verse, such as Hilaire Belloc's "Jim, Who Ran Away from His Nurse, and was Eaten by a Lion" ("Now, just imagine how it feels / When first your toes and then your heels, / And then by gradual degrees, / Your shins and ankles, calves and knees, / Are slowly eaten, bit by bit. / No wonder Jim detested it!"), Eugene Field's classic "The Duel" ("The gingham dog and the calico cat / Side by side on the table sat"), and A.A. Milne's "Disobedience" ("James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three"). And Philip has also included many thought-provoking poems, such as Langston Hughes's "Children's Rhymes" ("By what sends / the white kids / I ain't sent: / I know I can't / be President"), Countee Cullen's "Incident" ("Now I was eight and very small, / And he was no whit bigger, / And so I smiled, but he poked out / His tongue, and called me, 'Nigger'"), and Theodore Roethke's "My Papa's Waltz" ("The whiskey on your breath / Could make a small boy dizzy; / But I hung on like death: / Such waltzing was not easy"). Ranging from Lewis Carroll's "Jabberwocky," to Robert Frost's "The Pasture," to John Updike's "January," here is an anthology that captures the full breadth of children's verse in English. It will delight children of all ages, and launch the young on a life-long appreciation of poetry.