Books with author Mrs. Humphry

Mary Augusta Ward (1851 -1920) was a British novelist who wrote under her married name Mrs. Humphry Ward. She read French, German, Italian, Latin and Greek. Mary Augusta Ward began her career writing articles for magazines while working on a book for children that was published in 1881 titled Milly and Olly. Her novels expressed strong religious values and Victorian morals. In 1908 she helped found the Women's National Anti-Suffrage League. Harvest is a story set during the last summer of the war.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Two old labourers came out of the lane leading to Great End Farm. Both carried bags slung on sticks over their shoulders. One, the eldest and tallest, was a handsome fellow, with regular features and a delicately humorous mouth. His stoop and his slouching gait, the gray locks also, which straggled from under his broad hat, showed him an old man—probably very near his old-age pension.

Excerpt from The History of David Grieve, Vol. 1 of 3The children went their way through the yard. In front of them a flock of some forty sheep and lambs pushed along, guarded by two black short-haired col lies. The boy, brandishing a long stick, opened a gate deplorably in want of mending, and the sheep crowded through, keenly looked after by the dogs, who waited meanwhile on their flanks with heads up, ears cooked, and that air of self-restrained energy which often makes a sheep-dog more human than his master. The field beyond led to a little larch plantation, where a few primroses showed among the tufts Of long, rich grass, and the drifts of last year's leaves. Here the flock scattered a little, but David and the dogs were after them in a twinkling, and the plantation gate was soon closed on the last bleating mother. Then there was nothing more for the boy to do than to go up to the top of the green rising ground on which the farm stood and see if the gate leading to the moor was safely shut. For the sheep he had been driving were not meant for the Open moorland. Their feeding grounds lay in the stone-walled fields round the home stead, and had they strayed on to the mountain beyond, which was reserved for a hardier Scotch breed, David would have been answerable. SO he strode, whistling, up the hill to have a look at that top gate, while Louie sauntered down to the stream which ran round the lower pastures to wait for him.The top gate was fast, but David climbed the wall and stood there a while, hands in his pockets, legs apart, whistling and looking.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The History of David Grieve, Vol. 2 of 3ON the following night David walked into the Parlour about eight o'clock, hung up his hat with the air of an emperor, and looked round for Daddy.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.