Books with author Maurie Jo Manning

A little girl wakes in the night to mysterious, inviting noises. She rouses her brother, and they sneak downstairs and peek into the kitchen. To their amazement and delight, their parents are dancing and singing---"?Como te quiero! Oh, how I love you!" ---as they clean up and put food away. Mama and Papa discover the two kids and sweep them into the embrace of a family dance. Slowly, the song changes to a lullaby. . . the children close sleepy eyes. . . then Mama and Papa tuck them into bed again. The story reads like poetry. The art moves from subdued tones to hot tropical colors and back again. And as you turn the pages, you can almost hear the music---changing from a pop ballad to a hot tango to a cozy lullaby. All in all, it's a perfect bedtime book, with a satisfying hugs-and-kisses ending.

In a picture book that blends realism and fantasy, a shoeshine boy is surprised when apiece of red silk falls from the sky. Trying to find its owner, he ventures up and downfire escapes, back and forth across clotheslines, and into the company of the colorfullydiverse people who live in the tenement. Lively pages laid out in multiple panels, witha few words of text in dialogue balloons, capture the exhilarating action, and foreignlanguagephrases are translated on the endpapers. There is a cheerful side to a neighborhoodpacked with people of different origins—the opportunity to make friendsacross race lines, culture lines, and clotheslines!

"The Common Man," Maurice Manning's fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book's title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait--by turns serious and hilarious, philosophical and speculative, but ultimately tragic--of a fast-disappearing aspect of American culture. "The Common Man"'s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning's reputation as one of his generation's most important and original voices.

The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.

Young children can change your world forever. Over the years, families have taken many different forms. But one thing remains constant: adults are forever changed by the arrival of a child. The love and sense of wonder they feel for this small life deepen as each day passes. John Farrell and Maurie J. Manning offer rhythmical words and tender, playful paintings to show the emotional connections between grown-ups and their little ones.

The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture.The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.

A little girl wakes in the night to mysterious, inviting noises. She rouses her brother, and they sneak downstairs and peek into the kitchen. To their amazement and delight, their parents are dancing and singing---"¡Como te quiero! Oh, how I love you!" ---as they clean up and put food away. Mama and Papa discover the two kids and sweep them into the embrace of a family dance. Slowly, the song changes to a lullaby. . . the children close sleepy eyes. . . then Mama and Papa tuck them into bed again. The story reads like poetry. The art moves from subdued tones to hot tropical colors and back again. And as you turn the pages, you can almost hear the music---changing from a pop ballad to a hot tango to a cozy lullaby. All in all, it's a perfect bedtime book, with a satisfying hugs-and-kisses ending.

The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.