Books with author Mary Roberts Rinehart

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices.The Crown Prince Ferdinand William Otto is a young boy destined to succeed a throne and become a king one day. Prince desires a more normal life since he is surrounded by constant intrigues, but there are plots against the throne and a group of terrorists conspire to take his crown.

Tish Carberry and her spinster-friends Aggie and Lizze are at it again. From unknowingly backing—and then winning—crooked motorcar races to subsidizing an exploitive émigré and his bride to joining the Simple Life movement and taking up residence in the woods, life is never dull for the three women and their associates.Tish is the second book in Mary Roberts Rinehart’s Tish Carberry series. It includes the stories “Mind Over Motor,” “Like a Wolf on the Fold,” “The Simple Lifers,” “Tish’s Spy,” and “My Country Tish of Thee—“HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

While many of her books were best sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. In The Circular Staircase "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt."

The Breaking Point was a 1923 Broadway three-act drama written by Mary Roberts Rinehart, produced by Wagenhals and Collin Kemper and staged by Kemper.The play ran for 68 performances from August 16, 1923 to October 1923 at the Klaw Theatre, and was based on Rinehart's 1922 novel of the same name.Elizabeth Wheeler lives in a small town, sings in the church choir, and dreams of a man who will sweep her off her feet. Instead, she is thrust into a series of events beyond her control leading to passion, madness, betrayal, and ultimately, murder! Can she ever set thing right?Dick Livingstone is a successful doctor. But he has a mysterious past that he can't remember. He didn't care about the future till he knew of his love to Elizabeth Wheeler. Now, he can't propose to her without knowing his past. He's afraid that his past might negatively affect his dear ones. He must know who he was? Why does David object to Dick's going to Norada? Did he commit a murder in his past? Or is it someone else who did it? Will he ever be free and start afresh again with Elizabeth? Author Biography: Mary Roberts Rinehart is a well-known mystery and romance writer. Her memorable tales often combine adventure, love, ingenuity, and humor in a style that is distinctly her own. She creates fast-paced, entertaining, and above all, surprising novels. Most of her fiction eventually erupts into the most startling plot twists imaginable. To this Mary adds a strong dose of realism in the depiction of modern life, with many different classes, corruption high and low, and a great diversity of characters. Mary's stories have appeared in the Saturday Evening Post, and she is also a published playwright. The Essential Rinehart Collection brings together for the first time the best works of Mary Roberts Rinehart. This multi-volume series features her most interesting novels of mystery, romance, and adventure.

Paul Richmond, moves from homeschooling to a fancy private school, Gate-Brickell Christian, after his lieutenant colonel father has an affair and divorces his teacher-mother. On his first day at Gate, he meets a girl named Binky and a boy named Charlie Good. Without Binky, life would be pretty terrible for Paul. The kids at school look down on him because his mother is a teacher there. Thanks to his father, Paul looks down on her too. His father, busy with a new wife and baby, ignores his calls and finally tells him to go away. He feels responsible for being a surrogate man of the house for his mother, who is clingy and insecure. This is far too much pressure for Paul, and only drives him away from confiding in his mother about anything happening in his life. Binky knows the score from way back, and knows it wasn’t that much easier on David Blanco, son of the school janitor. When David’s dog is found killed, the school population tacitly blames David, because it’s easier than figuring out which one of the children of privilege is the corrupt one. In the midst of all this, Charlie Good starts asking things of Paul. If there is an uppercrust at the upper crust school, Charlie is it. He seems, in many ways, to be nearly as lonely as Paul. His father pushes him to be a tennis overachiever, and his mother is barely present. Charlie’s method of blowing off steam is a little harmless vandalism. After a fight with his mother, Paul, tortured by feelings of rejection at the hands of his father, is exhilarated by his night of petty theft and mailbox smashing. Suddenly, however, it doesn’t seem so harmless when Charlie asks Paul to break into the school and change his grade. Paul starts to get the idea that Charlie is manipulative… but he has yet to find out how manipulative.

The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about and make their final exits through long-familiar doors. And the back drop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play. So Sara Lee Kennedy had a back drop that had every appearance of permanency. The great Scene Painter apparently intended that there should be no change of set for her. Sara Lee herself certainly expected none. But now and then amazing things are done on this great stage of ours: lights go down; the back drop, which had given the illusion of solidity, reveals itself transparent. A sort of fairyland transformation takes place. Beyond the once solid wall strange figures move on—a new mise en scène, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy—Sara Lee became a fairy, of a sort—and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old back drop again, and the lady is back by the fire—but with a memory. This is the story of Sara Lee Kennedy’s memory—and of something more. The early days of the great war saw Sara Lee playing her part in the setting of a city in Pennsylvania. An ugly city, but a wealthy one. It is only fair to Sara Lee to say that she shared in neither quality. She was far from ugly, and very, very far from rich. She had started her part with a full stage, to carry on the figure, but one by one they had gone away into the wings and had not come back. At nineteen she was alone knitting by the fire, with no idea whatever that the back drop was of painted net, and that beyond it, waiting for its moment, was the forest of adventure. A strange forest, too—one that Sara Lee would not have recognised as a forest. And a prince of course—but a prince as strange and mysterious as the forest

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices.In a small, post-Victorian town of Allegheny, Pennsylvania, there is The Street – a community of middle class people, looking to find their place in the world. One day, a stranger who presents himself as K. shows up in The Street and takes a boarding room at the Page house, home of Sidney Page, young woman on her way to become a nurse. The identity and the past of mysterious K. immediately become a matter of the community.