Books with author Mary Lamb

The plays of Shakespeare can be difficult for younger audiences, however in this collection of retellings they can enjoy the story while still be exposed to some beautiful language. It’s a perfect introduction to the world of Romeo and Juliet, Shylock, Ophelia, Puck, and many other timeless characters.This edition has been rearranged to match the Ambleside Online reading order and contains images from three different printings to help the student connect with the tales even more.

Tales From Shakespeare Student Edition Complete And Unabridged, written by legendary authors Charles Lamb and Mary Lamb, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Tales From Shakespeare Student Edition Complete And Unabridged is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Charles Lamb and Mary Lamb is highly recommended. Published by Classic Books International and beautifully produced, Tales From Shakespeare Student Edition Complete And Unabridged would make an ideal gift and it should be a part of everyone's personal library.

“What these Tales shall have been to the young readers, that and much more it is the writers' wish that the true Plays of Shakespeare may prove to them in older years enrichers of the fancy, strengtheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions, to teach courtesy, benignity, generosity, humanity: for of examples, teaching these virtues, his pages are full.” No better introduction to William Shakespeare's dramatic masterpieces exists than the delightful prose adaptations of Charles and Mary Lamb, first published in 1807. The two selected 20 of Shakespeare's best-known plays and set out both to make them accessible to children and to pay enthusiastic homage to the original works. Together the Lambs distilled the powerful themes and unforgettable characterizations of Shakespeare's plays into elegant narratives--classic tales in their own right. Charles took responsibility for such powerful tragedies as Othello, Macbeth, Hamlet, and King Lear, while Mary worked on the comedies: brilliant fantasies like A Midsummer Night's Dream and The Tempest, and thought-provoking plays like Measure for Measure, Cymbeline, and The Merchant of Venice. As the authors point out in their introduction, their versions of the tragedies tend to rely on the language of the original plays, while the comedies are more freely adapted. But all of the Lambs' stories--with their clear, supple, and rhythmic prose--reward any reader, whether encountering Shakespeare for the first time or revisiting his work. Written in a clear and concise style which is easy for children or those who are learning the language to understand, it renders the immortal plays in story form, providing access to some of the finest works in the English language. CONTENTS THE TEMPEST A MIDSUMMER NIGHT'S DREAM THE WINTER'S TALE MUCH ADO ABOUT NOTHING AS YOU LIKE IT THE TWO GENTLEMEN OF VERONA THE MERCHANT OF VENICE CYMBELINE KING LEAR MACBETH ALL'S WELL THAT ENDS WELL THE TAMING OF THE SHREW THE COMEDY OF ERRORS MEASURE FOR MEASURE TWELFTH NIGHT; OR, WHAT YOU WILL TIMON OF ATHENS ROMEO AND JULIET HAMLET, PRINCE OF DENMARK OTHELLO PERICLES, PRINCE OF TYRE

Wonderful and enchanting picture book that parents can expect to read to their child again and again. This books story is told in a beautiful soothing rhythm which is perfect for reading aloud to your child before bed time, sweet dreams are guaranteed. This book is perfect for your little budding car and train enthusiast or for any child that is amazed by things that go. The wonderful illustrations will set your child’s imagination on overdrive as they read this book from cover to cover over and over again. This is sure to become your child’s favorite.

The following Tales in the Book are meant to be submitted to the young reader as an introduction to the study of Shakespeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent are has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided. - THE TEMPEST - A MIDSUMMER NIGHT'S DREAM - THE WINTER'S TALE - MUCH ADO ABOUT NOTHING - AS YOU LIKE IT - THE TWO GENTLEMEN OF VERONA - THE MERCHANT OF VENICE - CYMBELINE - KING LEAR - MACBETH - ALL'S WELL THAT ENDS WELL - THE TAMING OF THE SHREW - THE COMEDY OF ERRORS - MEASURE FOR MEASURE - TWELFTH NIGHT; OR, WHAT YOU WILL - TIMON OF ATHENS - ROMEO AND JULIET - HAMLET, PRINCE OF DENMARK - OTHELLO - PERICLES, PRINCE OF TYRE. In those tales which have been taken from the Tragedies, the young readers will perceive, when they come to see the source from which these stories are derived, that Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies the writers found themselves scarcely ever able to turn his words into the narrative form: therefore it is feared that, in them, dialogue has been made use of too frequently for young people not accustomed to the dramatic form of writing. But this fault, if it be a fault, has been caused by an earnest wish to give as much of Shakespeare's own words as possible: and if the 'He said,' and 'She said,' the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way in which could be given to them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted; pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places, where his blank verse is given unaltered, as hoping from its simple plainness to cheat the young reader into the belief that they are reading prose, yet still his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty. It has been wished to make these Tales easy reading for very young children. To the utmost of their ability the writers have constantly kept this in mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies too, it has been the intention chiefly to write; because boys being generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently have the best scenes of Shakespeare by heart, before their sisters are permitted to look into this manly book; and, therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, their kind assistance is rather requested in explaining to their sisters such parts as are hardest for them to understand: and when they have helped them to get over the difficulties, then perhaps they will read to them (carefully selecting what is proper for a young sister's ear) some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken; and it is hoped they will find that the beautiful extracts, the select passages..

Tales from Shakespeare is an English children's book written by Charles Lamb and his sister Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. However, as noted in the author's Preface, "[Shakespeare's] words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote: therefore, words introduced into our language since his time have been as far as possible avoided." Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them. The book contains the following tales: The Tempest (Mary Lamb) A Midsummer Night's Dream (Mary Lamb) The Winter's Tale (Mary Lamb) Much Ado About Nothing (Mary Lamb) As You Like It (Mary Lamb) Two Gentlemen of Verona (Mary Lamb) The Merchant of Venice (Mary Lamb) Cymbeline (Mary Lamb) King Lear (Charles Lamb) Macbeth (Charles Lamb) All's Well That Ends Well (Mary Lamb) The Taming of the Shrew (Mary Lamb) The Comedy of Errors (Mary Lamb) Measure for Measure (Mary Lamb) Twelfth Night (Mary Lamb) Timon of Athens (Charles Lamb) Romeo and Juliet (Charles Lamb) Hamlet, Prince of Denmark (Charles Lamb) Othello (Charles Lamb) Pericles, Prince of Tyre (Mary Lamb) Tales from Shakespeare has been republished many times. It was illustrated by Sir John Gilbert in 1866, by Arthur Rackham in 1899 and 1909, by Louis Monzies in 1908, by Walter Paget in 1910, and by D. C. Eyles in 1934. Includes vintage illustration!

Hilary has one goal for her first year in junior high: to become popular. But her plans are turned upside down when her best friend leaves for the summer and a quirky girl named Kallie moves in next door. Kallie paints constellations on her ceiling, sleeps in a hammock, and enacts fantastical plays in front of cute boys on the beach. Yet despite Kallie's lack of interest in being "cool," Hilary and Kallie find themselves becoming friends. That summer friendship, however, is put to the test when school begins, reigniting Hilary's obsession with climbing the social ladder. As Hilary discovers the dark side to popularity, she must decide who she wants to be before she loses everything.