Books with author Mary Elizabeth Braddon Braddon

This early work by Mary Elizabeth Braddon was originally published in 1898 and we are now republishing it with a brand new biography of the author. 'Rough Justice' is one of Braddon's novels in the sensation literature genre. Mary Elizabeth Braddon was born in Soho, London, England in 1835. She was educated privately in England and France, and at the age of just nineteen was offered a commission by a local printer to produce a serial novel "combining the humour of Dickens with the plot and construction of G. P. R. Reynolds" What emerged was Three Times dead, or The Secret of the Heath, which was published five years later under the title The Trail of the Serpent (1861). For the rest of her life, Braddon was an extremely prolific writer, producing more than eighty novels, while also finding time to write and act in a number of stage plays.

It lay down in a hollow, rich with fine old timber and luxuriant pastures; and you came upon it through an avenue of limes, bordered on either side by meadows, over the high hedges of which the cattle looked inquisitively at you as you passed, wondering, perhaps, what you wanted; for there was no thorough-fare, and unless you were going to the Court you had no business there at all. At the end of this avenue there was an old arch and a clock tower, with a stupid, bewildering clock, which had only one hand—and which jumped straight from one hour to the next—and was therefore always in extremes. Through this arch you walked straight into the gardens of Audley Court. A smooth lawn lay before you, dotted with groups of rhododendrons, which grew in more perfection here than anywhere else in the county. To the right there were the kitchen gardens, the fish-pond, and an orchard bordered by a dry moat, and a broken ruin of a wall, in some places thicker than it was high, and everywhere overgrown with trailing ivy, yellow stonecrop, and dark moss. To the left there was a broad graveled walk, down which, years ago, when the place had been a convent, the quiet nuns had walked hand in hand; a wall bordered with espaliers, and shadowed on one side by goodly oaks, which shut out the flat landscape, and circled in the house and gardens with a darkening shelter. The house faced the arch, and occupied three sides of a quadrangle. It was very old, and very irregular and rambling. The windows were uneven; some small, some large, some with heavy stone mullions and rich stained glass; others with frail lattices that rattled in every breeze; others so modern that they might have been added only yesterday. Great piles of chimneys rose up here and there behind the pointed gables, and seemed as if they were so broken down by age and long service that they must have fallen but for the straggling ivy which, crawling up the walls and trailing even over the roof, wound itself about them and supported them. The principal door was squeezed into a corner of a turret at one angle of the building, as if it were in hiding from dangerous visitors, and wished to keep itself a secret—a noble door for all that—old oak, and studded with great square-headed iron nails, and so thick that the sharp iron knocker struck upon it with a muffled sound, and the visitor rung a clanging bell that dangled in a corner among the ivy, lest the noise of the knocking should never penetrate the stronghold.

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Excerpt from Lost for Love, Vol. 1 of 2: A NovelI do, mother, and for that very reason think we ought to begin our new life with new furniture.I am too old to begin a new life, dear, and I like the old things best. This with a tender glance at an ancient Spanish-mahogany sideboard that age had made almost as black as ebony. They don't make such things now.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This early work by Mary Elizabeth Braddon was originally published in 1907 and we are now republishing it with a brand new biography of the author. 'Dead Love Has Chains' is one of Braddon's novels in the sensation literature genre. Mary Elizabeth Braddon was born in Soho, London, England in 1835. She was educated privately in England and France, and at the age of just nineteen was offered a commission by a local printer to produce a serial novel "combining the humour of Dickens with the plot and construction of G. P. R. Reynolds" What emerged was Three Times dead, or The Secret of the Heath, which was published five years later under the title The Trail of the Serpent (1861). For the rest of her life, Braddon was an extremely prolific writer, producing more than eighty novels, while also finding time to write and act in a number of stage plays.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Trail of the Serpent is the debut novel by Mary Elizabeth Braddon, first published in 1860 as Three Times Dead; or, The Secret of the Heath. The story concerns the schemes of the orphan Jabez North to acquire an aristocratic fortune, and the efforts of Richard Marwood, aided by his friends, to prove his innocence in the murder of his uncle. Portraying many themes associated with the sensation novel — including violence, potential bigamy and the lunatic asylum — it has also been hailed as the first British detective novel; plot devices and elements such as the detective's use of boy assistants, the planting of evidence on a corpse, and the use of disguise to fool the criminal, were later used by this school of fiction in the twentieth century. Initially selling poorly, Braddon condensed and revised Three Times Dead on the advice of the London publisher John Maxwell; re-issued under its current title, the novel achieved greater success — it was serialized in 1864 and then reprinted several times in the following years....... Mary Elizabeth Braddon (4 October 1835 – 4 February 1915) was an English popular novelist of the Victorian era.She is best known for her 1862 sensation novel Lady Audley's Secret.Born in London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years in order to support herself and her mother. In 1860, Mary met John Maxwell (1824–1895), a publisher of periodicals. She started living with him in 1861.However, Maxwell was already married with five children, and his wife was living in an asylum in Ireland. Mary acted as stepmother to his children until 1874, when Maxwell's wife died and they were able to get married. She had six children by him, including the novelist William Babington Maxwell. Braddon was a prolific writer, producing more than 80 novels with inventive plots. The most famous is Lady Audley's Secret (1862), which won her recognition, and a fortune as a bestseller.It has remained in print since its publication and been dramatised and filmed several times. R. D. Blackmore's anonymous sensation novel Clara Vaughan (1864) was wrongly attributed to her by some critics. Braddon wrote several works of supernatural fiction, including the pact with the devil story Gerald, or the World, the Flesh and the Devil (1891), and the ghost stories "The Cold Embrace", "Eveline's Visitant" and "At Chrighton Abbey".From the 1930s onwards, these stories were often anthologised in collections such as Montague Summers's The Supernatural Omnibus (1931) and Fifty Years of Ghost Stories (1935).Braddon's legacy is tied to the sensation fiction of the 1860s. Braddon also founded Belgravia magazine (1866), which presented readers with serialised sensation novels, poems, travel narratives and biographies, as well as essays on fashion, history and science. The magazine was accompanied by lavish illustrations and offered readers a source of literature at an affordable cost. She also edited Temple Bar magazine. She died on 4 February 1915 in Richmond, then in Surrey and now in London, and is interred in Richmond Cemetery.Her home had been Lichfield House in the centre of then town, which was replaced by a block of flats in 1936, Lichfield Court, now listed. She has a plaque in Richmond parish church which calls her simply 'Miss Braddon'. A number of streets in the area are named after characters in her novels – her husband was a property developer in the area. There is a critical essay on Braddon's work in Michael Sadleir's book Things Past (1944).In 2014 the Mary Elizabeth Braddon Association was founded to pay tribute to Braddon's life and work....