Books with author Mary E. Braddon

Excerpt from Dead Love Has ChainsShe let the Cranford shooting, and gave the money to a Bournemouth hospital. Her friends were all of them past: forty, some grave and learned, some frivolous and pleasure-loving, but none young. From young men in particular she shrank with a kind of disgust. She could better put up with girls. This was a consequence of the great grief that had come upon her suddenly when Daisy Meredith was nineteen.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Story of Barbara, Vol. 1 of 3: Her Splendid Misery and Her Gilded Cage; A Novel Matters now stand, the Author feels constrained to give prominence to the name of her heroine in the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Birds of Prey, Vol. 1 of 3: A NovelThe inscription on the brass-plate informed the neighbourhood that No. 14 was occupied by Mr. Sheldon, surgeon-dentist and the dwellers in frzgeorge-street amused themselves in their leisure hours by Speculative discussions upon the character and pursuits, belongings and surround ings of this gentleman.Of course he was eminently respectable. On that question no Fitzgeorgian had ever hazarded a doubt; A householder with such a door-step and such muslin curtains could not be other than the most correct of mankind; for, if there is any external evidence by which a dissolute life or an Ill-regulated mind will infallibly betray itself, that evidence is to be found in the yellowness and limpness of muslin window-curtains. The eyes are the windows of the soul, says the poet; but if a man's eyes are not open to your inspection, the windows of his house will help you to discover his character as an individual, and his solidity as a citizen. At least such was the Opinion cherished in Fitzgeorge-street, Russell-square.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Day Will ComeThe signal had come now, given by the telegraph wires to-the old postmistress, and sent on to the expectant ringers in the church tower. The young couple had arrived at Wareham station, five miles off; and four horses were bringing them to their honeymoon home yonder amidst the old woods of Cheriton Chase.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Lost for Love, Vol. 1 of 2: A NovelI do, mother, and for that very reason think we ought to begin our new life with new furniture.I am too old to begin a new life, dear, and I like the old things best. This with a tender glance at an ancient Spanish-mahogany sideboard that age had made almost as black as ebony. They don't make such things now.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Story of Barbara, Vol. 2: Her Splendid Misery and Her Gilded Cage; A NovelIt seems like a bit of some grand old world where giants may have lived and flourished. There is a spaciousness, an airiness, unknown in a pastoral country hemmed in by hedgerows and dotted with the dwellings of humanity. Here you may drive for miles without passing a human habitation. Even those open stretches of land redeemed from barren ness to the uses of agriculture have a Wild nu tenanted look. One sees no labourer at work. All is silence and loneliness. No voice save the ever lasting voices Of Nature the hum of the bee among the heather; ocean's mighty diapason dwindling to a murmur in the sunny distance; the cry of the sea gull the melodious rapture of the lark.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Story of Barbara, Vol. 3 of 3: Her Splendid Misery and Her Gilded Cage; A NovelFlossie was admired, and it was prophesied by friendly matrons that she too would make a brilliant marriage in due time she might not, perhaps, enrol herself among the landed gentry; but there were wealthy drysalters and millionaire soap-boilers float ing on the surface of Camberwell society, and who could tell when one of these might be drawn into Flossie's net?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Just as I Am, Vol. 1 of 2: A NovelThe hungry master gnaws, and the hungry mongrel envies, wagging his poor stump of a tail ever and anon in mute supplication, once or twice bursting into a tremulous whine. His owner looks at him dubiously, out of a corner of his eye, and at last, with a reluctant air, relinquishes his grip upon the crust, and tosses the remaining fragment to the cur.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.