Books with author Mark A. Sinclair

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 – 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry.She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915–67), in The Egoist, April 1918. THE DIVINE FIRE Mr. OWEN SEAMAN in Punch says:— "Miss Sinclair is always quietly sure of herself. That is why she will not be hurried, but moves through her gradual scheme with so leisured a serenity; why her style, fluent and facile, never forces its natural eloquence; why her humour plays with a diffused light over all her work and seldom needs the advertisement of scintillating epigrams. Judged by almost every standard to which a comedy like this should be referred, I find her book, 'The Divine Fire' the most remarkable that I have read for many years."

Did Horace "dare" take a risk on that poet Rickman? The poet dropped his aitches, for one thing. And there was the matter of that actress he doted on -- low-class! Yet cousin Lucia kept asking about him . . . and Horace did think maybe, just maybe, Rickman was a genius. But could Horace introduce Rickman to his club? He yearned to -- and yet, as he told Lucia, "The burnt critic dreads the divine fire!" In this witty 1904 novel of literary and social manners and foibles, May Sinclair demonstrates all the wit, perception and style that made her one of the most respected -- and most read -- novelists of her time. May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 – 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry.She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915–67), in The Egoist, April 1918. Early life: She was born in Rock Ferry, Cheshire. Her father was a Liverpool shipowner, who went bankrupt, became an alcoholic, and died before she was an adult. Her mother was strict and religious; the family moved to Ilford on the edge of London. After one year of education at Cheltenham Ladies College, she acted as caretaker for her brothers, as four of the five, all older, were suffering from a fatal congenital heart disease. Career: From 1896 she wrote professionally, to support herself and her mother, who died in 1901. An active feminist, Sinclair treated a number of themes relating to the position of women, and marriage. She also wrote non-fiction based on studies of philosophy, particularly German idealism. Her works sold well in the United States. Around 1913, at the Medico-Psychological Clinic in London, she became interested in psychoanalytic thought, and introduced matter related to Sigmund Freud's teaching in her novels.In 1914, she volunteered to join the Munro Ambulance Corps, a charitable organization (which included Lady Dorothie Feilding, Elsie Knocker and Mairi Chisholm) that aided wounded Belgian soldiers on the Western Front in Flanders. She was sent home after only a few weeks at the front; she wrote about the experience in both prose and poetry. She wrote early criticism on Imagism and the poet H. D. (1915 in The Egoist); she was on social terms with H. D. (Hilda Doolittle), Richard Aldington and Ezra Pound at the time. She also reviewed in a positive light the poetry of T. S. Eliot (1917 in the Little Review) and the fiction of Dorothy Richardson (1918 in The Egoist). It was in connection with Richardson that she introduced "stream of consciousness" as a literary term, which was very generally adopted. Some aspects of Sinclair's subsequent novels have been traced as influenced by modernist techniques, particularly in the autobiographical Mary Olivier: A Life (1919). She was included in the 1925 Contact Collection of Contemporary Writers. Sinclair was a believer in Spiritualism, and was also a member of the Society for Psychical Research from 1914. Sinclair wrote two volumes of supernatural fiction, Uncanny Stories (1923) and The Intercessor and Other Stories (1931).E. F. Bleiler called Sinclair "an underrated writer" and described Uncanny Stories as "excellent".Gary Crawford has stated Sinclair's contribution to the supernatural fiction genre, "small as it is, is notable"....

May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 – 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry. She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915–67), in The Egoist, April 1918. MARY OLIVIER: A LIFE The curtain of the big bed hung down beside the cot. When old Jenny shook it the wooden rings rattled on the pole and grey men with pointed heads and squat, bulging bodies came out of the folds on to the flat green ground. If you looked at them they turned into squab faces smeared with green. Every night, when Jenny had gone away with the doll and the donkey, you hunched up the blanket and the stiff white counterpane to hide the curtain and you played with the knob in the green painted iron railing of the cot. It stuck out close to your face, winking and grinning at you in a friendly way. You poked it till it left off and turned grey and went back into the railing. Then you had to feel for it with your finger. It fitted the hollow of your hand, cool and hard, with a blunt nose that pushed agreeably into the palm.