Books with author Marie L. Mclaughlin

Herein readers will find 38 Sioux folk and fairy tales. Stories like - THE FORGOTTEN EAR OF CORN, THE LITTLE MICE, THE PET RABBIT, THE STORY OF THE LOST WIFE, THE FAITHFUL LOVERS, THE BRAVE WHO WENT ON THE WARPATH ALONE AND WON THE NAME OF THE LONE WARRIOR and many more. The 38 stories contained in this little volume were told to the compiler by the older men and women of the Sioux a long, long time ago. Careful notes were made, knowing that, if not recorded correctly, these folk tales would be lost to posterity by the passing of the primitive Indian, for the American Indian race was, in the late 19th and early 20th centuries, at a most interesting stage of development. Its ancient culture was fast receding into the mists of the past. The compiler of the stories was, herself, one-fourth Sioux and through her birth acquired a thorough knowledge of the Sioux language. Her maternal grandfather, a Scotsman by birth, who in 1811 arrived in the British Northwest to found what was known as the Selkirk Colony, near Lake Winnipeg. Her grandmother, Ha-za-ho-ta-win, was a full-blood of the Medawakanton Band of the Sioux Tribe of Indians. Her father, Joseph Buisson, was born near Montreal, Canada. She married Major James McLaughlin who became the Indian agent at the Devils Lake Agency, North Dakota. Later they were transferred to Standing Rock, on the Missouri River, to take charge of the Sioux who had then but recently surrendered to the military authorities. Having lived on Indian reservations over forty years she, therefore, had exceptional opportunities of learning the legends and folk-lore of the Sioux. 33% of the net profit from the sale of this book will be donated to charities.The timid rabbit who outwits the tyrannical bear, the wonderful turtle who marries the Indian chief's daughter, the pet crane who saves a family—these and many other legendary figures appear in Myths and Legends of the Sioux. Marie L. McLaughlin, born to a white father and a mixed-blood Sioux mother, heard these stories while growing up among the eastern Sioux of Minnesota. When she recorded them for posterity in 1916 she had long been the wife of James McLaughlin, whom she served as interpreter during the years he was head of the Devils Lake and Standing Rock agencies and an inspector for the Indian Bureau. The thirty-eight pieces in this collection are rich in humor, animal lore, otherworldly encounters, and famous legends such as those featuring Unktomi (Spider) and the Stone Boy.It is an interesting collection of parables and morals of a Native American culture. There are a lot of similarities with those of the Greeks and probably most world cultures.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Marie McLaughlin, a 19th century American author of Sioux descent, compiled this collection of Sioux tales told to her from fellow members of her tribe. Among Native American tribes, the Sioux are one of the best known and most important. Participants in some of the most famous and notorious events in American history, the history of the Sioux is replete with constant reminders of the consequences of both their accommodation of and resistance to American incursions into their territory by pioneering white settlers pushing further westward during the 19th century. Some Sioux leaders and their bands resisted incoming whites, while others tried to accommodate them, but the choice often had little impact on the ultimate outcome. Crazy Horse, who was never defeated in battle by U.S. troops, surrendered to them in 1877, only to be bayoneted to death by soldiers attempting to imprison him. Black Kettle, who flew a large American flag from his lodge to indicate his friendship with the white man, was shot to death by soldiers under George Custer's command in 1868. Throughout the 19th century, the U.S. government and its officials in the West adopted a policy of dividing the Sioux into two groups: "Treaty Indians" and "Non-treaty Indians." Often they used these groups against each other or used one group to influence another, but the end was always the same. They were forced off the land where they resided, their populations were decimated by disease, and they were forced onto reservations to adopt lifestyles considered "appropriate" by American standards. Despite being some of the most erstwhile foes the U.S. government faced during the Indian Wars, the Sioux and their most famous leaders were grudgingly admired and eventually immortalized by the very people they fought. Sitting Bull and Crazy Horse remain household names due to their leadership of the Sioux at the fateful Battle of the Little Bighorn, where the native warriors wiped out much of George Custer's 7th Cavalry and inflicted the worst defeat of the Indian Wars upon the U.S. Army. Red Cloud remains a symbol of both defiance and conciliation, resisting the Americans during Red Cloud's War but also transitioning into a more peaceful life for decades on reservation.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again – worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.