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Books with author M E (Mary Elizabeth) 1837-19 Braddon

  • The Rose of Life

    Mary Elizabeth Braddon

    Paperback (BiblioLife, Nov. 1, 2008)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
  • Strangers and Pilgrims: A Novel

    Mary Elizabeth Braddon

    Paperback (BiblioBazaar, Aug. 21, 2008)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
  • Charlotte's Inheritance: A Novel

    Mary Elizabeth Braddon Maxwell

    Paperback (Forgotten Books, Jan. 31, 2018)
    Excerpt from Charlotte's Inheritance: A NovelI have to thank thee for a new boarder, my friend, she said.Madame Meynell will not pay largely; but she seems a quiet and respectable person, and we shall doubtless be well pleased with each other.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • Lady Audley's Secret

    Mary Elizabeth Braddon

    Library Binding (Classic Books, May 21, 2007)
    None
  • Belgravia, Vol. 31: An Illustrated London Magazine; November 1876 to February 1877

    Mary Elizabeth Braddon

    Hardcover (Forgotten Books, Jan. 16, 2018)
    Excerpt from Belgravia, Vol. 31: An Illustrated London Magazine; November 1876 to February 1877A fearful sign stands in the house of life, An enemy; a fiend lurks close behind The radiance of thy planet - oh! Be warned l - Connamcn.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • Lady Audley's Secret

    Mary Elizabeth Braddon

    Paperback (CreateSpace Independent Publishing Platform, Nov. 28, 2017)
    "Lady Audley's Secret" book has a beautiful glossy cover and a blank page for the dedication. "Mr. Harcourt Talboys lived in a prim, square, red-brick mansion, within a mile of a little village called Grange Heath, in Dorsetshire. The prim, square, red-brick mansion stood in the center of prim, square grounds, scarcely large enough to be called a park, too large to be called anything else - so neither the house nor the grounds had any name, and the estate was simply designated Squire Talboys'. Perhaps Mr. Harcourt Talboys was the last person in this world with whom it was possible to associate the homely, hearty, rural old English title of squire. He neither hunted nor farmed. He had never worn crimson, pink, or top-boots in his life. A southerly wind and a cloudy sky were matters of supreme indifference to him, so long as they did not in any way interfere with his own prim comforts; and he only cared for the state of the crops inasmuch as it involved the hazard of certain rents which he received for the farms upon his estate. He was a man of about fifty years of age, tall, straight, bony and angular, with a square, pale face, light gray eyes, and scanty dark hair, brushed from either ear across a bald crown, and thus imparting to his physiognomy some faint resemblance to that of a terrier - a sharp, uncompromising, hard-headed terrier - a terrier not to be taken in by the cleverest dog-stealer who ever distinguished himself in his profession."
  • Belgravia, Vol. 1: A London Magazine; February, 1867

    Mary Elizabeth Braddon

    Hardcover (Forgotten Books, Jan. 25, 2018)
    Excerpt from Belgravia, Vol. 1: A London Magazine; February, 1867Of course he was eminent'. Y respectable. On that question no Fits georgian had ever hazarded a doubt. A householder with such a door-step and such muslin curtains could not be other than the most correct of mankind; for, if there is any external evidence by which a dissolute life or an ill-regulated mind will infallibly betray itself, that evidence is to be found in the yellowness and limpness of muslin window-curtains. The eyes are the windows of the soul, says the poet; but if a man's eyes are not open to your inspection, the windows of his house will help you to discover his character as an individual, and his solidity as a citizen. At least such was the opinion cherished in Fitzgeorge-street, Russell-square.The person and habits of Mr. Sheldon were in perfect harmony with the aspect of the house. The unsullied snow of the door-step reproduced itself in the unsullied snow of his shirt-front; the brilliancy of the brass-plate was reflected in the glittering brightness of his gold studs; the varnish on the door was equalled by the lustrous surface of his black satin waistcoat; the careful pointing of the brick-work was in a manner imitated by the perfect order of his polished finger nails and the irreproachable neatness of his hair and whiskers.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • Belgravia: A London Magazine, Volume 1

    Mary Elizabeth Braddon

    Paperback (Nabu Press, Sept. 24, 2011)
    This is a reproduction of a book published before 1923. This book may have occasional imperfections <br /> such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, <br /> or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, <br /> have elected to bring it back into print as part of our continuing commitment to the preservation of printed works <br /> worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. <br /> <br/><br/> <br /> ++++<br/> <br /> The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: <br /> <br/>++++ <br /> <br/><br/>&lt;title&gt; Belgravia: A London Magazine, Volume 1; Early British Periodicals: General Series<br/><br/>&lt;author&gt; Mary Elizabeth Braddon<br/><br/>&lt;publisher&gt; Willmer &amp; Rogers, 1867<br/><br/>&lt;subjects&gt; History; General; History / General
  • Charlotte's Inheritance, Vol. 2 of 3: A Novel

    Mary Elizabeth Braddon

    Hardcover (Forgotten Books, Jan. 31, 2018)
    Excerpt from Charlotte's Inheritance, Vol. 2 of 3: A NovelDiana obeyed this summons submissively, but still troubled by that strange sense of bewilder ment which had affected her since her stormy interview with Captain Paget. She was not quite certain of herself. The old dreams the sweet.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • Charlotte's Inheritance: A Novel

    Mary Elizabeth Braddon

    Paperback (Andesite Press, Aug. 25, 2017)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Lady Audley's Secret

    Mary Elizabeth Braddon

    Hardcover (BiblioLife, Aug. 18, 2008)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
  • Charlotte's Inheritance: A Novel

    Mary Elizabeth Braddon Maxwell

    Hardcover (Forgotten Books, Jan. 31, 2018)
    Excerpt from Charlotte's Inheritance: A NovelI have to thank thee for a new boarder, my friend, she said.Madame Meynell will not pay largely; but she seems a quiet and respectable person, and we shall doubtless be well pleased with each other.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.