Books with author Lytton Edward Bulwer Lytton 1803-1873

New Complete Edition - The Last Days of Pompeii - By Edward George Bulwer-Lytton - The Cataclysmic Destruction of the City of Pompeii. The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. Once a very widely read book and now relatively neglected, it culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79. The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult – a theme which would emerge in his later writing, particularly The Coming Race. A popular sculpture by American sculptor Randolph Rogers, Nydia, the Blind Flower Girl of Pompeii (1856) was based on a character from the book. Pompeii, A.D. 79. Athenian nobleman Glaucus arrives in the bustling and gaudy Roman town and quickly falls in love with the beautiful Greek Ione. Ione's former guardian, the malevolent Egyptian sorcerer Arbaces, has designs on Ione and sets out to destroy their budding happiness. Arbaces has already ruined Ione's sensitive brother Apaecides by luring him to join the vice-ridden priesthood of Isis. The blind slave Nydia is rescued from her abusive owners by Glaucus, for whom she secretly pines. Arbaces horrifies Ione by declaring his love for her, and flying into a rage when she refuses him. Glaucus and Apaecides rescue her from his grip, but Arbaces is struck down by an earthquake, a sign of Vesuvius's coming eruption. Glaucus and Ione exult in their love, much to Nydia's torment, while Apaecides finds a new religion in Christianity. Nydia unwittingly helps Julia, a rich young woman who has eyes for Glaucus, obtain a love potion from Arbaces to win Glaucus's love. But the love potion is really a poison that will turn Glaucus mad. Nydia steals the potion and administers it; Glaucus drinks only a small amount and begins raving wildly. Apaecides and Olinthus, an early Christian, determine to publicly reveal the deception of the cult of Isis. Arbaces, recovered from his wounds, overhears and stabs Apaecides to death; he then pins the crime on Glaucus, who has stumbled onto the scene.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Say, ye oppressed by some fantastic woes, Some jarring nerve that baffles your repose, Who press the downy couch while slaves advance With timid eye to read the distant glance, Who with sad prayers the weary doctor tease To name the nameless, ever-new disease, Who with mock patience dire complaints endure, Which real pain and that alone can cure, How would you bear in real pain to lie Despised, neglected, left alone to die? How would you bear to draw your latest breath Where all that's wretched paves the way to death?—Crabbe.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Last Days Of Pompeii by Edward Bulwer-Lytton. The story is set in Pompeii, A.D. 79. Athenian nobleman Glaucus arrives in the busy Roman town and quickly falls in love with the beautiful Greek Ione. Ione's former guardian, the Egyptian sorcerer Arbaces, has designs on Ione and sets out to destroy their growing happiness. Arbaces has already ruined Ione's sensitive brother Apaecides by luring him to join the vice-ridden corrupt priesthood of Isis. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com

From PELHAM to the PILGRIMS OF THE RHINE, from RIENZI to the LAST DAYS OF POMPEII, -- PAUL CLIFFORD is the only one in which a robber has been made the hero, or the peculiar phases of life which he illustrates have been brought into any prominent description. Without pausing to inquire what realm of manners or what order of crime and sorrow is open to art, and capable of administering to the proper ends of fiction, I may be permitted to observe that the present subject was selected, and the Novel written, with a twofold object: First, to draw attention to two errors in our penal institutions; namely, a vicious prison-discipline, and a sanguinary criminal code, -- the habit of corrupting the boy by the very punishment that ought to redeem him, and then hanging the man at the first occasion, as the easiest way of getting rid of our own blunders. Between the example of crime which the tyro learns from the felons in the prison-yard, and the horrible levity with which the mob gather round the drop at Newgate, there is a connection which a writer may be pardoned for quitting loftier regions of imagination to trace and to detect. So far this book is less a picture of the king's highway than the law's royal road to the gallows, -- a satire on the short cut established between the House of Correction and the Condemned Cell. A second and a lighter object in the novel of PAUL CLIFFORD (and hence the introduction of a semi-burlesque or travesty in the earlier chapters) was to show that there is nothing essentially different between vulgar vice and fashionable vice, and that the slang of the one circle is but an easy paraphrase of the cant of the other.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.