Books with author Lytton Edward Bulwer Lytton 1803-1873

“Bulwer-Lytton was a prolific writer….His novels were very famous in his lifetime, and their range is an indication of the literary variety and changes in the Victorian period. He was a friend of the philosopher William Godwin whose influence can be traced in his early novels such as Paul Clifford (1830) and Eugene Aram (1832). He was also influenced by the fashionable society and it is reflected in his first successful work Pelham, which has a similarity to Benjamin Disraeli’s political novels of high society….The literary output produced during the mid of his career such as The Caxtons – A Family Picture was written under the influence of the strict Victorian moral code. He showed the influence of Sir Walter Scott on the Victorian in his historical novel such as The Last Days of Pompeii, Rienzi, and The Last of the Barons while The Pilgrims of the Rhine shows the German influence.” -The Atlantic Companion to Literature in English "The first nineteenth-century novelist to project himself as an intellectual, interested in ideas, and how fiction can be their vehicle." -John Sutherland. “We love the beautiful and serene, but we have a feeling as deep as love for the terrible and dark.” - Edward Bulwer-Lytton

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

From PELHAM to the PILGRIMS OF THE RHINE, from RIENZI to the LAST DAYS OF POMPEII, -- PAUL CLIFFORD is the only one in which a robber has been made the hero, or the peculiar phases of life which he illustrates have been brought into any prominent description. Without pausing to inquire what realm of manners or what order of crime and sorrow is open to art, and capable of administering to the proper ends of fiction, I may be permitted to observe that the present subject was selected, and the Novel written, with a twofold object: First, to draw attention to two errors in our penal institutions; namely, a vicious prison-discipline, and a sanguinary criminal code, -- the habit of corrupting the boy by the very punishment that ought to redeem him, and then hanging the man at the first occasion, as the easiest way of getting rid of our own blunders. Between the example of crime which the tyro learns from the felons in the prison-yard, and the horrible levity with which the mob gather round the drop at Newgate, there is a connection which a writer may be pardoned for quitting loftier regions of imagination to trace and to detect. So far this book is less a picture of the king's highway than the law's royal road to the gallows, -- a satire on the short cut established between the House of Correction and the Condemned Cell. A second and a lighter object in the novel of PAUL CLIFFORD (and hence the introduction of a semi-burlesque or travesty in the earlier chapters) was to show that there is nothing essentially different between vulgar vice and fashionable vice, and that the slang of the one circle is but an easy paraphrase of the cant of the other.

"The Last Days of Pompeii, a novel by Edward George Bulwer-Lytton tells the love story of the Greeks Glaucus and Ione who were living in Pompeii when Mt. Vesuvius erupted and destroyed the city. But aside from telling their romance, the book is also full of insights about the decadent lifestyle of the Romans during the later part of their empire’s history.The different characters in the story represent the different civilizations which they come from. Glaucus, the main protagonist in the novel was portrayed as a handsome Greek nobleman. His main love interest, Ione was a very beautiful Greek who ended up in Pompeii after being orphaned while she was still a child. Then, there’s also Arbaces, an Egyptian who was the guardian of Ione. He’s the villain in the novel and repeatedly attempted to seduce Ione but failed.Edward George Bulwer-Lytton interestingly set the story in Pompeii during the time when Roman society was already decaying. In the novel, Glaucus and Ione met and fall in love with each other. When Arbaces learned about this he cleverly devised a plan so that Glaucus will be convicted of a murder that he never committed. But as Glaucus was about to be fed to the lions in the amphitheatre as his punishment, the truth is revealed as to who really committed the murder. Don't miss the end of this story to find how who the real culprit was and what the final fate of Pompeii would be.This book is definitely a good read for those who are looking for an interesting love story and at the same time to learn more about ancient Roman civilization."

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Excerpt from The Last Days of PompeiiBut with the classical age we have no household and familiar associations. The creed of that' departed relig ion, the customs of that past civilization, present little that is sacred or attractive to our northern imaginations; they are rendered yet more trite to us by the scholastic pedantries which first acquainted us with their nature, and are linked with the recollection of studies which were imposed as a labor, and not cultivated as a delight.Yet the enterprise, though arduous, seemed to me worth attempting; and in the time and the scene I have chosen, much may be found to arouse the curiosity of the reader, and enlist his interest in the descriptions of the author. It was the first century of our religion; it was the most civilized period of Rome; the conduct of the story lies amidst places whose relics we yet trace; the catastrophe is among the most awful which the trage dies of Ancient History present to our survey.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.