Books with author Leo Nikolaievitch Tolstoy

A “harrowing” true story of World War II—the forced repatriation of two million Russian POWs to certain doom (The Times, London). At the end of the Second World War, a secret Moscow agreement that was confirmed at the 1945 Yalta Conference ordered the forcible repatriation of millions of Soviet citizens that had fallen into German hands, including prisoners of war, refugees, and forced laborers. For many, the order was a death sentence, as citizens returned to find themselves executed or placed back in forced-labor camps. Tolstoy condemns the complicity of the British, who “ardently followed” the repatriation orders.

Leo Tolstoy's novella The Death of Ivan Ilyich begins shortly after Ivan Ilyich's death. A small group of legal professionals, court members, and a private prosecutor have gathered in a private room within the Law Courts, and while looking through a newspaper one of them reads the following; "Praskovya Fedorovna Golovina, with profound sorrow, informs relatives and friends of the demise of her beloved husband Ivan Ilyich Golovin, Member of the Court of Justice, which occurred on February the 4th of this year 1882. The funeral will take place on Friday at one o'clock in the afternoon." Immediately members of the group begin to think how Ilyich's passing will affect their positions and status; They thank God it didn't happen to them and ponder on the implications of how they might benefit from their colleagues demise, each one of them oblivious of the fact that death will come to them all. ¬ The story takes us back and we see Ivan Ilyich in the prime of his life. He has studied law and is now a judge. He performs his work with a cold discipline and he is a social climber who has become devoid of emotion. He lacks empathy and any concern for his fellow man, seeking only to reach the top where he can look down upon his peers. One day Ivan has a fall whilst decorating his new house. He sustains an injury and although he doesn't know it, the injury will cause him to become ill and he will die as a result. During his illness he becomes bad tempered and bitter and refuses to believe he is coming to the end of his life. He gets little sympathy from his family and his only solace are his conversations with Gerasim, a peasant who stays by his bed and gives him honesty and kindness. Reflecting on his current situation and his past life Ivan's worldview begins to change. He realizes the higher he climbed in his noble profession the more unhappy he became, and looking back he realizes how meaningless his life had been. Slowly Ivan comes to term with his immanent death and finally he sees the light. He begins to feel sorry for those about him busying themselves living a life of habit unable to see how artificial their existence is and that they are not living a good life at all. Finally after his illumination he dies in a moment of exquisite happiness. The Death of Ivan Ilyich is Tolstoy's attack on the smug satisfaction of a middle and upper class population, who in his mind live artificial meaningless lives, lives of separateness unaware of their creator and what lies before them after death. Tolstoy's critic Vladimir Nabokov summed it up when he wrote; "The Tolstoyan formula is: Ivan lived a bad life and since the bad life is nothing but the death of the soul, then Ivan lived a living death; and since beyond death is God's living light, then Ivan died into a new life - Life with a capital L."

In his book, 'Twenty Three tales,' we see Tolstoy's love of the short story, whether for children or adults; and witness the secret of simplicity and transparency of style, so evident in the great Russian writers. The children's stories remind us of Tolstoy's life-long passion for the schooling and education of peasant children. Of the adult stories, some draw on traditional Russian folk tales, breathe the air old peasant wisdom, and take us deep into the land of snow, bears, heartache and vodka. Other stories reflect Tolstoy's political and moral concerns, such as war, alcohol and greed. 'The artist of the future,' wrote Tolstoy, 'will understand that to compose a fairy tale; a little song which will touch; a lullaby or a riddle which will entertain; a jest which will amuse or draw a sketch such as will delight dozens of generations or millions of children and adults, is incomparably more important and more fruitful than to compose a novel, or a symphony, or paint a picture of the kind which diverts some members of the wealthy classes for a short time and is then for ever forgotten. The region of this art of the simplest feelings accessible to all is enormous, and it is as yet almost untouched.' 'Work while ye have the light,' is Tolstoy in teaching mode. The opening scene is an aristocratic dinner party, at which all the guests declare themselves dissatisfied with their dissolute and useless lives; but find a thousand different reasons why nothing should change. There follows a moral tale, set in the 1st Century AD, when the new Christian sect was just getting noticed by the prevailing Roman Empire. It tells the story of two school friends, Pamphylius and Julius, who take different paths in life; but whose paths keep crossing. Pamphylius joins the Christians, living poor in community, while Julius acquires status and power. Here Tolstoy gives us his picture of authentic Christianity; and gives Julius a choice. Simon Parke, author of The One Minute Mystic

In his book, 'Twenty Three tales,' we see Tolstoy's love of the short story, whether for children or adults; and witness the secret of simplicity and transparency of style, so evident in the great Russian writers. The children's stories remind us of Tolstoy's life-long passion for the schooling and education of peasant children. Of the adult stories, some draw on traditional Russian folk tales, breathe the air old peasant wisdom, and take us deep into the land of snow, bears, heartache and vodka. Other stories reflect Tolstoy's political and moral concerns, such as war, alcohol and greed. 'The artist of the future,' wrote Tolstoy, 'will understand that to compose a fairy tale; a little song which will touch; a lullaby or a riddle which will entertain; a jest which will amuse or draw a sketch such as will delight dozens of generations or millions of children and adults, is incomparably more important and more fruitful than to compose a novel, or a symphony, or paint a picture of the kind which diverts some members of the wealthy classes for a short time and is then for ever forgotten. The region of this art of the simplest feelings accessible to all is enormous, and it is as yet almost untouched.' 'Work while ye have the light,' is Tolstoy in teaching mode. The opening scene is an aristocratic dinner party, at which all the guests declare themselves dissatisfied with their dissolute and useless lives; but find a thousand different reasons why nothing should change. There follows a moral tale, set in the 1st Century AD, when the new Christian sect was just getting noticed by the prevailing Roman Empire. It tells the story of two school friends, Pamphylius and Julius, who take different paths in life; but whose paths keep crossing. Pamphylius joins the Christians, living poor in community, while Julius acquires status and power. Here Tolstoy gives us his picture of authentic Christianity; and gives Julius a choice.

Now in paperback, one of the most tragic episodes of World War II ―the forced repatriation of two million Russian POW's to certain doom At the end of the Second World War, a secret Moscow agreement that was confirmed at the 1945 Yalta conference ordered the forcible repatriation of millions of Soviet citizens that had fallen into German hands, including prisoners of war, refugees and forced laborers. For many, the order was a death sentence, as citizens returned to find themselves executed or placed back in forced-labor camps. Tolstoy condemns the complicity of the British, who “ardently followed” the repatriation orders. 24 photos

'What is religion?' is a collection of articles and letters written by the mature Tolstoy of 1901 and 1902. Published originally by the Free Age Press, it features all his trademark clarity and insight. Contained here is a wide variety of subject matter, including a look at the causes of social inequality, various attacks on the church and reflections on a recent political assassination. 'How shall we escape?' opens with a brilliant rural vignette exposing the absurd inequalities of the social order. Tolstoy believes that ultimately it's the government who is to blame for such inequity; but instead of choosing the path of the revolutionary, he encourages people to look inwardly at themselves, where the power of violence and evil lie. In 'My reply to the synod' Tolstoy responds to the church's Edict of Excommunication, in which they accuse Tolstoy of being seduced by the pride of his intellect. In his reply, Tolstoy quotes Coleridge approvingly: 'He who begins by loving Christianity better than the Truth, will proceed by loving his own sect or church better than Christianity, and end up by loving himself better than all.' Tolstoy claims to love Truth above all things. 'Thou shalt not kill' explores how the masses have been hypnotised into believing that killing is not only acceptable, but desirable. For Tolstoy, this is the old order of 'an eye for an eye and a tooth for a tooth', which Jesus' teaching had cancelled. The title piece, 'What is religion?' is the most substantial. Here Tolstoy explores the idea of religion and provides the following definition: 'True religion is the establishment by man of a relation to the infinite life around him; as long as in connecting his life with this infinitude and directing his conduct, there is also agreement with his reason and human knowledge.'