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Books with author LAURENCE (ill Edmund Dulac) HOUSMAN

  • Stories from The Arabian Nights

    Laurence Housman, Edmund Dulac

    Hardcover (Garden City Publishing, March 15, 1936)
    Stories from The Arabian Nights.
  • Stories from the Arabian Nights

    Laurence Housman, Edmund Dulac

    Paperback (CreateSpace Independent Publishing Platform, Aug. 31, 2013)
    This collection includes the following stories as retold by Laurence Housman: Ali Baba and the Forty Thieves; The Story of the Wicked Half-Brothers; The Story of the Princess of Deryabar; The Story of the Magic Horse; The Fisherman and the Genie; The Story of the King of the Ebony Isles; The History of Badoura, Princes of China, and of Camaralzaman, the Island Prince; Sinbad the Sailor; The first voyage of Sinbad the Sailor; The second voyage of Sinbad the Sailor; The third voyage of Sinbad the Sailor; The fourth voyage of Sinbad the Sailor; The fifth voyage of Sinbad the Sailor; The sixth voyage of Sinbad the Sailor; The seventh voyage of Sinbad the Sailor; and Aladdin and the Wonderful Lamp.
  • Stories From the Arabian Nights

    laurence housman, edmund dulac

    Leather Bound (hodder and stoughton, March 15, 1983)
    None
  • Stories from the Arabian Nights

    Laurence Housman, Edward Dulac

    Hardcover (Benediction Classics, March 22, 2010)
    Book by Housman, Laurence
  • Arabian Nights

    Laurence Housman; Illustrator Edmund Dula

    Hardcover (OMEGA BOOKS, March 15, 1985)
    Classic stories, illustrated by Edmund Dulac
  • Stories from the Arabian Nights

    Edmond [Illustrator] Housman, Laurence; Dulac

    Hardcover (Garden City Publishing Co Inc, Jan. 1, 1940)
    None
  • Stories from the Arabian Nights

    Laurence (ed.); illustrated by Edmund Dulac Housman

    Hardcover (Hodder and Stoughton, March 15, 1938)
    This is a lavishly illustrated edition of some of the stories from the famous One Thousand and One Nights collection of Arabian folk tales. It is beautifully produced with stitched sections of heavy quality Art paper used for the text. Interwoven are batches of thinner glossy paper, containing superb reproductions of watercolours by Edmund Dulac. Dulac's style is similar to that of Arthur Rackham and Kay Nielsen. All three artists produced many illustrations for books of folk and fairy tales, during the early part of the 20th century. The adaptor of the stories is Laurence Housman, himself a playwright and writer, and brother of the more famous poet A.E. Housman. Stories : Ali Baba and the forty Thieves The story of the Magic Horse Sinbad the Sailor Aladdin and the Wonderful Lamp
  • Stories from the Arabian Nights in the Words of Laurence Houseman

    Laurence; Illustrated By Edmund Dulac Houseman

    Hardcover (Hodder and Stoughton, March 15, 1938)
    None
  • Stories From the Arabian Nights

    Laurence Housman, Edmund Dulac

    Paperback (Sagwan Press, Feb. 4, 2018)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Stories From The Arabian Nights

    Laurence Bougman, Edmund Dulac

    Paperback (Kessinger Publishing, LLC, Sept. 10, 2010)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • Stories from the Arabian Nights

    Laurence Housman, Edmund Dulac

    Hardcover (Sagwan Press, Aug. 24, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • Stories from the Arabian nights

    Laurence Housman, Edmund Dulac

    Paperback (Ulan Press, Aug. 31, 2012)
    This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.