Books with author L. Frank] Thompson

Although The Alamo fell in the early morning of March 6, 1836, the death of the Alamo defenders has come to symbolize courage and sacrifice for the cause of liberty. The memories of James Bowie, Davy Crockett, and William B. Travis are as powerful today as when the Texan Army routed Santa Anna to the cry "Remember the Alamo!" This book is more than a tribute to those who fell defending the mission. It is a thoroughly researched, vividly illustrated, objective description of the circumstances building up to and leading from that stand. By using contemporary writings, this history describes the political and military organizations of both sides, the weapons and equipment available to them, and the enduringly famous personalities involved, creating a vivid picture of this dramatic battle and the period in which it was fought.

Here's a super treasury of 279 exciting math games and activities that help students learn by engaging both their minds and their bodies. Dispensing with tired "rote" learning and memorization, Hands-On Math! uses fun-filled exercises that encourage your students to think and reason mathematically. Illustrated, hands-on activities organized in natural concrete-to-abstract progressions give your students the tools they need to solve math problems, while encouraging them to think independently and apply math to their own lives. In line with the latest NCTM guidelines, this invaluable teacher's aid develops basic and advanced math skills through an effective combination of concrete exercises (manipulatives), pictorial models and cooperative learning experiences. For easy use, this handy resource is organized into the following eight sections, each covering concepts from a different area of mathematics.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Made into a Major Motion Picture In the spring of 1836, nearly 200 settlers in Texas revolted against the new dictator, General Antonio Lopez de Santa Anna, provoking one of the most extraordinary battles in history. Led by three men - the young, brash Colonel William Travis; the violent, passionate, and infamous knife fighter Jim Bowie; and the larger-than-life legend Davy Crockett - the Texans defended their fortress to the bitter end. Available only in Americana 4 & 5.

For the past century little had stood in the way of those running the news industry, a handful of socialists; men, women, dynasties. No real threat to their power and influence had ever surfaced in that time, nothing that could not be dispensed with by the overwhelming force of their news empires. These demigods believed themselves invincible...invincible up to that one fateful day when catastrophe struck them down. It was a day like no other, the day when their long-held monopoly slipped from their grasp and their control over the truth, forever lost. This is the telling of that tale, a tale of the events leading up to that single turning point for the nation...a day when truth was restored to the people...and the liars put out to pasture.

The Hound of Heaven is a work of art in just shy of 200 lines. A short piece for such a life changing poem. It contains more than one beautiful verse and the tone changes seamlessly many times over the poem. Called 'the sweetest, deepest, strongest song ever written in the English tongue' by the Reverend John O'Conor and as Katherine Bregy, highlights in the foreword, a taste for reading such beautiful work as Francis Thompson's can be the greatest possible aid to spiritual development for the individual. Francis Thompson's work describes the flight of the soul from enlightenment, 'down the nights and down the days'. His characterisation of Christ's love is as an insistent ever present force which chases the sinner, proffering salvation but not as option. The thought takes the personification of Christ through a huge variety of iterations, an avenger, a pursuer but still a saviour. The intensity of his religious experience and the potency of his metaphors permeate through the page and into the reader. His characterisation of lived experience as a process of dirtying the soul is powerful and harks back to the proud hermetic Christian traditions of Bede and St Cuthbert. Whilst this is without doubt a work of Christian spirituality there is no shortage of mythological references, an addition which enriches the poetry and illustrative nature of the work. This volume also has a wealth of analysis and explanation of Thompson's original work which allows the full significance of his work to be appreciated by all readers.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Although The Alamo fell in the early morning of March 6, 1836, the death of the Alamo defenders has come to symbolize courage and sacrifice for the cause of liberty. The memories of James Bowie, Davy Crockett, and William B. Travis are as powerful today as when the Texan Army routed Santa Anna to the cry "Remember the Alamo!" This book is more than a tribute to those who fell defending the mission. It is a thoroughly researched, vividly illustrated, objective description of the circumstances building up to and leading from that stand. By using contemporary writings, this history describes the political and military organizations of both sides, the weapons and equipment available to them, and the enduringly famous personalities involved, creating a vivid picture of this dramatic battle and the period in which it was fought.

One of England's grand masters of history provides a clear and persuasive interpretation of the creation of "respectable society" in Victorian Britain. Integrating a vast amount of research previously hidden in obscure or academic journals, he covers not only the economy, social structure, and patterns of authority, but also marriage and the family, childhood, homes and houses, work and play.By 1900 the structure of British society had become more orderly and well-defined than it had been in the 1830s and 1840s, but the result, Thompson shows, was fragmentation into a multiplicity of sections or classes with differing standards and notions of respectability. Each group operated its own social controls, based on what it considered acceptable or unacceptable conduct. This "internalized and diversified" respectability was not the cohesive force its middle-class and evangelical proponents had envisioned. The Victorian experience thus bequeathed structural problems, identity problems, and authority problems to the twentieth century, with which Britain is grappling.

The year is 2020 when Professor Felix Schwartz, your typical, garden variety, liberal college professor, steps out in front of a Mack truck and the lights go out. Thirty years pass by, all the while Schwartz remains a walking vegetable and ward of the state. By 2050 the country has gone through some slight changes thanks to a dramatic shift in the makeup in the country's populace giving liberals control over Washington. In that thirty years the country becomes the veritable paradise the ultraists have long sought to create, but more resembling a third-world, banana republic where English is replaced by twenty-five variations of gang slang, no one gets beyond third grade, rioting and something resembling football with hockey sticks are the national pastimes. There is now a "Forever President," welfare moms have replaced small business, corn is the cornerstone of industry, and people drive around in either battery-powered, bubble cars, or Latino lowriders. The professor suddenly awakens from his long slumber and embarks upon a journey to discover what America has become...Utopia!

It used to be a time when only the worthiest of the living was allowed to speak to the dead. As of tonight, those days will no longer exist. Six continents are fully engaged with the aid from more than five major communication satellites. Over four billion people watching and listening−three queens together on the same stage−two ways to escape death and it all begins in one arena. It’s the biggest show in humanity’s run-of-the-luck−the event is called the ‘Visitcom Showcase’, and the place is Madison Square Garden. Professor Franz Luzzatto Schiff introduces to the world his intriguing new technology called the Visitcom. This device converge power with such intensity, that it forges a bridge between the spiritual and the real. Therefore, the Visitcom conjures up and contrives over twelve of history’s most influential figures back from the after-life to our day and time to talk openly about their deeply ambivalent feelings towards the modern world and answer questions from some of the globe’s most dominant freethinkers and conformist. Thomas Jefferson talks present politics and answers questions about the visual evidence of constitution slack, ‘pay-for-play’, healthcare, the middle east, and he shares new thoughts on today’s leading issues. Vlad Dracula challenges fashionable foulness, the evils of nanobots blood-surfing throughout the modern body, and he puts 600-year-old rumors to rest. Harriet Tubman debates Harry Houdini on several subjects such as−who was the better escape artist of the two−Illusions vs diversions−working under pressure vs mental expectations−nursing your audience vs conditioning your audience. Genghis Khan explains parallel worlds, the multiverse, inter-dimensional portals, and infinitesimal singularity. Cleopatra touches on the ultra-modish woman while sharing the stage with Elizabeth I of England and the Queen of Sheba. Alexander the Great coaches a homosexual NFL quarterback on the art of being great. Nero addresses finance and the propaganda industrial complex. Nostradamus drops new nervy quatrains through the use of prevalent symbolism and metaphors without having to avoid being tried as a magician, which means−the gloves are off. Leonardo da Vinci rocks out with Michelangelo while being assisted by other awe-inspiring band members. And among the religiously affiliated−Jesus Christ and Lucifer come face to face once again, but this time to discuss−ownership interests. That's just some of the historical icons that will discuss the eye-opening and complex issues of modern culture, society, economics, politics, sports and the arts. However, a group of these legends managed to evade the confinement restraint array of ionizing radiation from the Visitcom and band together to track down, level and settle a score with an organization called the Order of the Dragonist−which they believe has been the root of global misfortunes for over two millenniums. In pursuing the Dragonist, this motley band of historical icons find themselves paranormal fugitives from the Visitcom, hunted by international authorities, and accused of crimes similar to the accounts in their historical record. Even though they managed to find some humor among the company of each other, their enduring task turns out to be perplexingly problematic and more modernized morbid than they ever expected−bringing them all to some shocking persuasive conclusions.See Author’s page for BOOKCLIP TRAILERS.