Books with author Julian Barnes

Happy Valley was the name given to the Wanjohi Valley in the Kenya Highlands, where a small community of affluent, hedonistic white expatriates settled between the wars. While Kenya's early colonial days have been immortalised by farming pioneers like Lord Delamere and Karen Blixen, and the pioneering aviator Beryl Markham, Happy Valley became infamous under the influence of troubled socialite, Lady Idina Sackville, whose life was told in Frances Osborne's bestselling The Bolter. The era culminated with the notorious murder of the Earl of Erroll in 1941, the investigation of which laid bare the Happy Valley set's decadence and irresponsibility, chronicled in another bestseller, James Fox's White Mischief. But what is left now? In a remarkable and indefatigable archaeological quest Juliet Barnes, who has lived in Kenya all her life and whose grandparents knew some of the Happy Valley characters, has set out to explore Happy Valley to find the former homes and haunts of this extraordinary and transient set of people. With the help of a remarkable African guide and further assisted by the memories of elderly former settlers, she finds the remains of grand residences tucked away beneath the mountains and speaks to local elders who share first-hand memories of these bygone times. Nowadays these old homes, she discovers, have become tumbledown dwellings for many African families, school buildings, or their ruins have almost disappeared without trace - a revelation of the state of modern Africa that makes the gilded era of the Happy Valley set even more fantastic. A book to set alongside such singular evocations of Africa’s strange colonial history as The Africa House, The Ghosts of Happy Valley is a mesmerising blend of travel narrative, social history and personal quest.

Happy Valley was the name given to the Wanjohi Valley in the Kenya Highlands, where a small community of affluent, hedonistic white expatriates settled between the wars. While Kenya's early colonial days have been immortalised by farming pioneers like Lord Delamere and Karen Blixen, and the pioneering aviator Beryl Markham, Happy Valley became infamous under the influence of troubled socialite, Lady Idina Sackville, whose life was told in Frances Osborne's bestselling The Bolter. The era culminated with the notorious murder of the Earl of Erroll in 1941, the investigation of which laid bare the Happy Valley set's decadence and irresponsibility, chronicled in another bestseller, James Fox's White Mischief. But what is left now? In a remarkable and indefatigable archaeological quest, Juliet Barnes, who has lived in Kenya all her life and whose grandparents knew some of the Happy Valley characters, has set out to explore Happy Valley to find the former homes and haunts of this extraordinary and transient set of people. With the help of a remarkable African guide and further assisted by the memories of elderly former settlers, she finds the remains of grand residences tucked away beneath the mountains and speaks to local elders who share first-hand memories of these bygone times. Nowadays these old homes, she discovers, have become tumbledown dwellings for many African families, school buildings, or their ruins have almost disappeared without trace - a revelation of the state of modern Africa that makes the gilded era of the Happy Valley set even more fantastic. A book to set alongside such singular evocations of Africa's strange colonial history as The Africa House, The Ghosts of Happy Valley is a mesmerising blend of travel narrative, social history and personal quest.

A masterful novel dedicated to the Russian composer Dmitri Shostakovich, from the bestselling, Booker Prize-winning author of The Sense of an Ending.The book begins in 1936, with Dmitri Shostakovich petrified at the age of thirty and fearing for his livelihood and even his life. His opera Lady Macbeth of the Mtsensk District has just been denounced in Pravda in an article that certainly reflects the opinion of Joseph Stalin himself. Every night he waits on the landing outside his apartment, expecting NKVD agents to come and whisk him away. Shostakovich reflects on not only his predicament but also his own personal history, his parents and his various women and wives and his children, and all who are still alive themselves hang in the balance of his fate. When the interrogation he fears does eventually arrive, a stroke of luck prevents him from becoming a casualty of the Great Terror that claims so many of his friends and contemporaries--"chips that had flown while the wood was being chopped." Still, the spectre of the government hovers over him for several further decades, forcing him to constantly weigh the merits of appeasing those in power against the integrity of his music. Barnes elegantly guides us through subsequent stages of Shostakovich's life, from being ground into the dirt under the thumb of despotism to being made to serve as a figurehead of Soviet values at a cultural conference in New York, and finally being forced into joining the Party. The trajectory of his career illuminates the evolution of the Soviet Union, with Nikita Khrushchev assuming its leadership, this providing no great joy to Shostakovich. The Noise of Time is both a heartbreaking account of a relentlessly fascinating man's experience and a brilliant meditation on the meaning of art and its place in society.

A masterful novel dedicated to the Russian composer Dmitri Shostakovich, from the bestselling, Booker Prize-winning author of The Sense of an Ending.The book begins in 1936, with Dmitri Shostakovich petrified at the age of thirty and fearing for his livelihood and even his life. His opera Lady Macbeth of the Mtsensk District has just been denounced in Pravda in an article that certainly reflects the opinion of Joseph Stalin himself. Every night he waits on the landing outside his apartment, expecting NKVD agents to come and whisk him away. Shostakovich reflects on not only his predicament but also his own personal history, his parents and his various women and wives and his children, and all who are still alive themselves hang in the balance of his fate. When the interrogation he fears does eventually arrive, a stroke of luck prevents him from becoming a casualty of the Great Terror that claims so many of his friends and contemporaries--"chips that had flown while the wood was being chopped." Still, the spectre of the government hovers over him for several further decades, forcing him to constantly weigh the merits of appeasing those in power against the integrity of his music. Barnes elegantly guides us through subsequent stages of Shostakovich's life, from being ground into the dirt under the thumb of despotism to being made to serve as a figurehead of Soviet values at a cultural conference in New York, and finally being forced into joining the Party. The trajectory of his career illuminates the evolution of the Soviet Union, with Nikita Khrushchev assuming its leadership, this providing no great joy to Shostakovich. The Noise of Time is both a heartbreaking account of a relentlessly fascinating man's experience and a brilliant meditation on the meaning of art and its place in society.

‘Happy Valley’ was the name given to the region of Kenya’s Central Highlands where a community of affluent, hedonistic white expatriates settled between the wars. Including the writer Karen Blixen (Isak Dinesen), the pioneering aviator Beryl Markham and the troubled socialite Idina Sackville whose life was told in Frances Osborne’s bestselling The Bolter, the Happy Valley set’s notoriety was sealed in 1931 with the sensational – and still unsolved - murder of the Earl of Errol, the investigation of which laid bare the extent of the set’s decadence and irresponsibility, and made for another bestselling book in James Fox’s White Mischief. But what is left now? Juliet Barnes, who has lived in Kenya for many years, has set out to explore Happy Valley in a remarkable and indefatigable archaeological quest to find the homes and haunts of this extraordinary and vanished set of people – grand residences like Clouds up in the hills that once hosted opulent and scandalous parties. With the help of African guides, and guided by the memories of elderly expats she tracks down to the Muthiaga old enough to have first-hand memories of the likes of Idina and Lord Errol and the lives they led, what she finds - ruins reclaimed by luxuriant bush, tumbledown dwellings in which an African family ekes a subsistence living, or even a modest school – is a revelation of the state of modern Africa that makes the gilded era of the Happy Valley set seem even more fantastic. A book to set alongside such singular evocations of Africa and its strange colonial history as The Africa House, The Ghosts of Happy Valley: The Biography is a mesmerising blend of travel narrative, social history and personal quest.