Books with author Josephine Daskam Bacon

Excerpt:"Beautiful!" said Theodora, earnestly. One half of the gallery—her half—was all trimmed with yellow and purple. Great yellow chrysanthemums flowered on every pillar, and enormous purple shields with yellow numerals lined the wall. Crossed banners and flags filled in the intervals, and from the middle beam depended a great purple butterfly with yellow wings, flapping defiance at a red and green insect of indistinguishable species that decorated the other side. A bevy of ushers in white duck, with boutonnières of English violets or single American beauties, took their places and began to pin on crêpe paper sunbonnets 3 of yellow or green, chattering and watching the clock. A tall senior, with a red silk waist and a green scarf across her breast, was arranging a box near the centre of the sophomore side and practising maintaining her balance on it while she waved a red baton. She was the leader of the Glee Club, and she would lead the sophomore songs. Theodora heard a confused scuffle on the stairs, and in a few seconds the galleries were crowded with the rivers of color that poured from the entrance doors. It seemed that they were full now, but she knew that twice as many more would crowd in. She walked quickly to the room at the end of the hall and opened the door. Beneath and all around her was the hum and rumble of countless feet and voices, but in the room all was still. The Subs lounged in the window-seats and tried to act as if it wasn't likely to be any affair of theirs: one little yellow-haired girl confided flippantly to her neighbor that she'd "only accepted the position so as to be able to sit on the platform and be sure of a good place." The Team were sitting on the floor staring at their captain, who was talking earnestly in a low voice—giving directions apparently. The juniors who coached them opened the door and grinned 4 cheerfully. They attached great purple streamers to their shirt-waists, and addressed themselves to the freshmen generally.

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Excerpt from On Our HillPrima is a fine child and a credit to her father's family, whom she resembles en masse and in de tail, but her manner (notably on Tuesdays, when they administer the arithmetic tests) is a little trying.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Domestic AdventurersI had Henry J ames's pencil and George Meredith's eraser.Isn't Greenwich a little expensive for the non-stuyvesant portion of your ao quaintance? Sabina inu with a cer tain amount of sarcasm. With all her good sense Sabina has never been able to keep herself from being sarcastic with Chloe. It is a terrible waste of very good, useful sarcasm, though.But you needn't go exactly in Green. Wich, Bina - there are all sorts of towns all about, and it's all the same with a motor, Chloe explained.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

Excerpt from Square PeggyIt did a lot for Him, my dears, (it made his grey eyes swim, my dears,) But it did lots more for You!They think you'll start to drift again It's a thing you'll never do!About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.