Books with author Joseph jacobs

Many generations of children have enjoyed the enduringly popular fairy tale collections of Joseph Jacobs, one of England's foremost folklorists. Through every change of fashion, their ability to delight and entertain has continued undiminished. The king and queens, the wicked giants, the clever youngest sons, the talking animals and trees, the magic cloaks that make their wearers invisible—these elements stirred the imagination of our parents and ourselves, and will give as much pleasure to our children.In this first of Jacobs' collections, many of the 43 tales will be familiar. Included are "Jack and the Beanstalk," "The Story of the Three Bears," "Henny Penny," and others. The tale of Mr. and Mrs. Vinegar who lived in a vinegar bottle, the story of "Nix Nought Nothing," of "Mollie Whuppie," and of many others are less well known and will offer a refreshing change from the well-worn favorites.

Soils and national characteristics differ, but fairy tales are the same in plot and incidents the world over. So proved the leading British folklorist Joseph Jacobs (1854–1916) with this now classic volume of 29 traditional tales from India, including some of the oldest recorded tales known."The Lion and the Crane," "How the Raja's Son Won the Princess Labam," "The Broken Pot," "The Tiger, the Brahman, and the Jackal," "The Talkative Tortoise," "The Ass in the Lion's Skin," "Why the Fish Laughed," "Sun, Moon, and Wind Go Out to Dinner," "The Prince and the Fakir," and all the other stories make delightful reading or listening for youngsters who are tired of the same familiar old favorites. John D. Batten's nine full-page plates and his 37 other drawings are reproduced from the original edition.

"English Fairy Tales" features more than 40 classic fairy tales collected by Joseph Jacobs, including Jack and the Beanstalk, The Story of the Three Little Pigs, The Story of the Three Bears, Henny-Penny, The History of Tom Thumb, Johnny-Cake, and Whittington and His Cat. Joseph Jacobs collected folk and fairy tales on the British Isles over a hundred years ago. His work, now published in "English Fairy Tales," is fascinating and useful for any storyteller. In his collections you will find some variations of tales collected by Brothers Grimm and others that are unique to English or Gaelic speakers. This edition of "English Fairy Tales" is well made and produced, easy on the eyes and a treasure at small cost.

Joseph Jacobs (29 August 1854 - 30 January 1916) was a folklorist, literary critic and historian. He was born in Australia, but came to England to attend St. John’s College, Cambridge. He was a prolific writer on many aspects of Jewish history, and biblical archaeology. His works included contributions to the Jewish Encyclopedia, translations of European works, and critical editions of early English literature. From 1899-1900 he edited the journal Folklore, and he collected folklore and fairy tales which he compiled into five different collections: English Fairy Tales, More English Fairy Tales, Celtic Fairy Tales, More Celtic Fairy Tales, and European Folk and Fairy Tales. He was inspired by the Grimm’s Brothers, and recognized that folk lore was an important part of a nation’s identity. He wished that English and Irish children to have access to their own heritage, rather than reading French and German stories.

FOR the last time, for the present, I give the children of the British Isles a selection of Fairy Tales once or still existing among them. The story store of Great Britain and Ireland is, I hope, now adequately represented in the four volumes which have won me so many little friends, and of which this is the last.My collections have dealt with the two folk-lore regions of these Isles on different scales. The "English" region, including Lowland Scotland and running up to the Highland line, is, I fancy, as fully represented in " English" and "More English Fairy Tales" as it is ever likely to be. But the Celtic district, including the whole of Ireland and the Gaelic-speaking part of Scotland, still offers a rich harvest to the collector, and will not be exhausted for many a long day. The materials already collected are far richer than those which the "English" region afford, and it has accordingly been my aim in the two volumes devoted to the Celts, rather to offer specimens of the crop than to exhaust the field.In the present volume I have proceeded on much the same lines as those which I laid down for myself in compiling its predecessor. In making my selection I have attempted to select the tales common both to Erin and Alba. I have included, as specimen of the Irish medieval hero tales, one of the three sorrowful tales of Erin: "The Tale of the Children of Lir." For the "drolls" or 'comic relief" of the volume, I have again drawn upon the inexhaustible Kennedy, while the great J. F. Campbell still stands out as the most prominent figure in the history of the Celtic Fairy Tale.In my method of telling I have continued the practice which I adopted in the previous volume: where I considered the language too complicated for children, I have simplified; where an incident from another parallel version seemed to add force to the narrative I have inserted it; and in each case mentioned the fact in the corresponding notes. As former statements of mine on this point have somewhat misled my folk-lore friends, I should, perhaps, add that the alterations on this score have been much slighter than they have seemed, and have not affected anything of value to the science of folk-lore.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout English Fairy Tales by Joseph JacobsJoseph Jacobs (29 August 1854 – 30 January 1916) was an Australian folklorist, literary critic, historian and writer of English literature who became a notable collector and publisher of English Folklore. His work went on to popularize some of the world's best known versions of English fairy tales including "Jack and the Beanstalk", "Goldilocks and the three bears", "The Three Little Pigs", "Jack the Giant Killer" and "The History of Tom Thumb". He published his English fairy tale collections: English Fairy Tales in 1890 and More English Fairytales in 1894.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedMore Celtic Fairy Tales is written by the Australian born folklorist Joseph Jacobs.This is a solid book of Celtic fairy tales by Joseph Jacobs. Some of the stories are related to bronze-age epics, which means they have more parts in verse, and more named characters than typical fairy tales. Some stories are legends, such as the story of Deidre or that of Powel and Rhiannon, and some are cumulative tales, like "Munachar and Manachar", and some are just fairy lore like "Brewery of Eggshells" or "Elidore." Though you will find variants, such as "Fair, Brown, and Trembling", where, even though Trembling is persecuted by her own sisters and goes to church, not the ball, and her story continues even after she has a baby, she is still a Cinderella variant. Or "Gold-Tree and Silver-Tree" which is a Snow White tale even if the queen questions a salmon, not a mirror, and instead of a huntsman letting her go in the woods, her father marries her off secretly to a foreign prince, who, indeed, is not the one who rescues her from her sleep.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedJoseph Jacobs (29 August 1854 – 30 January 1916) was an Australian folklorist, literary critic, historian and writer of English literature who became a notable collector and publisher of English Folklore. His work went on to popularize some of the world's best known versions of English fairy tales including "Jack and the Beanstalk", "Goldilocks and the three bears", "The Three Little Pigs", "Jack the Giant Killer" and "The History of Tom Thumb". He published his English fairy tale collections: English Fairy Tales in 1890 and More English Fairytales in 1894.

This affordable volume features 26 enchanting stories assembled from Welsh, Scottish, and Irish sources, including "King O'Toole and His Goose," "The Lad with the Goat Skin, "The Sea Maiden," and many more. The stories are accompanied by 46 illustrations from their original editions.I. CONNLA AND THE FAIRY MAIDEN II. GULEESH III. THE FIELD OF BOLIAUNS IV. THE HORNED WOMEN V. CONAL YELLOWCLAW VI. HUDDEN AND DUDDEN AND DONALD O'NEARY VII. THE SHEPHERD OF MYDDVAI VIII. THE SPRIGHTLY TAILOR IX. THE STORY OF DEIRDRE X. MUNACHAR AND MANACHAR XI. GOLD-TREE AND SILVER-TREE XII. KING O'TOOLE AND HIS GOOSE XIII. THE WOOING OF OLWEN XIV. JACK AND HIS COMRADES XV. THE SHEE AN GANNON AND THE GRUAGACH GAIRE XVI. THE STORY-TELLER AT FAULT XVII. THE SEA-MAIDEN XVIII. A LEGEND OF KNOCKMANY XIX. FAIR, BROWN, AND TREMBLING XX. JACK AND HIS MASTER XXI. BETH GELLERT XXII. THE TALE OF IVAN XXIII. ANDREW COFFEY XXIV. THE BATTLE OF THE BIRDS XXV. BREWERY OF EGGSHELLS XXVI. THE LAD WITH THE GOAT-SKIN

THIS volume will come, I fancy, as a surprise both to my brother folklorists and to the public in general. It might naturally have been thought that my former volume (English Fairy Tales) had almost exhausted the scanty remains of the traditional folk-tales of England. Yet I shall be much disappointed if the present collection is not found to surpass the former in interest and vivacity, while for the most part it goes over hitherto untrodden ground, the majority of the tales in this book have either never appeared before, or have never been brought between the same boards.In putting these tales together, I have acted on the same principles as in the preceding volume, which has already, I am happy to say, established itself as a kind of English Grimm. I have taken English tales wherever I could find them, one from the United States, some from the Lowland Scotch, and a few have been adapted from ballads, while I have left a couple in their original metrical form. I have re-written most of them, and in doing so have adopted the traditional English style of folk-telling, with its 'Wells' and 'Lawkamercy' and archaic touches, which are known nowadays as vulgarisms. From former experience, I find that each of these principles has met with some dissent from critics who have written from the high and lofty standpoint of folk-lore, or from the lowlier vantage of 'mere literature'. I take this occasion to soften their ire, or perhaps give them further cause for reviling.