Books with author John William Polidori

"The Vampyre; a Tale" by John William Polidori. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A Rare Treasure of English Literature. Much before Bram Stoker’s Dracula, there was “The Vampyre: A Tale,” first published in 1819. Created in the summer of 1816 by Dr. John William Polidori, Lord Byron’s physician and a close friend of Frankenstein’s author Mary Shelly, “The Vampyre” tells a fascinating tale of vampirism in the early 19th century. Part of the project Immortal Literature Series of classic literature, this is a new edition of the classic work published in 1819 - not a facsimile reprint. Obvious typographical errors have been carefully corrected and the entire text has been reset and redesigned to enhance readability. About the Author: John William Polidori (1795–1821) was an English writer and physician. He is credited as one of the creators of the vampire genre of fantasy fiction and is also known for his associations with the Romantic movement. “The Vampyre: A Tale” was the first vampire novel published in English (the first notable appearance of a vampire in creative literature being the short German poem “Der Vampir,” written in 1748, by Heinrich August Ossenfelder). In the summer of 1816, Lord Byron and his guests, Percy Bysshe Shelley, Mary Godwin (Shelley) and her half sister Claire Clermont, and Dr. John William Polidori, then Lord Byron’s traveling physician, were staying at the Villa Diodati, by Lake Geneva, Switzerland. The group decided to have a friendly competition to see who could write the best horror story. It was the genesis of Mary Shelley’s “Frankenstein” and of Polidori’s “The Vampyre: A Tale.”

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It happened that in the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the ton a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object's face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice:—though in vain:—when she stood before him, though his eyes were apparently fixed upon her's, still it seemed as if they were unperceived;—even her unappalled impudence was baffled, and she left the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.- Taken from "The Vampyre: A Tale" written by John William Polidori

Excerpt from The Diary of Dr. John William Polidori, 1816: Relating to Byron, Shelley, EtcOne of these writings is the text to a volume, published in 1821, entitled Sketches Illustrative of tile Manners and Costumes of France, Switzerland, ana7 Italy, by R. Bridgens. The name of Polidori is not indeed recorded in this book, but I know as a certainty that he was the writer. One of the designs in the volume shows the costume of women at Lerici just about the time when Shelley was staying there, in the closing months of his life, and a noticeable costume it was. Polidori himself - though I am not aware that he ever received any instruction in drawing worth speaking of - had some considerable native gift in sketching faces and figures with lifelike expression; I possess a few examples to prove as much. The Diary shows that he took some serious and intelligent interest in works of art, as well as in literature; and he was clearly a rapid and somewhat caustic judge of character perhaps a correct one. He was a fine, rather romantic looking young man, as evidenced by his portrait in the National Portrait Gallery, accepted from me by that Institution in 1895.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.