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Books with author John Hutcheson

  • The Penang Pirate and the Lost Pinnace

    John Conroy Hutcheson

    Paperback (CreateSpace Independent Publishing Platform, )
    None
  • Young Tom Bowling: The Boys of the British Navy

    John Conroy Hutcheson

    Paperback (BiblioBazaar, Nov. 5, 2007)
    Illustrated by John D. Greene
  • On board the "Esmeralda," or, Martin Leight's log: A sea story

    John C Hutcheson

    Unknown Binding (Cassell & Co, March 15, 1892)
    None
  • Eyes and ears for the millions

    J. A Hutcheson

    Unknown Binding (Westinghouse Electric & Manufacturing Co, March 15, 1944)
    .note **3 DIFFERENT paper BOOKLETs***copyright 1943: #4 Eyes for the little Worlds by E B Ashcroft ,13 pages,some foxing to cover,name on front cover; #5 Strange Peoples of the Little Worlds byH C Renschler,15 pages; #9 Amper and Ampers by H W Tenney,29 pages(a14)
  • Caught in a Trap

    Hutcheson John C. (John Conroy)

    Paperback (HardPress Publishing, June 23, 2016)
    Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
  • Eyes and Ears for the Millions

    J.A.Hutcheson

    Paperback (Westinghouse Electric Corporation, March 15, 1945)
    None
  • Caught in a Trap

    John C. (John Conroy) Hutcheson

    eBook (HardPress, )
    None
  • Teddy

    John C. Hutcheson

    Paperback (CreateSpace Independent Publishing Platform, July 19, 2014)
    “I want do d’an’ma!” This sudden and unexpected exclamation, uttered as it was in a shrill little voice like that of a piping bullfinch, and coming from nowhere in particular, as far as he could make out, for he had fancied himself all alone on the platform, made the tall railway porter almost jump out of his skin, as he expressed it, startling him out of his seven senses. He was a stalwart, good-natured, black-bearded giant of a man, clad in a suit of dunduckety-mud-coloured velveteens, rather the worse for wear, and smeary with oil and engine-grease, which gave them a sort of highly-burnished appearance resembling that of a newly-polished black-leaded stove. Doing nothing, and thinking of nothing specially, for the three-forty up-train had gone through the station, and it was a good hour yet before the five-ten down express was due, he had been lazily leaning in a half-dreamy and almost dozing state against the side of the booking-office.
  • Caught in a Trap

    John C. Hutcheson

    Paperback (CreateSpace Independent Publishing Platform, Aug. 7, 2015)
    “Hullo! Markworth. How lucky! Why you are just the man I want; you’re ubiquitous, who’d have thought of seeing you in town?” said Tom Hartshorne, of the —th Dragoons, cheerily, as he sauntered late one summer afternoon into a private billiard-room in Oxford-street, where a tall, dark-complexioned, and strikingly-handsome man, was knocking the balls about in his shirt-sleeves, and trying all sorts of fancy shots against the cushions—The sole occupant of the room was he, with the exception of the marker, who was looking on in a desultory sort of way at the strokes of the player from his thronelike chair underneath the scoring board.
  • The Penang Pirate & The Lost Pinnace

    John C. Hutcheson

    Hardcover (Blackie & Son Limited, )
    None
  • The Penang Pirate and, The Lost Pinnace

    John C. (John Conroy) Hutcheson

    eBook (HardPress, )
    None
  • Caught in a Trap

    John Conroy Hutcheson

    Hardcover (Arkose Press, Nov. 2, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.