Books with author John H. Carroll

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

What’s happened now? Where is the light? Why is it I can’t see? Perhaps the sun is in eclipse; Oh no, it’s just Terry. This is Terry. Look at her. She is scary. Are you scared? Are you afraid? She is such a big girl. I can’t see the sun. I can’t see the light. What happened? Can you see her face? She is frowning so much. Watch out; here comes Terry, Scary Terry. She looks so angry. Why doesn’t she smile? Smile, Terry. Please smile. We should always smile even when things are bad. Poor Terry.If you really want to have friends,don't like Terrysome bad food? Did she not sleep well? Did she have bad dreams? I don’t know. What do you think? If you have bad dreams, you should tell your mother, your father, or your friends. You should not always be unhappy. You should not always frown. You should not always be angry. You should not be like Terry, Scary Terry.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from St. Maur: An Earl's WooingOn the public road leading from the station there stood an old-fashioned, deserted brick mansion, sur rounded by a high stone wall and garden of wild shrubbery. All things about the place bore evidence of disuse, neglect and decay. The shutters of the lower stories were still closed and securely fastened, as they had been left years before; but above, where the Wind and storm had freer scope, some were barely hanging, whilst others had fallen helplessly to the ground, and were rotting and mouldering away.Flowers and Shrubs, at one time carefully planted, had, from year to year, silently dropped their seeds into the earth, and, uncultured and uncared for, had brought forth, some their ten, others their hundred fold, until the enclosure, save in places where the thick grass and coarser weeds choked the way, was covered with their many kinds. The higher parts of the stone wall had crumbled and fallen, whilst the once strong iron rods of the entrance gates were but thick layers of rust. Above the briars, which twined and interlaced them, could be seen the marble steps, stained and blackened by the damp of years.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT040935Purporting to be vol. 3 of the work by Sterne, but in fact a spurious continuation by John Carr. In this edition there is an ornament on the titlepage (but no statement "Vol. III.") and the text ends on p. 223.London: printed in the year, 1760. 223, [1]p.; 8°

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from St. Maur: An Earl's WooingOn the public road leading from the station there stood an old-fashioned, deserted brick mansion, sur rounded by a high stone wall and garden of wild shrubbery. All things about the place bore evidence of disuse, neglect and decay. The shutters of the lower stories were still closed and securely fastened, as they had been left years before; but above, where the Wind and storm had freer scope, some were barely hanging, whilst others had fallen helplessly to the ground, and were rotting and mouldering away.Flowers and Shrubs, at one time carefully planted, had, from year to year, silently dropped their seeds into the earth, and, uncultured and uncared for, had brought forth, some their ten, others their hundred fold, until the enclosure, save in places where the thick grass and coarser weeds choked the way, was covered with their many kinds. The higher parts of the stone wall had crumbled and fallen, whilst the once strong iron rods of the entrance gates were but thick layers of rust. Above the briars, which twined and interlaced them, could be seen the marble steps, stained and blackened by the damp of years.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.