Books with author John Drelincourt Seymour

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

SOME REMARKS ON WITCHCRAFT IN IRELAND IT is said, though we cannot vouch for the accuracy of the statement, that in a certain book on the natural history of Ireland there occurs a remarkable and oft-quoted chapter on Snakes--the said chapter consisting of the words, "There are no snakes in Ireland." In the opinion of most people at the present day a book on Witchcraft in Ireland would be of equal length and similarly worded, except for the inclusion of the Kyteler case in the town of Kilkenny in the first half of the fourteenth century. For, with the exception of that classic incident, modern writers seem to hold that the witch-cult never found a home in Ireland as it did elsewhere. For example, the article on "Witchcraft" in the latest edition of the Encyclopædia Britannica mentions England and Scotland, then passes on to the Continent, and altogether ignores this country; and this is, in general, the attitude adopted by writers on the subject. In view of this it seems very strange that no one has attempted to show why the Green Isle was so especially favoured above the rest of the civilised world, or how it was that it alone escaped the contracting of a disease that not for years but for centuries had infected Europe to the core. As it happens they may spare themselves the labour of seeking for an explanation of Ireland's exemption, for we hope to show that the belief in witchcraft reached the country, and took a fairly firm hold there, though by no means to the extent that it did in Scotland and England. The subject has never been treated of fully before, though isolated notices may be found here and there; this book, however imperfect it may be, can fairly claim to be the first attempt to collect the scattered stories and records of witchcraft in Ireland from many out-of-the-way sources, and to present them when collected in a concise and palatable form. Although the volume may furnish little or nothing new to the history or psychology of witchcraft in general, yet it may also claim to be an unwritten chapter in Irish history, and to show that in this respect a considerable portion of our country fell into line with the rest of Europe. At the outset the plan and scope of this book must be made clear. It will be noticed that the belief in fairies and suchlike beings is hardly touched upon at all, except in those instances where fairy lore and witchcraft become inextricably blended. The reason for this method of treatment is not hard to find. From the Anglo-Norman invasion down the country has been divided into two opposing elements, the Celtic and the English. It is true that on many occasions these coalesced in peace and war, in religion and politics, but as a rule they were distinct, and this became even more marked after the spread of the Reformation. It was therefore in the Anglo-Norman (and subsequently in the Protestant) portion of the country that we find the development of witchcraft along similar lines to those in England or the Continent, and it is with this that we are dealing in this book; the Celtic element had its own superstitious beliefs, but these never developed in this direction. In England and Scotland during the mediæval and later periods of its existence witchcraft was an offence against the laws of God and man; in Celtic Ireland dealings with the unseen were not regarded with such abhorrence, and indeed had the sanction of custom and antiquity. In England after the Reformation we seldom find members of the Roman Catholic Church taking any prominent part in witch cases, and this is equally true of Ireland from the same date. Witchcraft seems to have been confined m the Protestant party, as far as we can judge from the material at our disposal, while it is probable that the existence of the penal laws (active or quiescent) would deter the Roman Catholics from coming into any prominence in a matter which would be likely to attract public attention to itself in such a marked degree.

Irish Witchcraft and Demonology is St. John Seymour's classic study of Ireland's infernal history. In it he traces and describes the most famous witches and witchcraft of Ireland: from Dame Alice Kyteler in the Middle Ages to a trial for witchcraft in a 1911 murder court. Seymour analyzes the accounts of the accused men and women, their familiars, and associated demons and devils. This book will be a welcome read to lovers of occult history.

About the Book Collections of English, Irish, Scottish, Welsh literature are anthologies that have been compiled in order to demonstrate the works of a number of English, Irish, Scottish, and Welsh authors. Also in this Book Theatre has been an important part of British and Irish culture, dating back to the Roman occupation. Medieval mystery plays and morality plays were performed at religious festivals. The reign of Elizabeth I the flowering of drama was personified by William Shakespeare. Puritans banned drama during the Interregnum of 1642—1660, but London theatres opened again with the Restoration of the monarchy in 1660, and flourished thereafter. In the 18th century, highbrow and provocative Restoration comedy was replaced by sentimental comedy, and domestic tragedy (George Lillo's The London Merchant, 1731), and a fascination with Italian opera. The Romanticism period (1798–1836) saw melodramas, light comedies, operas, pantomimes, translations of French farces, and Victorian burlesque. Drama was revived again in the late 19th century with plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen. JM Synge and Noel Coward contributed in the 20th century.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.