Books with author Jessie Walton

Errol and his teddy, Thomas, are best friends who do everything together. Whether it's riding a bike, playing in the tree house, having a tea party or all of the above, every day holds something fun to do together. One sunny day, Errol finds that Thomas the Teddy is sad, and Errol can't figure out why. Then Thomas the Teddy finally tells Errol what Teddy has been afraid to say: 'In my heart, I've always known that I'm a girl teddy, not a boy teddy. I wish my name was Tilly.' And Errol says, 'I don't care if you're a girl teddy or a boy teddy! What matters is that you are my friend.' A sweet and gentle story about being true to yourself and being a good friend, Introducing Teddy can also help children understand gender identity.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction.

Errol and his teddy, Thomas, are best friends who do everything together. Whether it's riding a bike, playing in the tree house, having a tea party or all of the above, every day holds something fun to do together. One sunny day, Errol finds that Thomas the Teddy is sad, and Errol can't figure out why. Then Thomas the Teddy finally tells Errol what Teddy has been afraid to say: 'In my heart, I've always known that I'm a girl teddy, not a boy teddy. I wish my name was Tilly.' And Errol says, 'I don't care if you're a girl teddy or a boy teddy! What matters is that you are my friend.' A sweet and gentle story about being true to yourself and being a good friend, Introducing Teddy can also help children understand gender identity.