Books with author Jessie L. Weston

Arthurian legends have long been the source of countless popular tales. "Sir Gawain and the Green Knight" is one of the best known and most widely read. During King Arthur's New Year's celebration, a mysterious knight, with green clothes and horse, arrives with a challenge to the knights of the round table—any one of them may swing at the Green Knight with an axe if he too is willing to take a blow one year and one day after. Gawain, one of Arthur's most noble knights, steps up and easily beheads the Green Knight. Yet the knight magically picks up his head and tells Gawain he will see him in one year and one day. Gawain must go through many tribulations during this year as he upholds the values of the chivalric code, approaching reunion with the enigmatic character. Jessie L. Weston (1850-1928), a noted medieval scholar and folklorist provides a skilled prose rendition staying true to the original while maintaining readability. "Sir Gawain and the Green Knight" continues to resonate and captivate readers today.

A Medieval Poem about Courage and Courtesy“And wonder, dread and war / have lingered in that land / where loss and love in turn / have held the upper hand.” - Jessie L. Weston, Sir Gawain and the Green KnightA Green Knight challenges everyone at the Round Table to cut off his head. Sir Gawain, the nephew of King Arthur, accepts the challenge and manages to decapitate the knight. What comes next surprises everybody: the Green Knight rises, picks up his head and warns Sir Gawain that next year it will be his turn. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes Get your next Xist Classic title for Kindle here: http://amzn.to/1A7cKKl Find all our our books for Kindle here: http://amzn.to/1PooxLl Sign up for the Xist Publishing Newsletter here. Find more great titles on our website.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

Excerpt from Sir Gawain and the Lady of Lys Four La s rendered into English Prose from the French 0 Marie de France and others by jessie L. Weston. With Designs by caroline watts. 1900. As. Net. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Arthurian legends have long been the source of countless popular tales. “Sir Gawain and the Green Knight” is one of the best known and most widely read. During King Arthur’s New Year’s celebration, a mysterious knight, with green clothes and horse, arrives with a challenge to the knights of the round table—any one of them may swing at the Green Knight with an axe if he too is willing to take a blow one year and one day after. Gawain, one of Arthur’s most noble knights, steps up and easily beheads the Green Knight. Yet the knight magically picks up his head and tells Gawain he will see him in one year and one day. Gawain must go through many tribulations during this year as he upholds the values of the chivalric code, approaching reunion with the enigmatic character. Jessie L. Weston, a noted medieval scholar and folklorist, provides a skilled prose rendition staying true to the original while maintaining readability. “Sir Gawain and the Green Knight” continues to resonate and captivate readers today. This edition is printed on premium acid-free paper.

Brave, chivalrous, loyally faithful to his plighted word, scrupulously heedful of his own and others' honour, Gawain stands before us in this poem. We take up Malory or Tennyson, and in spite of their charm of style, in spite of the halo of religious mysticism in which they have striven to enwrap their characters, we lay them down with a feeling of dissatisfaction. How did the Gawain of their imagination, this empty-headed, empty-hearted worldling, cruel murderer, and treacherous friend, ever come to be the typical English hero? For such Gawain certainly was, even more than Arthur himself. Then we turn back to these faded pages, and read the quaintly earnest words in which the old writer reveals the hidden meaning of that mystic symbol, the pentangle, and vindicates Gawain's title to claim it as his badge-and we smile, perhaps, but we cease to wonder at the widespread popularity of King Arthur's famous nephew, or at the immense body of romance that claims him as its hero.

THE stories contained in the present volume of Arthurian Romances are drawn from the same collection of tales as that from which the first visit of Gawain to the Grail castle, in the preceding volume of the series, is derived. Indeed, the stories follow in close sequence, and a glance at the introductory lines of the Grail visit will show that that adventure is placed immediately after the successful termination of the expedition against Chastel Orguellous, which forms the subject of this volume.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. THE stories contained in the present volume of Arthurian Romances are drawn from the same collection of tales as that from which the first visit of Gawain to the Grail castle, in the preceding volume of the series, is derived. Indeed, the stories follow in close sequence, and a glance at the introductory lines of the Grail visit will show that that adventure is placed immediately after the successful termination of the expedition against Chastel Orguellous, which forms the subject of this volume. These stories practically form three separate tales, and are translated almost entirely from the same MS. as that used for the Grail visit, the fine Perceval codex B.N. 12576. With regard to the second adventure a few words of explanation are necessary. The relations of Gawain with the lady of Lys, recorded in all the Perceval-Wauchier texts, are as a rule related twice over; in the first instance in the section which, in my Perceval studies, I have called the Brun de Branant section, as it is devoted to Arthur's expedition against that recalcitrant noble. Gawain's meeting with the lady takes place, as he here explains, during the siege. Later on, on the expedition against Chastel Orguellous, related in these pages, Arthur and his knights come all unwittingly to the castle of the lady's brother, Bran de Li; and Gawain, realising the position, relates the story of the first meeting.