Books with author Jean Shepherd

The beloved, bestselling classic that became the movie, A CHRISTMAS STORY -- humorous and nostalgic Americana, reissued in a strikingly designed paperback edition.Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant--and utterly hilarious--works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

The beloved, bestselling classic that became the movie, A CHRISTMAS STORY -- humorous and nostalgic Americana, reissued in a strikingly designed paperback edition.Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant--and utterly hilarious--works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

A bestselling classic of humorous and nostalgic Americana and the basis of the movie A Christmas Story.Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. Wanda Hickey's Night of Golden Memories is a universal (and achingly funny) orchestration of Midwestern puberty rites, from the gut-wrenching playground antics of one Delbert Bumpus, to the supernal glow surrounding unapproachable high school beauty Daphne Bigelow, to the memorable disaster that was Shepherd's (and everyone else's) junior prom.A comic genius who bridges the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

AUREALIS AWARD FINALIST; Best SF Novel of 2015One thousand years after Earth was destroyed in an unprovoked attack, humanity has emerged victorious from a series of terrible wars to assure its place in the galaxy. But during celebrations on humanity’s new Homeworld, the legendary Captain Pantillo of the battle carrier Phoenix is court-martialed then killed, and his deputy, Lieutenant Commander Erik Debogande, the heir to humanity’s most powerful industrial family, is framed with his murder. Assisted by Phoenix’s marine commander Trace Thakur, Erik and Phoenix are forced to go on the run, as they seek to unravel the conspiracy behind their Captain’s demise, pursued to the death by their own Fleet. What they discover, about the truth behind the wars and the nature of humanity’s ancient alien allies, will shake the sentient galaxy to its core.

A beloved, bestselling classic of humorous and nostalgic Americana—the book that inspired the equally classic Yuletide film and the live musical on Fox. The holiday film A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family’s typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It’s a Wonderful Life and Miracle on 34th Street. This edition of A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker’s shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father’s pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie’s duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie’s unstoppable campaign to get Santa—or anyone else—to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, “You’ll shoot your eye out, kid”? The pieces that comprise A Christmas Story, previously published in the larger collections In God We Trust, All Others Pay Cash and Wanda Hickey’s Night of Golden Memories, coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone.

Jean Shepherd was one of America’s favorite humorists, his most notable achievement being the creation of the indefatigable Ralphie Parker and his quest for a BB gun in the holiday classic A Christmas Story. But he was so much more, a comic Garrison Keillor–like figure whose unique voice transcended the airwaves and affected a whole generation of nostalgic Americans. The Ferrari in the Bedroom is Shepherd’s wry, affectionate look at the hang-ups and delusions of Americans in the 1970s. From his sardonic assessment of fads such as the nostalgia craze (“Thinking that the old days were good is a terrible sickness. Everything was just as bad then as it is now.”) to a modest proposal for the foundation of S.P.L.A.T. (The Society for the Prevention of the Leaving of Animal Turds), Jean Shepherd provides a generous measure of his special brand of wise and warm humor as an antidote for some of America’s more ridiculous obsessions.

A bestselling classic of humorous and nostalgic Americana and the basis of the movie A Christmas Story.Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. Wanda Hickey's Night of Golden Memories is a universal (and achingly funny) orchestration of Midwestern puberty rites, from the gut-wrenching playground antics of one Delbert Bumpus, to the supernal glow surrounding unapproachable high school beauty Daphne Bigelow, to the memorable disaster that was Shepherd's (and everyone else's) junior prom.A comic genius who bridges the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

Jean Shepherd was one of America’s favorite humorists, his most notable achievement being the creation of the indefatigable Ralphie Parker and his quest for a BB gun in the holiday classic A Christmas Story. But he was so much more, a comic Garrison Keillor–like figure whose unique voice transcended the airwaves and affected a whole generation of nostalgic Americans. The Ferrari in the Bedroom is Shepherd’s wry, affectionate look at the hang-ups and delusions of Americans in the 1970s. From his sardonic assessment of fads such as the nostalgia craze (“Thinking that the old days were good is a terrible sickness. Everything was just as bad then as it is now.”) to a modest proposal for the foundation of S.P.L.A.T. (The Society for the Prevention of the Leaving of Animal Turds), Jean Shepherd provides a generous measure of his special brand of wise and warm humor as an antidote for some of America’s more ridiculous obsessions.

A beloved, bestselling classic of humorous and nostalgic Americana—the book that inspired the equally classic Yuletide film and the live musical on Fox. The holiday film A Christmas Story, first released in 1983, has become a bona fide Christmas perennial, gaining in stature and fame with each succeeding year. Its affectionate, wacky, and wryly realistic portrayal of an American family’s typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It’s a Wonderful Life and Miracle on 34th Street. This edition of A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker’s shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father’s pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie’s duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie’s unstoppable campaign to get Santa—or anyone else—to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, “You’ll shoot your eye out, kid”? The pieces that comprise A Christmas Story, previously published in the larger collections In God We Trust, All Others Pay Cash and Wanda Hickey’s Night of Golden Memories, coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone.

Jean Shepherd was one of America’s favorite humorists, his most notable achievement being the creation of the indefatigable Ralphie Parker and his quest for a BB gun in the holiday classic A Christmas Story. But he was so much more, a comic Garrison Keillor–like figure whose unique voice transcended the airwaves and affected a whole generation of nostalgic Americans. The Ferrari in the Bedroom is Shepherd’s wry, affectionate look at the hang-ups and delusions of Americans in the 1970s. From his sardonic assessment of fads such as the nostalgia craze (“Thinking that the old days were good is a terrible sickness. Everything was just as bad then as it is now.”) to a modest proposal for the foundation of S.P.L.A.T. (The Society for the Prevention of the Leaving of Animal Turds), Jean Shepherd provides a generous measure of his special brand of wise and warm humor as an antidote for some of America’s more ridiculous obsessions.

One thousand years after Earth was destroyed in an unprovoked attack, humanity has emerged victorious from a series of terrible wars to assure its place in the galaxy. But during celebrations on humanity's new homeworld, the legendary Captain Pantillo of the battle carrier Phoenix is court-martialed then killed, and his deputy, Lieutenant Commander Erik Debogande, the heir to humanity's most powerful industrial family, is framed for his murder. Assisted by Phoenix's marine commander Trace Thakur, Erik and Phoenix are forced to go on the run as they seek to unravel the conspiracy behind their captain's demise, pursued to the death by their own fleet. What they discover about the truth behind the wars and the nature of humanity's ancient alien allies will shake the sentient galaxy to its core.