Books with author James Edward Austen-Leigh

A Memoir of Jane Austen is the Austen family’s memoir of the beloved 19th century English novelist. Written and compiled by Austen’s nephew, James Edward Austen-Leigh, A Memoir of Jane Austen reveals the author as her family knew her, while at the same time protecting the author’s privacy in keeping with the Victorian conventions of the time.HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

“The Memoir of my Aunt, Jane Austen, has been received with more favour than I had ventured to expect. The notices taken of it in the periodical press, as well as letters addressed to me by many with whom I am not personally acquainted, show that an unabated interest is still taken in every particular that can be told about her. I am thus encouraged not only to offer a Second Edition of the Memoir, but also to enlarge it with some additional matter which I might have scrupled to intrude on the public if they had not thus seemed to call for it. In the present Edition, the narrative is somewhat enlarged, and a few more letters are added; with a short specimen of her childish stories. The cancelled chapter of ‘Persuasion’ is given, in compliance with wishes both publicly and privately expressed. A fragment of a story entitled ‘The Watsons’ is printed; and extracts are given from a novel which she had begun a few months before her death; but the chief addition is a short tale never before published, called ‘Lady Susan.’ I regret that the little which I have been able to add could not appear in my First Edition; as much of it was either unknown to me, or not at my command, when I first published; and I hope that I may claim some indulgent allowance for the difficulty of recovering little facts and feelings which had been merged half a century deep in oblivion.” – James Edward Austen-Leigh in the Preface to Memoir of Jane Austen

“The Memoir of my Aunt, Jane Austen, has been received with more favour than I had ventured to expect. The notices taken of it in the periodical press, as well as letters addressed to me by many with whom I am not personally acquainted, show that an unabated interest is still taken in every particular that can be told about her. I am thus encouraged not only to offer a Second Edition of the Memoir, but also to enlarge it with some additional matter which I might have scrupled to intrude on the public if they had not thus seemed to call for it. In the present Edition, the narrative is somewhat enlarged, and a few more letters are added; with a short specimen of her childish stories. The cancelled chapter of ‘Persuasion’ is given, in compliance with wishes both publicly and privately expressed. A fragment of a story entitled ‘The Watsons’ is printed; and extracts are given from a novel which she had begun a few months before her death; but the chief addition is a short tale never before published, called ‘Lady Susan.’ I regret that the little which I have been able to add could not appear in my First Edition; as much of it was either unknown to me, or not at my command, when I first published; and I hope that I may claim some indulgent allowance for the difficulty of recovering little facts and feelings which had been merged half a century deep in oblivion.” – James Edward Austen-Leigh in the Preface to Memoir of Jane Austen

“The Memoir of my Aunt, Jane Austen, has been received with more favour than I had ventured to expect. The notices taken of it in the periodical press, as well as letters addressed to me by many with whom I am not personally acquainted, show that an unabated interest is still taken in every particular that can be told about her. I am thus encouraged not only to offer a Second Edition of the Memoir, but also to enlarge it with some additional matter which I might have scrupled to intrude on the public if they had not thus seemed to call for it. In the present Edition, the narrative is somewhat enlarged, and a few more letters are added; with a short specimen of her childish stories. The cancelled chapter of ‘Persuasion’ is given, in compliance with wishes both publicly and privately expressed. A fragment of a story entitled ‘The Watsons’ is printed; and extracts are given from a novel which she had begun a few months before her death; but the chief addition is a short tale never before published, called ‘Lady Susan.’ I regret that the little which I have been able to add could not appear in my First Edition; as much of it was either unknown to me, or not at my command, when I first published; and I hope that I may claim some indulgent allowance for the difficulty of recovering little facts and feelings which had been merged half a century deep in oblivion.” – James Edward Austen-Leigh in the Preface to Memoir of Jane Austen

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About A Memoir Of Jane Austen by James Edward Austen-Leigh A Memoir of Jane Austen is a biography of the novelist Jane Austen published by her nephew James Edward Austen-Leigh. A family project, the biography was written by James Edward Austen-Leigh but owed much to the recollections of Jane Austen's many relatives. Composition: In the late 1860s, the Austen family decided to write a biography of Jane Austen. The death of Sir Francis Austen, her last surviving sibling, and the ageing of those who had any memory of her prompted the family to gather their papers and to begin recording their memories. Public interest in Jane Austen was also developing and the family became concerned that an outsider or another branch of the family would produce a biography. James Edward Austen-Leigh, as the son of the eldest branch, "in a spirit of censorship as well as communication", thus began the project. With the help and support of his sisters and Jane Austen's nieces, he collected materials. The biography was largely the work of James Edward Austen-Leigh, his half-sister Jane Anna Elizabeth Austen Lefroy and, his younger sister Caroline Mary Craven Austen, and their cousin Cassy Esten. As Austen scholar Kathryn Sutherland points out in her "Introduction" to the Oxford edition of the Memoir, however, Austen-Leigh's biography is specific to the Steventon or Hampshire Austens, for whom Jane Austen is "nature-loving, religious, domestic, [and] middle class". The Godmersham or Kentish Austens viewed Jane Austen as more "inward and passionate...gentrified, improved willy-nilly by contact with her fine relations".Moreover, as Caroline wrote, "the generation who knew her is passing away".Much of the biography is based on the memories of those who had only known Jane Austen when they were children and she was their older aunt; the rest is based on written records passed down through the family. As Sutherland explains, "the major ingredients of the Memoir, as well as its reverent colouring, are owed, in one way or another, to Cassandra Austen."Cassandra was the executor of Jane's will and was responsible for the preservation and destruction of all remaining letters and manuscripts after Jane's death.According to Caroline Austen, one of Jane Austen's nieces, Cassandra "looked [the letters] over and burnt the greater part, (as she told me), 2 or 3 years before her own death—She left, or gave some as legacies to the Nieces—but of those that I have seen, several had portions cut out".Thus, while writing the Memoir, Austen-Leigh did not have access to large numbers of Jane Austen's letters. Furthermore, the rest had been scattered as bequests; a complete collection of Jane Austen's letters was only gathered in 1932.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout A Memoir Of Jane Austen by James Edward Austen-LeighA Memoir of Jane Austen is a biography of the novelist Jane Austen published by her nephew James Edward Austen-Leigh. A family project, the biography was written by James Edward Austen-Leigh but owed much to the recollections of Jane Austen's many relatives. Composition: In the late 1860s, the Austen family decided to write a biography of Jane Austen. The death of Sir Francis Austen, her last surviving sibling, and the ageing of those who had any memory of her prompted the family to gather their papers and to begin recording their memories. Public interest in Jane Austen was also developing and the family became concerned that an outsider or another branch of the family would produce a biography. James Edward Austen-Leigh, as the son of the eldest branch, "in a spirit of censorship as well as communication", thus began the project. With the help and support of his sisters and Jane Austen's nieces, he collected materials. The biography was largely the work of James Edward Austen-Leigh, his half-sister Jane Anna Elizabeth Austen Lefroy and, his younger sister Caroline Mary Craven Austen, and their cousin Cassy Esten. As Austen scholar Kathryn Sutherland points out in her "Introduction" to the Oxford edition of the Memoir, however, Austen-Leigh's biography is specific to the Steventon or Hampshire Austens, for whom Jane Austen is "nature-loving, religious, domestic, [and] middle class". The Godmersham or Kentish Austens viewed Jane Austen as more "inward and passionate...gentrified, improved willy-nilly by contact with her fine relations".Moreover, as Caroline wrote, "the generation who knew her is passing away".Much of the biography is based on the memories of those who had only known Jane Austen when they were children and she was their older aunt; the rest is based on written records passed down through the family. As Sutherland explains, "the major ingredients of the Memoir, as well as its reverent colouring, are owed, in one way or another, to Cassandra Austen."Cassandra was the executor of Jane's will and was responsible for the preservation and destruction of all remaining letters and manuscripts after Jane's death.According to Caroline Austen, one of Jane Austen's nieces, Cassandra "looked [the letters] over and burnt the greater part, (as she told me), 2 or 3 years before her own death—She left, or gave some as legacies to the Nieces—but of those that I have seen, several had portions cut out".Thus, while writing the Memoir, Austen-Leigh did not have access to large numbers of Jane Austen's letters. Furthermore, the rest had been scattered as bequests; a complete collection of Jane Austen's letters was only gathered in 1932.

Excerpt from A Memoir of Jane AustenPrinted; and extracts are given from a novel which she had begun a few months before her death} but the chief addition is a short tale never before published, called 'lady Susan.' I regret that the little which I have been able to add could not appear in my First Edition as much of it was either unknown to me, or not at my command, when I first published; and I hope that I may claim some indulgent allowance for the difficulty of recovering little facts and feelings which had been merged half.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.