Books with author JUDD PALMER

After his prodigious success with the Giant of the Beanstalk, and then subsequent victories over the assorted ogres Cormoran of St. Michael’s Mount, Old Blunderbore (and his brother), Ods Splutter Hur Nails (late of Wales), and so on, Jack the Giant-Killer has almost rid the world of the collossal kind. But disturbing news comes from the far North: a final Giant has unfrozen from the Ice Age, and is wreaking havoc amongst the Inuit. But now Jack is old, made decrepit by the excesses of his fame. Nevertheless, he leaps astride his Golden Hen and goes North in search of the last Giant.

Around the world, children’s teeth fall out. They tuck them expectantly under their pillows, and go to sleep. And in the dream-haunted night, a creeping creature from another world makes an exchange filled with dread significance: innocence traded for grubby lucre. And Mum and Dad grin in the morning, as if something deeply strange had not occurred in the glooming dark.It is time for the truth to be told. Witness this tale of Abigail, the Girl With Perfect Teeth. Cheer her crusade to save the world from the Tooth Fairy, and thereby preserve for eternity the innocent happiness of childhood. No more shall our golden days be bought from us!

This is the first title in Bayeux's NEW series, "An Odd Little Book". The series is in a small format, 4" x 5", and the subjects are intended to appeal to all ages, starting from 7-year olds. The stories or poems are darkly humorous and rach carry a revelatory or cautionary message. Exquisite illustrations by award-winning artists are a hallmark of the series."The Umbrella" is the uplifting story of love between an umbrella and the human being who is its beneficiary.

The tale of young Hannah, who loves above all else to sing. What worse curse could have been visited upon her than this: she has been sent to live with her aunt and uncle in a sorrowful town where music itself is banned from its grim and cobbled streets. What woe has befallen this town? Why are there no children? Why are there no rats?Hannah will discover the answers to these dread questions in the wilderness wastes, under a mountain. There she discovers a secret orchestra, held captive by an ancient conductor, who remembers his glorious youth – when no-one could resist the beauty he could make with his flute. Could our Hannah be the bridge between two ancient enemies? Might the ghosts of the rats come to her aid? And, most importantly, will she sing once again?

The story of the Boy Who Cried Wolf, the way we've heard it, is not quite the way it happened. There were mysterious forces at work that awful night, involving the captain of the guard, a certain girl, and the Boy himself. The Boy disappeared into the forest, where everybody knew he was surely eaten by wolves.Years later, we retthe urn to that sorrowful village. It is still beleaguered by the wolfpacks of the Black Forest, and defended by the vigilant eyes of guards on the wall. Our hero is lonely Alfred, a boy whose birth is somehow entangled in the events of that night; they have hard consequences for poor young Alfred, whose father is missing and he does not know why. All he knows is that he loves Martina, and that Martina could only love a soldier of the Wall who has proved himself with rifle and sword against the eternal enemies of the village. One day in the forest, however, he discovers an awful army of wolves isgathering, led by the strange and marvelous man who calls himself the Wolf King. The final battle between human and beast is brewing, and Alfred finds himself at the centre of the coming storm. Whether he can save the village from the wolves, or save himself from the temptations of the forest, depends on the secret identity of the Wolf King, and the events that transpired so long ago.

In the aftermath of the notorious event of the enchanted broom, theSorcerer’s Apprentice learns his lesson indeed: “Seek Truth, not Power,” isthe Sorcerer’s dictum. Peace returns to the castle’s long days, but as obedientHumboldt grows older, a madness grows in his master. The sorcerer hasdiscovered strange secrets in the depths of the library. Humboldt’s dreams,too, are haunted by the broom, and the gods of wood, water and strawwhisper through the halls at night. One fateful day, they have a visitor: a king has come to demand the alchemical services of the Sorcerer. When the king is denied he responds without mercy,and the Sorcerer’s gentle philosophy perishes with him in the flames. Humboldt finds himself cast into the world alone, with nothing but his master’s book of spells, and a newly unshackled desire for forbidden power. An unleashed Humboldt is a terrible thing to behold. He learns the secretsof the book and uses it to avenge his master’s murder, and he does not stopthere: he usurps the throne itself. But he cannot escape the broom, whichclatters in the night as Humboldt grows more and more tyrannical. Thekingdom is aflame with bonfires of house-cleaning implements, and thedays grow darker, until the Broom is finally victorious, flooding the imperialcastle and sweeping Humboldt into the depths of the sea for his finalencounter with the Nether God. But is the Sorcerer really as dead as heappears?

As the new title reflects, Palmer’s A History of Europe in the Modern World maintains its well-established historical authority, while focusing more specifically on Europe’s prominent role in modern global exchanges, nation building, transnational commercial systems, colonial empires, and cultural transitions. Combining concise accounts of specific nations and national differences with a wide-ranging, comparative analysis of international events, this updated edition of a classic text carefully examines the whole modern history of Europeans and their perpetually changing societies.Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:• SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content.• Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course.• Progress dashboards that quickly show how you are performing on your assignments and tips for improvement.• The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping.Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

After his prodigious success with the Giant of the Beanstalk, and then subsequent victories over the assorted ogres Cormoran of St. Michael’s Mount, Old Blunderbore (and his brother), Ods Splutter Hur Nails (late of Wales), and so on, Jack the Giant-Killer has almost rid the world of the collossal kind. But disturbing news comes from the far North: a final Giant has unfrozen from the Ice Age, and is wreaking havoc amongst the Inuit. But now Jack is old, made decrepit by the excesses of his fame. Nevertheless, he leaps astride his Golden Hen and goes North in search of the last Giant.

This is the first title in Bayeux's NEW series, "An Odd Little Book". The series is in a small format, 4" x 5", and the subjects are intended to appeal to all ages, starting from 7-year olds. The stories or poems are darkly humorous and rach carry a revelatory or cautionary message. Exquisite illustrations by award-winning artists are a hallmark of the series. "The Umbrella" is the uplifting story of love between an umbrella and the human being who is its beneficiary.