Books with author J. Bartlett

In a contribution (Bartlett, 1971 a) to the Symposium on Statistical Ecology at Yale in 1969, I noted in my introductory remarks that that paper was not intended to be in any way a review of statistical techniques for analysing spatial patterns. My contribution to a conference at Sheffield in 1973 aimed, at least in part, to supply such a review and forms the basis of this monograph; but in these prefatory remarks I must still make clear what I decided to discuss, and what I have omitted. Broadly speaking, the coverage is that included in seminars and lectures I have given on this theme since 1969. We may divide problems of spatial pattern (in contrast with complete random chaos) into (i) detecting departures from randomness, Oi) analysing such departures when detected, for example, in relation to some stochastic model and (iii) special problems which require separate consideration; for example, sophisticated problems of pattern recognition in specific fields, such as the computer reading of handwriting or recognition of chromosomes.

"Spinning, weaving, knitting, all part of the long tradition of women’s work, skills that had survived even the efficiency of the industrial revolution. Why did people still do it?"It’s been ten months since Jack died. For his widow, Sandra, a tightly wound teacher who thinks long and hard about such questions, the months have tested her belief that she can continue her ordered life without Jack. She feels as though she’s covered in ice-cold glass and will never be warm again. Knitting is the story of what happens when Sandra meets a woman who is her polar opposite on a sidewalk when they both stop to help a man in distress. While Sandra’s grief has constrained her spirit, Martha -- who lost her husband years before -- appears to wear her grief lightly. Sandra’s talent for the domestic arts lies in studying them; Martha is a brilliantly gifted knitter, a self-educated artist. When Sandra persuades Martha to help her mount an exhibition of retro and contemporary knitting, the two women’s lives tangle, with astonishing ramifications. What begins as a professional collaboration becomes something transformative and deeply personal. Anne Bartlett weaves a story that is seamless in its exploration of healing, grace, and the search for meaning, both within oneself and in the larger community. Readers will find much to admire in Sandra’s struggle to break out of her shell and much to wonder at in Martha’s visionary spirit. Knitting marks the debut of a writer whose work puts her in the company of writers such as Carol Shields, Barbara Kingsolver, and Louise Erdrich.

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When Sandra is widowed tragically early in her early 40s, with no children to distract her, and a career as a college lecturer only keeping her mildly busy, she feels she needs a new direction in her life. This comes in the unlikely shape of Martha, a woman she meets completely randomly when they both stop to help in a medical emergency in a shopping mall. Martha has also experienced grief, but appears to have worked it through. She is also a keen, talented, but almost obsessive knitter, who lives and breathes her skill. Sandra is fascinated by her work, and eager to develop other strands to her career, decides to organise an exhibition on the history of women's clothing and textiles, asking Martha to help her by creating replicas of various items. What follows is not a conventional friendship, nor a conventional healing, but whatever it is, it changes Sandra's life very much for the better...

It's been ten months since Jack died, and Sandra, a tightly wound academic, copes with her grief by immersing herself in the history of textiles. When she and Martha, a gifted knitter, meet over an unconscious body on the footpath, the unlikely threads of their lives tangle into each other. Sandra invites Martha to join her in a professional collaboration, but what begins as a working relationship becomes something deeply personal. Martha seems at ease with herself, in spite of her own experience of grief. But what does she carry around in those three large bags?

When Yared is left at his nanna’s for a week he feels like running away. He wants to be in his own room, with his football cards and his batman doona, not in the spare room at his nanna’s with its blue flowery bedspread and the bookshelf full of old-fashioned girls’ adventure stories. He wants his own parents, not his brisk, stern nanna. But then Yared stumbles upon a box of old coins in his nanna’s bedroom and things begin to change. Worlds open up before him and lives are linked across the decades as Yared discovers truths he never knew about history, love and belonging.