Books with author Ivan Sergeyevich Turgenev

Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862. The controversial portrait of Bazarov, the energetic, cynical, and self-assured `nihilist' who repudiates the romanticism of his elders, shook Russian society. Indeed the image of humanity liberated by science from age-old conformities and prejudices is one that can threaten establishments of any political or religious persuasion, and is especially potent in the modern era.

Fathers and Sons is one of the greatest nineteenth century Russian novels, and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context, with a universal theme, the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatened the stability of the state. At its centre is Evgeny Bazorov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.

"['Fathers and Sons'] stirs the mind… because everything is permeated with the most complete and most touching sincerity." —Dmitry Pisarev"[Turgenev] was of the stuff of which glories are made." —Henry James"Turgenev is much the most difficult of the Russians to translate because his style is the most beautiful." —Constance Garnett"What an amazing language!" —Anton ChekhovConsidered Ivan Turgenev’s greatest work, “Fathers and Sons” was the first of the great nineteenth-century Russian novels to achieve international renown. A stirring tale of generational conflict during a period of social revolution, it vividly depicts the friction between liberal and conservative thought and the rise of the radical new philosophy of nihilism. Set in Russia during the 1860s against the backdrop of the liberation of the serfs, the story concerns the clash of older aristocrats with the new democratic intelligentsia.The impressionable young student Arkady Kirsanoff arrives home in the company of his friend Bazarov, a cynical biologist. Arkady’s father and uncle, already distressed by the upheaval of the peasants, grow increasingly irritated at Bazarov’s outspoken nihilism and his ridicule of the conventions of state, church, and home. The young friends, bored by the rustic life of the Kirsanoff estate, venture off to the provincial capital in search of amusement. There they encounter both romance and alienation.

Anyone who has chanced to pass from the Bolhovsky district into the Zhizdrinsky district, must have been impressed by the striking difference between the race of people in the province of Orel and the population of the province of Kaluga. The peasant of Orel is not tall, is bent in figure, sullen and suspicious in his looks; he lives in wretched little hovels of aspen-wood, labours as a serf in the fields, and engages in no kind of trading, is miserably fed, and wears slippers of bast: the rent-paying peasant of Kaluga lives in roomy cottages of pine-wood; he is tall, bold, and cheerful in his looks, neat and clean of countenance; he carries on a trade in butter and tar, and on holidays he wears boots. The village of the Orel province (we are speaking now of the eastern part of the province) is usually situated in the midst of ploughed fields, near a water-course which has been converted into a filthy pool. Except for a few of the ever-accommodating willows, and two or three gaunt birch-trees, you do not see a tree for a mile round; hut is huddled up against hut, their roofs covered with rotting thatch… . The villages of Kaluga, on the contrary, are generally surrounded by forest; the huts stand more freely, are more upright, and have boarded roofs; the gates fasten closely, the hedge is not broken down nor trailing about; there are no gaps to invite the visits of the passing pig… . And things are much better in the Kaluga province for the sportsman. In the Orel province the last of the woods and copses will have disappeared five years hence, and there is no trace of moorland left; in Kaluga, on the contrary, the moors extend over tens, the forest over hundreds of miles, and a splendid bird, the grouse, is still extant there; there are abundance of the friendly larger snipe, and the loud-clapping partridge cheers and startles the sportsman and his dog by its abrupt upward flight.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

A Fantastic Story of Romance (Annotated) First Love: By Ivan Sergeyevich Turgenev .Vladimir Petrovich Voldemar, a 16-year-old, is staying in the country with his family and meets Zinaida Alexandrovna Zasyekina, a beautiful 21-year-old woman, staying with her mother, Princess Zasyekina, in a wing of the manor. This family, as with many of the Russian minor nobility with royal ties of that time, were only afforded a degree of respectability because of their titles; the Zasyekins, in the case of this story, are a very poor family. The young Vladimir falls irretrievably in love with Zinaida, who has a set of several other (socially more eligible) suitors whom he joins in their difficult and often fruitless search for the young lady's favour.