Books with author Henrik Ibsen

First staged in 1879, A Doll's House is one of the most famous plays by Henrik Ibsen. Initially criticized, later acclaimed as one of the first works celebrating the right of women to live their lives to their fullest in XIX century male-dominated society, its interpretation was later extended to include the right of all individuals to discover who they really are and to become that person.

A DOLL'S HOUSE (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been 2the description of humanity." In 2006, the centennial of Ibsen's death, A DOLL'S HOUSE held the distinction of being the world's most performed play for that year. UNESCO has inscribed Ibsen's autographed manuscripts of A DOLL'S HOUSE on the Memory of the World Register in 2001, in recognition of their historical value. (more on www.wisehouse-classics.com)

A DOLL'S HOUSE is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879. The play is significant for its critical attitude toward 19th century marriage norms.In 2006, A Doll's House held the distinction of being the world's most performed play. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value.

A DOLL'S HOUSE (Bokmal: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been 2the description of humanity." In 2006, the centennial of Ibsen's death, A DOLL'S HOUSE held the distinction of being the world's most performed play for that year. UNESCO has inscribed Ibsen's autographed manuscripts of A DOLL'S HOUSE on the Memory of the World Register in 2001, in recognition of their historical value. (more on www.wisehouse-classics.com)"

A Doll's House by Henrik Ibsen portrays Nora, the wife, as a "doll," beautiful, unsophisticated, childlike, well-meaning, but ignorant of the adult world and affairs. All of her friends see her as a doll. Her husband Torvald treats her as one, calling her childish names. He tries to control all of her behavior, not because he is mean, but because he loves her and he realizes that she is unable to do so. IN "A Doll's House, Torvald" tells Nora what to eat so that her teeth will not be spoiled from sugar and how much she should spend because she does not understand much about money. And it is the latter, the money, that gets Nora into trouble. Torvald was sick some years back and needed to travel and stay in a warmer climate for some months, but the couple had no money. She, out of childish but ignorant love, borrowed money from an unscrupulous man who insisted that she have her father countersign the loan. Her father was dying, so she forged his signature on the loan document. She was certain that this was not wrong because her intentions were pure, she wanted to save her husband's life. She did not tell her husband about the loan because she childishly wanted to surprise him someday in the future and show him that she acted wisely and that she, who he thought of as childlike, saved his life. She laughed about her cleverness often when she was alone. Now the unscrupulous lender is demanding something from Nora, or he will reveal the forgery to her husband and his employer, and this will affect her marriage and her husband will lose his job. The tragedy in Henrik Ibsen's "The Doll's House" probably would not have occured if the people would have treated women properly as human beings rather than dolls.

First performed in 1892, this psychological drama is one of the great Norwegian playwright's most symbolic and lyrical works. The drama explores the insecurities of an aging architect, Halvard Solness, who suspects that his creative powers have diminished with age. Solness finds strength of purpose in his involvement with Hilda — his muse, inspiration, and ardent believer in his greatness — but their association leads to a conflict between heroic myth and complicated reality.Among the most original of Ibsen's works and one of his most frequently performed plays, The Master Builder is widely read by students of drama and literature as well as other readers. The play offers audiences a thought-provoking examination of the needs of the artist in relation to those of society and the limits of artistic achievement.

For the characters in Ghosts, tomorrow is a big day. They are all convening on Rosenvold, the Alving estate, to dedicate the Captain Alving Memorial Orphanage. Mrs. Alving is the widow of Captain Alving (also called Chamberlain Alving), a gentleman widely respected in his community. Mrs. Alving kept his true behavior – alcoholism, womanizing, and illness – secret for twenty years. She sent her son, Oswald, away at age seven to protect him from the polluting influence of his father, who also had an illegitimate daughter by a servant. This daughter, Regina, was brought up by the carpenter Engstrand and now works in Mrs. Alving's house.

Nora Helmer has everything a young housewife could want - beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora's well-calibrated domestic ideal starts to crumble. Ibsen s play is as fresh today as it was when it first stormed the stages of 19th-century Europe. An L.A. Theatre Works full-cast performance featuring: Calista Flockhart as Nora Helmer Tony Abatemarco as Dr. Rank Tim Dekay as Torvald Helmer Jeannie Elias as Anne-Marie and Helene Gregory Itzin as Nils Krogstad Jobeth Williams as Mrs. Linde Translated by Rolf Fjelde. Directed by Rosalind Ayres. Recorded before a live audience at the James Bridges Theater at UCLA School of Theater, Film and Television.