Books with author Hamilton Wright (Editor) Mabie

The fairy tale is a poetic recording of the facts of life, an interpretation by the imagination of its hard conditions, an effort to reconcile the spirit which loves freedom and goodness and beauty with its harsh, bare and disappointing conditions. It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart. Classics included in this volume include: One Eye, Two Eyes, Three Eyes, The Magic Mirror, The Enchanted Stag, Hansel and Grethel, The Story of Aladdin, This Story of Ali Baba, The Second Voyage of Sinbad the Sailor, The White Cat, The Golden Goose, The Twelve Brothers, The Fair One With the Golden Locks, Tom Thumb, Blue Beard, Cinderella, Puss In Boots, The Sleeping Beauty In the Wood, Jack and The Bean-Stalk . Hamilton Wright Mabie,(December 13, 1846 – December 31, 1916) was an American essayist, editor, critic, and lecturer.He was born at Cold Spring, N. Y. in 1846. Mabie was the youngest child of Sarah Colwell Mabie who was from a wealthy Scottish-English family and Levi Jeremiah Mabie, whose ancestors were Scots-Dutch. They were early immigrants to New Amsterdam, New Netherland about 1647. Due to business opportunities with the opening of the Erie Canal his family moved to Buffalo, New York when he was approaching school age. At the young age of 16 he passed his college entrance examination, but waited a year before he attended Williams College (1867) and the Columbia Law School (1869). While at Williams, Mabie was a member of Alpha Delta Phi fraternity and would serve as the first president of the North-American Interfraternity Conference (formally known as the National Interfraternity Conference He received honorary degrees from his own alma mater, from Union College, and from Western Reserve and Washington and Lee universities. Although he passed his bar exams in 1869 he hated both the study and practice of law. In 1876 he married Jeanette Trivett. In the summer of 1879 he was hired to work at the weekly magazine, Christian Union (renamed The Outlook in 1893), an association that lasted until his death. In 1884, Mabie was promoted to associate editor of the Christian Union and then elected to the Author's Club, whose members included such men of established reputation as George Cary Eggleston, Richard Watson Gilder, Brander Matthews, and Edmund Clarence Stedman. In 1890, a small collection of Mabie's essays which reflected upon life, literature and nature were published as a volume entitled My Study Fire".

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The fairy tale is a poetic recording of the facts of life, an interpretation by the imagination of its hard conditions, an effort to reconcile the spirit which loves freedom and goodness and beauty with its harsh, bare and disappointing conditions. It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart. Classics included in this volume include: One Eye, Two Eyes, Three Eyes, The Magic Mirror, The Enchanted Stag, Hansel and Grethel, The Story of Aladdin, This Story of Ali Baba, The Second Voyage of Sinbad the Sailor, The White Cat, The Golden Goose, The Twelve Brothers, The Fair One With the Golden Locks, Tom Thumb, Blue Beard, Cinderella, Puss In Boots, The Sleeping Beauty In the Wood, Jack and The Bean-Stalk..... Hamilton Wright Mabie,(December 13, 1846 – December 31, 1916) was an American essayist, editor, critic, and lecturer.He was born at Cold Spring, N. Y. in 1846. Mabie was the youngest child of Sarah Colwell Mabie who was from a wealthy Scottish-English family and Levi Jeremiah Mabie, whose ancestors were Scots-Dutch. They were early immigrants to New Amsterdam, New Netherland about 1647. Due to business opportunities with the opening of the Erie Canal his family moved to Buffalo, New York when he was approaching school age. At the young age of 16 he passed his college entrance examination, but waited a year before he attended Williams College (1867) and the Columbia Law School (1869).While at Williams, Mabie was a member of Alpha Delta Phi fraternity and would serve as the first president of the North-American Interfraternity Conference (formally known as the National Interfraternity Conference. He received honorary degrees from his own alma mater, from Union College, and from Western Reserve and Washington and Lee universities. Although he passed his bar exams in 1869 he hated both the study and practice of law. In 1876 he married Jeanette Trivett. In the summer of 1879 he was hired to work at the weekly magazine, Christian Union (renamed The Outlook in 1893), an association that lasted until his death.In 1884, Mabie was promoted to associate editor of the Christian Union and then elected to the Author's Club, whose members included such men of established reputation as George Cary Eggleston, Richard Watson Gilder, Brander Matthews, and Edmund Clarence Stedman.n 1890, a small collection of Mabie's essays which reflected upon life, literature and nature were published as a volume entitled My Study Fire". Many of Mabie's books are available at Project Gutenberg.Mabie was a resident of Summit, New Jersey.

Classics for Your Collection: goo.gl/U80LCr --------- The group of stories brought together in this book differ from legends because they have with one exception no core of fact at the centre from myths because they make no attempt to personify or explain the forces or processes of nature from fairy stories because they do not often bring on to the stage actors of a different nature from ours. The stories collected in this volume have been selected from many sources, because in the judgment of the editor, they are sound pieces of writing, wholesome in tone, varied in interest and style, and interesting. It is his hope that they will not only furnish good reading, but that they will suggest the kind of reading in this field that should be within the reach of children. Scroll Up and Grab Your Copy! Also by Hamilton Wright Mabie Fairy Tales Every Child Should Know https://www.createspace.com/6516484 Folk Tales Every Child Should Know https://www.createspace.com/6567457 Myths That Every Child Should Know https://www.createspace.com/6569394 Heroes Every Child Should Know https://www.createspace.com/6570735 The Oz Series Book 1: The Wonderful Wizard of Oz https://www.createspace.com/6426287 Book 2: The Marvelous Land of Oz https://www.createspace.com/6462832 Book 3: Ozma of Oz https://www.createspace.com/6356346 Book 4: Dorothy and the Wizard in Oz https://www.createspace.com/6464450 Book 5: The Road to Oz https://www.createspace.com/6464521 Book 6: The Emerald City of Oz https://www.createspace.com/6464602 Book 7: The Patchwork Girl of Oz https://www.createspace.com/6464682 Book 8: TIK-TOK of Oz https://www.createspace.com/6353841 Book 9: The Scarecrow of Oz https://www.createspace.com/6461981 Book 10: Rinkitink in Oz https://www.createspace.com/6464764 Book 11: The Lost Princess of Oz https://www.createspace.com/6465342 Book 12: The Tin Woodman of Oz https://www.createspace.com/6466582 Book 13: The Magic of Oz https://www.createspace.com/6466620 Book 14: Glinda of OZ https://www.createspace.com/6461890

Now, it is a great many years since arrow heads have been used, and they were never used by the people who own the land in which they appear or by their ancestors. To explain the presence of these roughly cut pieces of stone we must recall the weapons with which the Indians fought when Englishmen, Frenchmen, Dutchmen, andS paniards first came to this part of the world. There may be no authentic history of Indians in the particular locality in which these old-fashioned weapons come to light, but their presence in the ground is the best kind of evidence that Indians once lived on these fields or were in the habit of hunting over them. In many parts of the country these arrow heads are turned up in great numbers; museums large and small are plentifully supplied with them; and they form part of the record of the men who once lived here, and of their ways of killing game and destroying their enemies. Wherever there are arrow heads there have been I ndians. A mong every people and in every language there are found stories, superstitions, traditions, phrases, which are not to be explained by the thoughts or ideas or beliefs of people now living; and the same stories, superstitions, phrases, are found among people as far apart as those of Norway and A ustralia.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from Fairy Tales Every Child Should Know This collection of tales, gathered from the rich literature of the childhood of the world, or from the books of the few modern men who have found the key of that wonderful world, is put forth not only without apology, butwith the hope that it may widen the demand for these charming reports of a world in which the truths of our working world are loyally upheld, while its hard facts are quietly but authoritatively dismissed from attention. The widest interpretation has been given to the fairy tale, so as to include many of those classic romances of childhood in which no fairy appears, but which are invested with the air and are permeated with the glorious freedom of fairy land. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The fairy tales in this book are: One eye, two eyes, three eyes (Grimm's) The Magic Mirror (Grimm's) The Enchanted Stag (Grimm's) Hansel and Gretel (Grimm's) The Story of Aladdon; or, The Wonderful Lamp (Arabian Nights) The History of Ali Baba, and of The Forty Robbers Killed By One Slave (Arabian Nights) The Second Voyage of Sinbad The Sailor (Arabian Nights) The White Cat (From the tale by the Comtesse d'Aulnoy) The Golden Goose (Grimm's Fairy Tales) The Twelve Brothers (Grimm's) The Fair One With The Golden Locks (From the tale by the Comtesse d'Aulnoy) Tom Thumb (first written in prose in 1621 by Richard Johnson) Blue Beard (from the French tale by Charles Perrault) Cinderella; or, The Little Glass Slipper (from the French tale by Charles Perrault) Puss in Boots (from the French tale by Charles Perrault) The Sleeping Beauty in The Wood (from the French tale by Charles Perrault) Jack and the beanstalk (written in French by Charles Perrault) Jack the Giant Killer (from the old British legend told by Geoffrey of Monmouth, of Corineus the Trojan) Little Red Riding Hood (Perrault) The Three Bears (Robert Southey) The Princess on the Pea (Hans Christian Andersen) The Ugly Duckling (HCA) The Light Princess (George Macdonald) Beauty and the Beast (Madame Gabrielle de Villeneuve)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.