Books with author Gilbert William Schultz

This book has turned many seekers around and ended a tedious search for what they had been overlooking, for many decades in some cases. This book is packed with mind stopping pointers, that enable a recognition to take place. Primarily, what can be recognized is that there is nothing to acquire or achieve regarding the search for meaning. What is necessary is the clearing away of erroneous beliefs and this can only happen via paying attention to all the ideas and concepts that appear to bind the individual into an illusion of seeking. There is no actual 'seeker', just an idea of a 'seeker', which has no possibility to transcend its own 'dogma'. The actual intelligence is already freely available and it is a series of insights that clear away the misunderstandings, which bind the mind into a tedious series of repeating patterns (of belief). I produced this book as a first edition in 2001 because I recognized its potency and because one of the pointers demolished the activity of belief. Belief is never something real but one does not suspect this is so. When belief is dissolved, the unrelenting fact of being shines forth, unencumbered by the dullness of beliefs and misunderstandings. I will not try to convince you of the value of these pointers because your belief in what I or anyone else says is more or less useless to you. You must come to KNOW for yourself and discover your own self contained true nature. No one can do it for you. - Gilbert Schultz, Author of this book.

This is the third edition of 'What's wrong with right now'. This book has turned many seekers around and ended a tedious search for what they had been overlooking, for many decades in some cases. This book is packed with mind stopping pointers, that enable a recognition to take place. Primarily, what can be recognized is that there is nothing to acquire or achieve regarding the search for meaning. What is necessary is the clearing away of erroneous beliefs and this can only happen via paying attention to all the ideas and concepts that appear to bind the individual into an illusion of seeking. There is no actual 'seeker', just an idea of a 'seeker', which has no possibility to transcend its own 'dogma'. The actual intelligence is already freely available and it is a series of insights that clear away the misunderstandings, which bind the mind into a tedious series of repeating patterns (of belief). I produced this book as a first edition in 2001 because I recognized its potency and because one of the pointers demolished the activity of belief. Belief is never something real but one does not suspect this is so. When belief is dissolved, the unrelenting fact of being shines forth, unencumbered by the dullness of beliefs and misunderstandings. I will not try to convince you of the value of these pointers because your belief in what I or anyone else says is more or less useless to you. You must come to KNOW for yourself and discover your own self contained true nature. No one can do it for you. - Gilbert Schultz, Author of this book.

A lighthearted burlesque of Victorian English culture and the vagaries of love, The Mikado offers an ideal matching of William Schwenck Gilbert's elegant comedic gifts with Arthur Sullivan's agile and refined musicianship. The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

A lighthearted burlesque of Victorian English culture and the vagaries of love, The Mikado offers an ideal matching of William Schwenck Gilbert's elegant comedic gifts with Arthur Sullivan's agile and refined musicianship. The tale unfolds amid a fanciful version of Japanese society, in which a wandering minstrel has the misfortune to fall in love with the beautiful ward of the Lord High Executioner of Titipu.The sparkling lyrics and witty dialogue of this comic masterpiece are as much a delight to read as they are to hear with musical accompaniment. The complete libretto is reprinted in this edition from the standard performance text of The Mikado, complete with nine charming illustrations drawn by W. S. Gilbert himself.

The Pirates of PenzanceWilliam Schwenck Gilbert, English dramatist, librettist, poet and illustrator (1836 – 1911)This ebook presents «The Pirates of Penzance», from William Schwenck Gilbert. A dynamic table of contents enables to jump directly to the chapter selected.Table of Contents- About This Book- Dramatis Personae- Act I. The Pirates Of Penzance- Act I. Finale- Act Ii. The Pirates Of Penzance- Act Ii. Finale

The MikadoWilliam Schwenck Gilbert, English dramatist, librettist, poet and illustrator (1836 – 1911)This ebook presents «The Mikado», from William Schwenck Gilbert. A dynamic table of contents enables to jump directly to the chapter selected.Table of Contents- About This Book- If You Want To Know Who We Are- A Wand'ring Minstrel I- Our Great Mikado, Virtuous Man- Young Man Despair- Behold The Lord High Executioner- As Some Day It May Happen- Comes A Train Of Little Ladies- Three Little Maids From School Are We- So Please You, Sir, We Much Regret- Were You Not To Ko-ko Plighted- I Am So Proud- With Aspect Stern And Gloomy Stride- Brightly Dawns Our Wedding Day- Here's A How-de-do- Mi-ya Sa-ma- A More Humane Mikado- The Criminal Cried As He Dropped Him Down- See How The Fates Their Gifts Allot- The Flowers That Bloom In The Spring- Alone, And Yet Alive- Willow, Tit-willow- There Is Beauty In The Bellow Of The Blast- For He's Gone And Married Yum-yum

Learning About Duty And Love In The Comic Opera The Pirates Of PenzanceOne of the most famous comic operas of the 19th century is without a doubt The Pirates of Penzance by W.S. Gilbert. and music composed by Arthur Sullivan. This opera was the first Sullivan and Gilbert collaboration to be introduced in the US first, as the state didn’t offer copyrights to foreigners. However, due to problems in London with their previous success H.M.S. Pinafore having authorization productions mounted and no royalties paid, they decided to open in the US.The story is about a young lad named Frederic who has been serving as an apprentice to a band of “tender-hearted” pirates for 21 years. Soon after his 21st birthday he meets a beautiful young woman called Mabel, who is also the daughter of the renowned Major General Stanley, and they fall in love with each other right away. However, it appears that Frederic got things wrong as he later finds out that he was born on the 29th of February. Technically, that means that he has just one birthday every lap year. In his indenture it is specified that he must serve until his 21st birthday, which means that he will have to serve for 63 more years.Mabel is devastated when she hears that Frederic is bound to serve that long, especially with his sense of loyalty preventing him from running away. She promises that she will wait for him, and from here things just take a different turn. The broken-hearted woman will turn to the police, the pirates will attack Major-General and the end will most likely amuse everyone.So read about loyalty, true love and a series of funny events that will keep you laughing to the end in The Pirates of Penzance; or, the Slave of Duty.

Sir William Schwenck Gilbert (1836-1911) was an English dramatist, librettist and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S. Pinafore, The Pirates of Penzance, and one of the most frequently performed works in the history of musical theatre, The Mikado. Gilbert was born in Strand, London and was educated at Boulogne, France and then at the Great Ealing School and King's College London. He wrote a variety of stories, comic rants, theatre reviews and, under the pseudonym "Bab" (his childhood nickname), illustrated poems for several comic magazines, primarily Fun. The poems, illustrated humourously by Gilbert, proved immensely popular and were reprinted in book form as The Bab Ballads (1869-73). His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw.