Books with author Gilbert Keith

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Chesterton was an orthodox religious person, eventually converting to Roman Catholicism. In 1923, he wrote this short biography of St. Francis of Assisi, after whom Cardinal Jorge Mario Bergoglio chose his papal name, Pope Francis, when he was elected as the 266th and current Pope of the Catholic Church, on 13 March 2013. The biography of St. Francis may help one understand why the Pope chose St. Francis as his namesake. Chesterton begins: "A sketch of St. Francis of Assisi in modern English may be written in one of three ways. Between these the writer must make his selection; ... First, he may deal with this great and most amazing man as a figure in secular history and a model of social virtues. ... Second, he may go to the opposite extreme, and decide, as it were, to be defiantly devotional. ... Third, he may try to do what I have tried to do here; ... I am here addressing the ordinary common man, sympathetic but sceptical, and I can only rather hazily hope that, by approaching the great saint's story through what is evidently picturesque and popular about it, I may at least leave the reader understanding a little more than he did before of the consistency of a complete character; ...." "Here is an historical character which is admittedly attractive to many of us already, by its gaiety, its romantic imagination, its spiritual courtesy and cameraderie, but which also contains elements (evidently equally sincere and emphatic) which seem to you quite remote and repulsive. But after all, this man was a man and not half a dozen men. What seems inconsistency to you did not seem inconsistency to him. Let us see whether we can understand, with the help of the existing understanding, these other things that now seem to be doubly dark, by their intrinsic gloom and their ironic contrast."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Ball and the Cross is a novel by G. K. Chesterton. The title refers to a more worldly and rationalist worldview, represented by a ball or sphere, and the cross representing Christianity. The first chapters of the book were serialized from 1905 to 1906 with the completed work published in 1909. The novel's beginning involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael. A part of this section was quoted in Pope John Paul I's Illustrissimi letter to G. K. Chesterton. Much of the rest of the book concerns the dueling, figurative and somewhat more literal, of a Jacobite Catholic named Maclan and an atheist Socialist named Turnbull. Lynette Hunter has argued that the novel is more sympathetic to Maclan, but does indicate Maclan is also presented as in some ways too extreme.[4] Turnbull, as well, is presented in a sympathetic light: both duelists are ready to fight for and die for their antagonistic opinions and, in doing so, develop a certain partnership that evolves into a friendship. The real antagonist is the world outside, which desperately tries to prevent from happening a duel over "mere religion" (a subject both duelists judge of utmost importance)...Gilbert Keith Chesterton, KC*SG (29 May 1874 – 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.

In Saint Francis of Assisi, G. K. Chesterton celebrates one of world’s most beloved saints. “It is perhaps the chief suggestion of this book that St. Francis walked the world like the Pardon of God. His appearance marked the moment when men could be reconciled not only to God but to nature and, most difficult of all, to themselves. . . . It was in fact his whole function to tell men to start afresh and, in that sense, to tell them to forget.” —from Saint Francis of Assisi

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Napoleon of Notting Hill is a novel written by G. K. Chesterton in 1904, set in a nearly-unchanged London in 1984. Though the novel deals with the future, it concentrates not on technology nor on totalitarian government but on a government where no one cares what happens, comparable to Fahrenheit 451 in that respect. The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he institutes elaborate costumes for the provosts of the districts of London. All are bored by the King's antics except for one earnest young man who takes the cry for regional pride seriously - Adam Wayne, the eponymous Napoleon of Notting Hill. While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: "Forward, my beauty, my Arab," he said, patting the omnibus encouragingly, "fleetest of all thy bounding tribe"), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man's actions and the virtue of respect for one's enemies.

The Napoleon of Notting Hill is a futuristic novel set in London in 1984. Chesterton envisions neither great technological leaps nor totalitarian suppression. Instead, England is ruled by a series of randomly selected Kings, because people have become entirely indifferent. The joker Auberon Quin is crowned and he instates elaborate costumes for every sector of London. All the city's provosts are bored with the idea except for the earnest young Adam Wayne - the Napoleon of Notting Hill.

The story begins with a theological discussion in an airship, whose owner, Lucifer, nearly runs it against the ball and the cross which surmount St. Paul's, London. Here he leaves the other occupant of the ship, an old hermit, who appears again at the end of the story. Then the reader begins to follow the adventures of two Scotchmen, Maclan, the romantic highlander and Catholic, and Turnbull, the rational lowlander and atheist. Because the latter has spoken disrespectfully of the Virgin, the former challenges him to fight, and the story becomes the record of their attempt to do so, in spite of the interference of a world which is too indifferent to either religion or atheism to allow a conflict for such causes.