Books with author George Washington Moon

Excerpt from Our Artist in Peru: Fifty Drawings on Wood; Leaves From the Sketch-Book of a Traveller, During the Winter of 1865-6Sea-sickness being a weakness of Our Artist, he determines to be fore-armed, and accordingly provides himself with a few simple preventives, warmly recommended by his various friends.egg peag aqi 30 wonoq sq; 18 3mm saioppue papunotuoo help put: spuap} stq wqi saqsgm pue 'paxiw ssugtp $198 'saapuaaald Juaxaggp sq; u; M391} jgldbj pabinpug buiabq '1swv m0.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About Strange True Stories Of Louisiana by George Washington Cable George Washington Cable (October 12, 1844 – January 31, 1925) was an American novelist notable for the realism of his portrayals of Creole life in his native New Orleans, Louisiana. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer." In his treatment of racism, mixed-race families and miscegenation, his fiction has been thought to anticipate that of William Faulkner. He also wrote articles critical of contemporary society. Due to hostility against him after two 1885 essays encouraging racial equality and opposing Jim Crow, Cable moved with his family to Northampton, Massachusetts. He lived there for the next thirty years, then moved to Florida.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This little classic, which was once titled "Honest Graft and Dishonest Graft," was written by George Plunkitt. It provides an entertaining if somewhat discouraging description of why politics is driven by money and why reformers are merely a flash in the pan. Another topic covered in the book, "The difference between honest graft and dishonest graft" is equally alive and well among modern politicians. A modern politician accused of exactly the type of real estate speculation Plunkitt uses as his example of "honest" graft occurred just a few years ago. The politician sat on a committee that determined the site of government project and bought up the land before the project was revealed to the public. When confronted his response was, "I didn't break any laws." As Plunkitt would have said, he was only practicing honest graft. Plunkitt was a crony of the infamous William M. "Boss" Tweed, who created and presided over a Democrat, ward based patronage form of government in the City of New York in the mid to late 19th century referred to then as and now "Tammany Hall." Plunkitt was one of his side-kicks who participated in all of the perks of office and had the ability to discuss his "work" with justifications worthy of the best wit of Mark Twain. It is no coincidence that this little jewel of amateur literature has remained in print for over 100 years.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.