Books with author George Washington

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

“Rip Van Winkle” and “The Legend of Sleepy Hollow” by Washington Irving were first published in 1819. Since then, they have been adapted and interpreted in countless ways ranging from the comical to the serious and for the very young to the adult. The versions presented here are as close to the originals as possible but with the now dated language of two hundred years simplified so that modern readers will better understand and appreciate these classic stories.End notes, discussion of major themes, and a short biography follow the texts.

George Washington Cable (October 12, 1844 – January 31, 1925) was an American novelist notable for the realism of his portrayals of Creole life in his native New Orleans, Louisiana. He has been called "the most important southern artist working in the late 19th century, as well as the first modern southern writer."[1] In his treatment of racism, mixed-race families and miscegenation, his fiction has been thought to anticipate that of William Faulkner. He also wrote articles critical of contemporary society. Due to hostility against him after two 1885 essays encouraging racial equality and opposing Jim Crow, Cable moved with his family to Northampton, Massachusetts. He lived there for the next thirty years, then moved to Florida.

Strange True Stories of Louisiana is a popular George Washington Cable. It is an eye-opener, exposing of some of the the truth behind what it was like for Louisiana's early settlers? CONTENTS HOW I GOT THEM THE YOUNG AUNT WITH WHITE HAIR THE ADVENTURES OF FRANÇOISE AND SUZANNE ALIX DE MORAINVILLE SALOME MÜLLER, THE WHITE SLAVE THE "HAUNTED HOUSE" IN ROYAL STREET WAR DIARY OF A UNION WOMAN IN THE SOUTH

The Grandissimes: A Story of Creole Life is a novel by George Washington Cable, published as a book in 1880 by Charles Scribner's Sons after appearing as a serial in Scribner's. The historical romance depicts race and class relations in New Orleans at the start of the 19th century, immediately following the Louisiana Purchase in 1803.[3] The book examines the lives and loves of the extended Grandissime family, which includes members from different races and classes in Creole society.[4] The novel juxtaposes a romanticized version of the French Creole culture with the atrocities committed under the European-American system of slavery in the United States Honoré Grandissime, head of the French Creole family, takes in Joseph Frowenfeld, whose family has died of yellow fever. He describes the New Orleans caste system, which had three racial groups, to Frowenfeld, an abolitionist. His desire to end slavery would destroy the labor base of the plantations, which revenues supported city life. Frowenfeld and Grandissime's uncle Agricola Fusilier, soon get into a dispute. Fusilier seeks to preserve the Grandissime way of life, which means continuing slavery.

True stories are not often good art. The relations and experiences of real men and women rarely fall in such symmetrical order as to make an artistic whole. Until they have had such treatment as we give stone in the quarry or gems in the rough they seldom group themselves with that harmony of values and brilliant unity of interest that result when art comes in—not so much to transcend nature as to make nature transcend herself. Yet I have learned to believe that good stories happen oftener than once I thought they did. Within the last few years there have dropped into my hands by one accident or another a number of these natural crystals, whose charms, never the same in any two, are in each and all enough at least to warn off all tampering of the fictionist. Happily, moreover, without being necessary one to another, they yet have a coherent sequence, and follow one another like the days of a week. They are mine only by right of discovery. From various necessities of the case I am sometimes the story-teller, and sometimes, in the reader's interest, have to abridge; but I add no fact and trim naught of value away. Here are no unconfessed "restorations," not one. In time, place, circumstance, in every essential feature, I give them as I got them—strange stories that truly happened, all partly, some wholly, in Louisiana.