Books with author George Mellis Douglas

It is only within comparatively recent years that the homely stories in the mouths of the country people have been constituted a branch of learning, and have had applied to them, as such, the methods and the terminology of science. No doubt a very noteworthy gain to knowledge has resulted from this treatment, a curious department of research has been opened up, and light has been cast upon various outside things of greater importance than the subject of study itself. But, side by side with this gain to knowledge, is there not, involved in the method of treatment indicated, a loss to the stories themselves? Classified, tabulated, scientifically named, they are no longer the wild free product of Nature that we knew and loved: they are become, so to speak, a collection of butterflies in a case, an album of pressed wild flowers. No doubt they are still very interesting, and highly instructive; but their poetry, their brightness, the fragrance which clung about them in their native air, their native soil, is in large measure gone! Well then, with all due recognition of the value of the labours of the scientific folklorist, the comparative mythologist, whose work I would not for one moment be understood to undervalue, is there not room, even at the present day, to study these stories from another point of view, and that the simplest and most obvious one the point of view, I mean, of the story teller pure and simple? One would hope that the time had not yet come when the old tales, considered on their own merits, have entirely ceased to charm; and it is an undeniable fact that there are still persons among us who would regard it as a real and personal loss could they be made to believe that the ideal hero of their childhood, as he falls heroically, in a bloody battle, wounded to the death, is in reality a myth, or an allegory to embody the setting of the sun; and who would even feel themselves aggrieved could they be brought to realise that the bugbear of their baby years their own particular bugbear is common also to the aborigines of Polynesia. So great is the power of early association. Well then, my proposal is to consider the Tales of the Scottish Peasantry simply from the literary, critical, or story teller's point of view, from the point of view, that is, of persons who actually tell them, to whom they are actually told. I suppose that most nations, whilst their life has remained primitive, have practised the art of storytelling; and certainly the Scotch were no exceptions to the rule. Campbell of Isla, who wrote about thirty years ago, records that in his day the practice of story telling still lingered in the remote Western Islands of Barra; where, in the long winter nights, the people would gather in crowds to listen to those whom they considered good exponents of the art. At an earlier date, but still, at that time, within living memory, the custom survived at Poolewe in Ross shire where the young people were used to assemble at night to hear the old ones recite the tales which they had learned from their fore fathers. Here, and at earlier dates in other parts of the country also, the demand for stories would further be supplied by travelling pedlars, or by gaberlunzie men, or pauper wandering musicians and entertainers, or by the itinerant shoemaker or tailor "Whip the Cat" as he was nicknamed, both of which last were accustomed to travel through thinly populated country districts, in the pursuit of their calling, and to put up for the night at farm houses, where, whilst plying their needles, they would entertain the company with stories. The arrival of one of these story tellers in a village was an important event. As soon as it became known, there would be a rush to the house where he was lodged, and every available seat on bench, table, bed, beam, or the floor would quickly be appropriated. And then, for hours together just like some first rate actor on a stage the story teller would hold his audience spell bound.

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

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Scottish Fairy and Folk Talesby Sir George Douglas Treasury of fanciful, picturesque narratives—assembled by noted folklorist and recounted in their native vernacular—tell of brownies, kelpies, mermen and other supernatural creatures that assist, annoy and otherwise meddle in the lives of simple Scottish country folk. A delightful collection of imaginative and entertaining nursery and fairy tales, animal fables, witchcraft lore, and stories with a comic twist.IT is only within comparatively recent years that the homely stories in the mouths of the country-people have been constituted a branch of learning, and have had applied to them, as such, the methods and the terminology of science. No doubt a very noteworthy gain to knowledge has resulted from this treatment,--a curious department of research has been opened up, and light has been cast upon various outside things of greater importance than the subject of study itself. But, side by side with this gain to knowledge, is there not, involved in the method of treatment indicated, a loss to the stories themselves? Classified, tabulated, scientifically named, they are no longer the wild free product of Nature that we knew and loved:--they are become, so to speak, a collection of butterflies in a case, an album of pressed wild flowers.About the Author:"George Brisbane Scott Douglas (1856-1935) was a Scottish poet and writer, as well as a Baronet."

This book, compiled by Sir George Douglas, contains not just fairytales but also tales of kelpies, brownies, stories of animals - foxes, crows, frogs and stories of mermen and comic tales as well. Contained herein are eighty-five stories like The Story of the White Pet, The Fisherman and the Mermen, The Seal-Catcher's Adventure, The Frog and the Crow, Habitrot, The Wee Bunnock and many, many more. In the days long before the advent of radio and television, the arrival of a story-teller in a village was an important event. As soon as it became known, there would be a rush to the house where he was lodged, and every available seat--on bench, table, bed, beam, or the floor would quickly be appropriated. And then, for hours together--just like some first-rate actor on a stage--the story-teller would hold his audience spell-bound. Campbell of Isla, who gathered and penned the Popular Tales of the West Highlands series in the 1870's, records that in his day the practice of story-telling still lingered in the remote Western Islands of Barra. Maybe, just maybe, there are a few alive today who remember this custom being continued at Poolewe in Ross-shire where the young people used to assemble at night to hear the old ones recite the tales which they had learned from their fore-fathers. This book is a treasure chest of classic Scottish Folklore, and will make fascinating reading for those interested in folklore in general. So take some time out and travel back to a period before television and radio, a time when tales were passed on orally--at the drying kilns, at the communal well and in homes. YESTERDAYS BOOKS for TODAYS CHARITIES

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Excerpt from The Book of JudgesThe Book of Judges gives the history of the people of God from the time that they had been settled by Joshua in the land of Canaan until the increasing disorders in the Hebrew commonwealth called for changes in the constitution, whose introduction is narrated in the Books of Samuel. The recent critical speculations which at present excite controversy are less intimately or directly concerned with this book than with most others; though the study of it must exert an influence on one's mind, and, as I think, must contribute to their decision.The materials are scanty indeed out of which to construct a reply to the questions, At what time was the book written? And, Who was its author? The mention of 'the captivity of the land,' ch. Xviii. 30, is held by some to prove that it was not composed before the Babylonian exile, or at all events before the fall of the kingdom of the Ten Tribes my own opinion is that this refers to the catastrophe in the time Of Eli, 1 Sam. Iv. 21, 22, the date being the same in the two verses, 30 and 31, viz., the end of the time that the house of God was in Shiloh. Apart from this, there is nothing said which hints at any time later than the rise of the kingdom; yet there is emphasis put on the fact of there being no king in Israel at the time that certain disorders appeared, ch. Xvii. 6, xviii. I, xix. I, xxi. 2 5 - 21 circumstance which might indicate that the hopeful feelings associated with the great revolution which introduced the kingdom were shared by the writer.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.