Books with author George Macdonald Fraser

What is Flashy doing? -in the drawing room of a great English mansion with the redhot-blooded mistress of a violently jealous blue-blood? -in between a pair of Chinese beauties who are willing to do anything and everything to close the gap between East and West? -in the hold of a warship under fire, with a Malay maiden as explosive as the shells bursting above? -in the forced service of an African queen who lets a lover stay alive only as long as his power to please holds up? This unblushing cad, this lustful libertine, this infamous and irresistible antihero is clearing doing better than ever—in a round-the-world adventure that would make Queen Victoria pale with shock and swingers of today green with envy.

George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works — marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.

MacDonald rejected the doctrine of penal Substitutionary atonement as put forward by John Calvin which argues that Christ has taken the place of sinners and is punished by God in their place, believing that in turn it raised serious questions about the character and nature of God. Instead, he taught that Christ had come to save people from their sins, and not from a Divine penalty for their sins. The problem was not the need to appease a wrathful God but the disease of cosmic evil itself.

What is Flashy doing? -in the drawing room of a great English mansion with the redhot-blooded mistress of a violently jealous blue-blood? -in between a pair of Chinese beauties who are willing to do anything and everything to close the gap between East and West? -in the hold of a warship under fire, with a Malay maiden as explosive as the shells bursting above? -in the forced service of an African queen who lets a lover stay alive only as long as his power to please holds up? This unblushing cad, this lustful libertine, this infamous and irresistible antihero is clearing doing better than ever—in a round-the-world adventure that would make Queen Victoria pale with shock and swingers of today green with envy.

"The Princess and the Goblin" is a fantasy classic written by Scottish author George MacDonald in 1872. Although MacDonald wrote "The Princess and the Goblin" primarily for children, his fantasy continues to delight readers of all ages.MacDonald's book contains the elements of good story telling—an exciting, well-paced plot and believable characters, who have human weaknesses as well as strengths.The twentieth-century English poet, W. H. Auden, called MacDonald's technique "dream realism" and honoured "The Princess and the Goblin" as "the only English children's book in the same class as the Alice books." Unquestionably MacDonald employed fantasy as a way of presenting the Christian spiritual concepts of faith and love. But MacDonald's marvellous story, with its fusion of fantasy and realism, is so original that it appeals to the imagination rather than to analytical faculties.The nurse Lootie raises the princess Irene in a house on a mountain, it is here that she meets her mysterious great-great-grandmother, and her friend the minor boy Curdie. Things are peaceful for Irene until the hideous race of goblins that live beneath the mountain start planning something big…In summary, "The Princess and the Goblin" is the story of two young people who grow in maturity and spiritual development as they thwart the evil plans of goblins.

"The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co.Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel ""quietly suggest in every incident ideas of courage and honor.""[1] Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as ""normal fairytales but slowly become stranger"", and that they contain layers of symbolism similar to that of Lewis Carroll's work"