Books with author Gaston LeRoux

Unabridged English value reproduction of The Phantom of the Opera by Gaston Leroux. This wonderfully spellbinding drama of hopes, dreams, and love, has characters that resonate in different ways reading after reading. Is the Phantom real? Does he deserve pity? Can he be loved? Find out in this beautifully blended tragic drama provided to the reader in a slim volume with the full text at an affordable price.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.

The Phantom of the Opera by Gaston LerouxHow is this book unique? Illustrations IncludedThe Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical.

The Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialization in Le Gaulois from 23 September 1909, to 8 January 1910. It was published in volume form in late March 1910 by Pierre Lafitte and directed by Aluel Malinao.The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz.It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.Gaston Louis Alfred Leroux (6 May 1868– 15 April 1927) was a French journalist and author of detective fiction.In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, notably the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. His novel The Mystery of the Yellow Room is one of the most celebrated locked-room mysteries.

Ermolai bowed and returned to the garden. The "barinia" left the veranda, where she had come for this conversation with the old servant of General Trebassof, her husband, and returned to the dining-room in the datcha des Iles, where the gay Councilor Ivan Petrovitch was regaling his amused associates with his latest exploit at Cubat's resort. They were a noisy company, and certainly the quietest among them was not the general, who nursed on a sofa the leg which still held him captive after the recent attack, that to his old coachman and his two piebald horses had proved fatal. The story of the always-amiable Ivan Petrovitch (a lively, little, elderly man with his head bald as an egg) was about the evening before. After having, as he said, "recure la bouche" for these gentlemen spoke French like their own language and used it among themselves to keep their servants from understanding—after having wet his whistle with a large glass of sparkling rosy French wine, he cried: "You would have laughed, Feodor Feodorovitch. We had sung songs on the Barque* and then the Bohemians left with their music and we went out onto the river-bank to stretch our legs and cool our faces in the freshness of the dawn, when a company of Cossacks of the Guard came along. I knew the officer in command and invited him to come along with us and drink the Emperor's health at Cubat's place. That officer, Feodor Feodorovitch, is a man who knows vintages and boasts that he has never swallowed a glass of anything so common as Crimean wine. When I named champagne he cried, 'Vive l'Empereur!' A true patriot. So we started, merry as school-children. The entire company followed, then all the diners playing little whistles, and all the servants besides, single file. At Cubat's I hated to leave the companion-officers of my friend at the door, so I invited them in, too. They accepted, naturally. But the subalterns were thirsty as well. I understand discipline. You know, Feodor Feodorovitch, that I am a stickler for discipline. Just because one is gay of a spring morning, discipline should not be forgotten. I invited the officers to drink in a private room, and sent the subalterns into the main hall of the restaurant. Then the soldiers were thirsty, too, and I had drinks served to them out in the courtyard. Then, my word, there was a perplexing business, for now the horses whinnied. The brave horses, Feodor Feodorovitch, who also wished to drink the health of the Emperor. I was bothered about the discipline. Hall, court, all were full. And I could not put the horses in private rooms. Well, I made them carry out champagne in pails and then came the perplexing business I had tried so hard to avoid, a grand mixture of boots and horse-shoes that was certainly the liveliest thing I have ever seen in my life. But the horses were the most joyous, and danced as if a torch was held under their nostrils, and all of them, my word! were ready to throw their riders because the men were not of the same mind with them as to the route to follow! From our window we laughed fit to kill at such a mixture of sprawling boots and dancing hoofs. But the troopers finally got all their horses to barracks, with patience, for the Emperor's cavalry are the best riders in the world, Feodor Feodorovitch. And we certainly had a great laugh!—Your health, Matrena Petrovna."

The legendary rumours of an 'opera ghost' take on a terrifying reality when the beautiful young singer Christine Daae suddenly disappears after her triumphant performance. An ever increasing pattern of fear and violence pervades the dim backstage areas of the Opera House, as the phantom threatens to strike once more. This title is published to coincide with the centenary of the first publication, in a completely new translation by Mireille Ribiere.

About The Phantom of the Opera by Gaston LerouxHow is this book unique?100% Original contentUnabridged EditionIllustrations includedThe Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical.

During Christine's childhood, which is described retrospectively in the early chapters of the book, her father tells her many stories featuring an "Angel of Music," who, like a muse, is the personification of musical inspiration. On his deathbed, Christine's father tells her that from Heaven, he will send the Angel of Music to her. Christine is eventually given a position in the chorus at the Paris Opera House. Not long after she arrives there, she begins hearing a beautiful, unearthly voice which sings to her and speaks to her. She believes this must be the Angel of Music and asks him if he is. The Voice agrees and offers to teach her "a little bit of heaven's music."