Books with author Gaston Leroux

The Mystery of the Yellow Room: Extraordinary Adventures of Joseph Rouletabille, Reporter by Gaston Leroux, is one of the first locked room mystery crime fiction novels. It was first published in France in the periodical L'Illustration from September 1907 to November 1907, then in its own right in 1908. It is the first novel starring fictional detective Joseph Rouletabille, and concerns a complex and seemingly impossible crime in which the criminal appears to disappear from a locked room. Leroux provides the reader with detailed, precise diagrams and floorplans illustrating the scene of the crime. The emphasis of the story is firmly on the intellectual challenge to the reader, who will almost certainly be hard pressed to unravel every detail of the situation.

The Phantom of the Opera, is a novel by French writer Gaston Leroux. It was first published as a serialization in Le Gaulois from 23 September 1909, to 8 January 1910. It was published in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.Gaston Louis Alfred Leroux (6 May 1868 – 15 April 1927) was a French journalist and author of detective fiction. In the English-speaking world, he is best known for writing the novel The Phantom of the, which has been made into several film and stage productions of the same name, notably the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. His 1907 novel The Mystery of the Yellow Room is one of the most celebrated locked-room mysteries.

It is not without a certain emotion that I begin to recount here the extraordinary adventures of Joseph Rouletabille. Down to the present time he had so firmly opposed my doing it that I had come to despair of ever publishing the most curious of police stories of the past fifteen years. I had even imagined that the public would never know the whole truth of the prodigious case known as that of “The Yellow Room”, out of which grew so many mysterious, cruel, and sensational dramas, with which my friend was so closely mixed up, if, propos of a recent nomination of the illustrious Stangerson to the grade of grandcross of the Legion of Honour, an evening journal—in an article, miserable for its ignorance, or audacious for its perfidy—had not resuscitated a terrible adventure of which Joseph Rouletabille had told me he wished to be for ever forgotten.“The Yellow Room”! Who now remembers this affair which caused so much ink to flow fifteen years ago? Events are so quickly forgotten in Paris. Has not the very name of the Nayves trial and the tragic history of the death of little Menaldo passed out of mind? And yet the public attention was so deeply interested in the details of the trial that the occurrence of a ministerial crisis was completely unnoticed at the time. Now The Yellow Room trial, which, preceded that of the Nayves by some years, made far more noise. The entire world hung for months over this obscure problem—the most obscure, it seems to me, that has ever challenged the perspicacity of our police or taxed the conscience of our judges. The solution of the problem baffled everybody who tried to find it. It was like a dramatic rebus with which old Europe and new America alike became fascinated. That is, in truth—I am permitted to say, because there cannot be any author’s vanity in all this, since I do nothing more than transcribe facts on which an exceptional documentation enables me to throw a new light—that is because, in truth, I do not know that, in the domain of reality or imagination, one can discover or recall to mind anything comparable, in its mystery, with the natural mystery of “The Yellow Room”.That which nobody could find out, Joseph Rouletabille, aged eighteen, then a reporter engaged on a leading journal, succeeded in discovering. But when, at the Assize Court, he brought in the key to the whole case, he did not tell the whole truth. He only allowed so much of it to appear as sufficed to ensure the acquittal of an innocent man. The reasons which he had for his reticence no longer exist. Better still, the time has come for my friend to speak out fully. You are going to know all; and, without further preamble, I am going to place before your eyes the problem of The Yellow Room as it was placed before the eyes of the entire world on the day following the enactment of the drama at the Chateau du Glandier.- Taken from "The Mystery of the Yellow Room" written by Gaston Leroux

How is this book unique?Unabridged (100% Original content)Formatted for e-readerFont adjustments & biography includedIllustratedThe Phantom of the Opera is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909, to January 8, 1910. It was published in volume form in April 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. Nowadays, it is overshadowed by the success of its various stage and film adaptations. The most notable of these are the 1925 film depiction featuring Lon Chaney and Andrew Lloyd Webber's 1986 musical.

In which the author of tis singular work informs the reader how he acquired the certainty that the opera ghost really existed The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade.

Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. Strange things are going on at the Paris Opera House: a mysterious phantom – a skeleton in dinner dress – is wreaking havoc amongst the singers and the backstage staff. When new managers take over, and dismiss the rumours of the Opera Ghost, the terror really begins. Who is the mysterious figure stalking the stage at night? How can he be everywhere at once, and enter and leave locked rooms at will? And what is his connection to the beautiful and talented young soloist Christine?The Phantom of the Opera is best known perhaps through its many stage and screen adaptations, but Gaston Leroux’s original text outdoes them all in its Gothic tension and its haunting horror.With an afterword by Peter Harness.

First published in French as a serial in 1909, "The Phantom of the Opera" is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster. Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Gaston Leroux is one of the originators of the detective story, and The Phantom of the Opera is his tour de force, as well as being the basis for the hit Broadway musical. A superb suspense story and a dark tale of obsession, The Phantom of the Opera has thrilled and entertained audiences in adaptations throughout the century.This new translation—the first completely modern and Americanized translation—unfurls the full impact of this classic thriller for modern readers. It offers a more complete rendering of the terrifying figure who emerges from the depths of the glorious Paris Opera House to take us into the darkest regions of the human heart. After the breathtaking performance of the lovely Christine Daae and her sudden disappearance, the old legend of the “opera ghost” becomes a horrifying reality as the ghost strikes out with increasing frequency and violence—always with the young singer at the center of his powerful obsession. Leroux has created a masterwork of love and murder—and a tragic figure who awakens our deepest and most forbidden fears.This is the only complete, unabridged modern Americanized translation available. Lowell Bair is the acclaimed translator of such Bantam Classics as Madame Bovary, Les Liaisons Dangereuses, and Candide.

This carefully crafted ebook: "Mystery of the Yellow Room (The first detective Joseph Rouletabille novel and one of the first locked room mystery crime fiction novels)" is formatted for your eReader with a functional and detailed table of contents. The Mystery of the Yellow Room by Gaston Leroux, is one of the first locked room mystery crime fiction novels. It was first published in France in 1908. It is the first novel starring fictional detective Joseph Rouletabille, and concerns a complex and seemingly impossible crime in which the criminal appears to disappear from a locked room. Leroux provides the reader with detailed, precise diagrams and floorplans illustrating the scene of the crime. The emphasis of the story is firmly on the intellectual challenge to the reader, who will almost certainly be hard pressed to unravel every detail of the situation.