Books with author G. E. Mitton

The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...(less)

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

This book, "A bachelor girl in Burma;", by Mitton, G. E. (Geraldine Edith), is a replication of a book originally published before 1907. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found..

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

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Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...

Of Jane Austen’s life there is little to tell, and that little has been told more than once by writers whose relationship to her made them competent to do so. It is impossible to make even microscopic additions to the sum-total of the facts already known of that simple biography, and if by chance a few more original letters were discovered they could hardly alter the case, for in truth of her it may be said, “Story there is none to tell, sir.” To the very pertinent question which naturally follows, reply may thus be given. Jane Austen stands absolutely alone, unapproached, in a quality in which women are usually supposed to be deficient, a humorous and brilliant insight into the foibles of human nature, and a strong sense of the ludicrous. As a writer in The Times (November 25, 1904) neatly puts it, “Of its kind the comedy of Jane Austen is incomparable. It is utterly merciless. Prancing victims of their illusions, her men and women are utterly bare to our understanding, and their gyrations are irresistibly comic.” Therefore as a personality, as a central figure, too much cannot be written about her, and however much is said or written the mystery of her genius will still always baffle conjecture, always lure men on to fresh attempts to analyse and understand her.The data of Jane Austen’s life have been repeated several times, as has been said, but beyond a few trifling allusions to her times no writer has thought it necessary to show up the background against which her figure may be seen, or to sketch from contemporary records the environment amid which she developed. Yet surely she is even more wonderful as a product of her times than considered as an isolated figure; therefore the object of this book is to show her among the scenes wherein she moved, to sketch the men and women to whom she was accustomed, the habits and manners of her class, and the England with which she was familiar. Her life was not long, lasting only from 1775 to 1817, but it covered notable times, and with such an epoch for presentation, with such a central figure to link together the sequence of events, we have a theme as inspiring as could well be found...