Books with author Francis Hindes Groom

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a treasure chest of 36 classic Gypsy Folk Tales and Stories, and makes fascinating reading for those interested in folklore in general, but especially for those interested in the Roma, or Gypsy, people. Francis Hindes Groome collated and prepared this collection, making only few changes and remaining true to the original stories, so to let the written story enchant us as if it were being presented in the vernacular. The stories are further enhanced by the numerous impressive illustrations recently completed by Maggie Gunzel the Dutch artist and illustrator who, unlike many illustrators of the 19th C. and 20th C, has stayed true to the subject matter. A percentage of the net sale from this book will be donated to the Relief Fund for Romania. In his various other works, Groome raises the point that Europe possibly owes a great deal of its folklore heritage to Gypsies, who brought tales from East to West. If this is the case, then even the most rooted of Europeans must attribute a portion of his culture to the Gypsy lifestyle. Simply stated, these stories are his stories, but in an earlier form. In recent times, much has been written and reported in the press about "Travellers", as Gypsies are now more popularly known. All too often these reports are negative. However, the Gypsy lifestyle is simultaneously romanticised by the media and has been for generations. Because urban city dwellers "buy into the dream", put down roots, tie themselves to mortgages and keenly run the "rat race", could it be that the distrust of Gypsies and Travellers is born out of envy and a desire to pack it all in and live the relatively unpressured, simple, and free lifestyle of the Gypsies?

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from In Gipsy TentsTo these clergymen, last but not least I am mainly indebted for what seems to me the most curious portion of my volume - viz., Chapter Fifth, which deals with Gipsy burial. Some day I hope to expand this chapter into a separate pamphlet, to be distributed among my Romani friends in England and the Colonies. Therefore I beg of any one who Lmay light upon registers or other documents relating to the subject, to forward them either to Notes and Queries, or to myself direct.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from In Gipsy TentsTo these clergymen, last but not least I am mainly indebted for what seems to me the most curious portion of my volume - viz., Chapter Fifth, which deals with Gipsy burial. Some day I hope to expand this chapter into a separate pamphlet, to be distributed among my Romani friends in England and the Colonies. Therefore I beg of any one who Lmay light upon registers or other documents relating to the subject, to forward them either to Notes and Queries, or to myself direct.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.