Books with author Flora Annie Steel

A delightfully charming tale that is an early version of Rumpelstiltskin, sure to delight your young reader. Taken from English Fairy Tales and retold by Flora Annie Steel, illustrated by Arthur Rankham and Edited by R.F. Gilmor. A classic tale for little hands to hold and to love. Recommended by The Gunston Trust for Nonviolence in Children's Literature. Ages 5-8.

These forty-one traditional English tales abound with such odd, wonderful and often mysterious characters as Mr. and Mrs. Vinegar, Mr. Fox, and Nix Naught Nothing -- as well as a bevy of wicked stepmothers, fairy queens and beautiful rose-cheeked maidens. This edition includes 40 stories and 60 illustrations. It is a pleasure to publish this new, high quality, and affordable edition of these timeless stories.

In the darksome depths of a thick forest lived Kalyb the fell enchantress. Terrible were her deeds, and few there were who had the hardihood to sound the brazen trumpet which hung over the iron gate that barred the way to the Abode of Witchcraft. Terrible were the deeds of Kalyb; but above all things she delighted in carrying off innocent new-born babes, and putting them to death. And this, doubtless, she meant to be the fate of the infant son of the Earl of Coventry, who long long years ago was Lord High Steward of England. Certain it is that the babe's father being absent, and his mother dying at his birth, the wicked Kalyb, with spells and charms, managed to steal the child from his careless nurses. But the babe was marked from the first for doughty deeds; for on his breast was pictured the living image of a dragon, on his right hand was a blood-red cross, and on his left leg showed the golden garter. And these signs so affected Kalyb, the fell enchantress, that she stayed her hand; and the child growing daily in beauty and stature, he became to her as the apple of her eye. Now, when twice seven years had passed the boy began to thirst for honourable adventures, though the wicked enchantress wished to keep him as her own.

In the darksome depths of a thick forest lived Kalyb the fell enchantress. Terrible were her deeds, and few there were who had the hardihood to sound the brazen trumpet which hung over the iron gate that barred the way to the Abode of Witchcraft. Terrible were the deeds of Kalyb; but above all things she delighted in carrying off innocent new-born babes, and putting them to death. And this, doubtless, she meant to be the fate of the infant son of the Earl of Coventry, who long long years ago was Lord High Steward of England. Certain it is that the babe's father being absent, and his mother dying at his birth, the wicked Kalyb, with spells and charms, managed to steal the child from his careless nurses. But the babe was marked from the first for doughty deeds; for on his breast was pictured the living image of a dragon, on his right hand was a blood-red cross, and on his left leg showed the golden garter. And these signs so affected Kalyb, the fell enchantress, that she stayed her hand; and the child growing daily in beauty and stature, he became to her as the apple of her eye. Now, when twice seven years had passed the boy began to thirst for honourable adventures, though the wicked enchantress wished to keep him as her own.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

With the exception of Tumbu the dog and Down the cat, the chief characters really lived and took part in the childhood adventures of little Prince Akbar, later a sixteenth century Indian emperor. Indian customs and manners are vividly portrayed. He was an odd fellow, all long limbs and broad smiles, who, when his time arrived, shambled forward, cast himself in lowliest reverence full length on the ground and blubbered out his delight--now that the princely baby could really eat--at being able to supply all sorts of toothsome stews full of onions and green ginger, to say nothing of watermelons and sugar cane. These things, strange to say, being to little Indian children very much what chocolate creams and toffee are to English ones. Flora Annie Steel (1847–1929) was an English writer who lived in British India for 22 years. She was noted especially for writing books set in India or otherwise connected with it. Flora Annie Steel was interested in relating to all classes of Indian society. The birth of her daughter gave her a chance to interact with local women and learn their language. She encouraged the production of local handicrafts and collected folk-tales, a collection of which she published in 1894. Her interest in schools and the education of women gave her a special insight into native life and character. A year before leaving India, she coauthored and published The Complete Indian Housekeeper, giving detailed directions to European women on all aspects of household management in India.

In the darksome depths of a thick forest lived Kalyb the fell enchantress. Terrible were her deeds, and few there were who had the hardihood to sound the brazen trumpet which hung over the iron gate that barred the way to the Abode of Witchcraft. Terrible were the deeds of Kalyb; but above all things she delighted in carrying off innocent new-born babes, and putting them to death.

In this selection of four classic English Fairy Tales retold by Flora Annie Steel, follow our heroes as they take on dragons, giants, "bogles" and much more! This volume includes the stories of "St. George of Merrie England," "Jack the Giant Killer," "Molly Whuppie and the Double-Faced Giant," and "The Golden Ball." The illustrations by Arthur Rackham bring the tales to life, and help the reader experience the same terror and amazement in the face of these age-old foes!101 pages; interior illustrations are black and white.