Books with author FYODOR DOSTOEVSKY

The Brothers Karamazov is considered to be one of the greatest novels in Western Literature. Published in 1880, Fyodor Dostoyevsky tackles some of the most important concepts in philosophy and religion; the existence of God, morality, free will, reason, doubt, and faith. Readers such as Albert Einstein and Sigmund Freud found his work extremely significant. A great story that weaves between the material and the spiritual, The Brothers Karamazov is one that should be in everyone’s reading collection.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

Note: The font size of the text in the book: Plantin, size is 8.5 pt (linefeed is 10.5pt). Crime and Punishment is the story of a brutal double murder and its aftermath. Raskolnikov, a poor student, kills a pawnbroker and her sister, and then has to face up to the moral consequences of his actions. The novel is compelling and rewarding, full of meaning and symbolism, and raises profound questions about the individual and society, and the nature of free will. Translated by Constance Garnett, with an Afterword by Oliver Francis.Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.

Through the story of the brilliant but conflicted young Raskolnikov and the murder he commits, Fyodor Dostoyevsky explores the theme of redemption through suffering. “Crime and Punishment” put Dostoyevsky at the forefront of Russian writers when it appeared in 1866 and is now one of the most famous and influential novels in world literature.The poverty-stricken Raskolnikov, a talented student, devises a theory about extraordinary men being above the law, since in their brilliance they think “new thoughts” and so contribute to society. He then sets out to prove his theory by murdering a vile, cynical old pawnbroker and her sister. The act brings Raskolnikov into contact with his own buried conscience and with two characters — the deeply religious Sonia, who has endured great suffering, and Porfiry, the intelligent and discerning official who is charged with investigating the murder — both of whom compel Raskolnikov to feel the split in his nature. Dostoyevsky provides readers with a suspenseful, penetrating psychological analysis that goes beyond the crime — which in the course of the novel demands drastic punishment — to reveal something about the human condition: The more we intellectualize, the more imprisoned we become.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

Prince Myshkin, the title character, has finally returned to St. Petersburg after several years of exile in a Swiss sanitarium. As he resumes life in regular society, he is quickly drawn into a elaborate web of relationships driven by money, power and romance. Although his actions are well-intentioned, the Prince finds himself caught in a love triangle between the beautiful young Aglaia and Nastasya, a notorious kept woman. As the tale unfolds, others take advantage of the Prince s altruistic nature and he is ever more deeply entwined in the complexities of the society around him. He survives an attempt on his life, but must answer to Aglaia and Nastasya who force him to choose between them. In the end, Myshkin s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.

Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.