Books with author F.J. Harvey Darton

Third edition. "Not a collection of queer facts or antiquarian scripts" said Harvey Darton of his book when it was first published in 1932, but "a chronicle of the English people in their capacity of parents, guardians and educators of children." Certainly, literature was his central theme, but through it, he wove biography and the facts of social and commercial history. Now available again, this third corrected edition is at pains to provide a text that will sustain Darton's reputation for a new generation of readers. Brian Alderson has checked every detail in an effort to ensure that the work is accurate by the standards of modern scholarship and has added a number of biographical notes. In a supplementary chapter, he has filled out the discussion of children's books during the late Victorian and Edwardian periods which formed a natural end point to Darton's history, and more than sixty illustrations expand upon the text. All these changes have been made in an attempt to support the message of Darton's original work, that "children's books were always the scene of a battle between instruction and amusement, between restraint and freedom, between hesitant morality and spontaneous happiness." Jacket faded. 416 pages. cloth, dust jacket.. tall 8vo..

Introduction only that tales of this sort wasted time and seldom came to a point. He gave voice, in fact, to the criticism which would be made alike by the plain man and by the awakening poetic spirit of the Renaissance. The criticism was perfectly true, from a literary point of view. The older romances were for the most part of small poetic merit, while their construction was often ill-balanced and digressive. There is hardly one of the features dwelt upon by Chaucer which cannot be paralleled in them. Sir Topaz was a knight fair and gent ;so were Sir Guy, Sir Bevis, and the rest of them. He came to a wood where was many a wild beast, both buck and hare :those ferocious creatures pastured there, apparently, because the poet had to fill up a line somehow, much as the author of Sir Bevis, anticipating King Lear, was forced to help out his metre with rats and mice and such small deer. Sir Topaz wore a breech and eke a shirt ;his face was as white as the finest bread; he had a seemly nose :in like manner every detail of clothing, figure, and armour, relevant or irrelevant, is dwelt on in the old romances. He pricked overS ile and stone, in his quest for the elf-queen, with ea.se rapidity, and an absence of adventure; so too A mys journeys many days to seek A mylion, without,. sfe far ss the poet tells us, any accident or any ordinary occurrence of daily life except a feeling of great fatigue. But if the romances are as a whole lacking both in poetical feeling and in the deeper sort of humour, they are usually very good as stories.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically importan

Excerpt from A Wonder Book of Old RomanceThe criticism was perfectly true, from a literary point of view. The older romances were for the most part of small poetic merit, while their construc tion was often ill-balanced and digressive. There is hardly one of the features dwelt upon by Chaucer which cannot be paralleled in them. Sir Topaz was a knight fair and gent so were Sir Guy, Sir Bevis, and the rest of them. He came to a wood where was many a wild beast, both buck and hare: those ferocious creatures pastured there, apparently, because the poet had to fill up a line somehow, much as the author of Sir Bevis, anticipating King Lear, was forced to help out his metre with rats and mice and such small deer. Sir Topaz wore a breech and eke a shirt; his face was as white as the finest bread; he had a seemly nose: in like manner every detail of clothing, figure, and armour, relevant or irrelevant, is dwelt on in the old romances. He pricked over stile and stone, in his quest for the elf-queen, with ease, rapidity, and an absence of adventure; so too Amys journeys many days to seek Amylion, without, so far as the poet tells us, any accident or any ordinary occurrence of daily life except a feeling of great fatigue.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A Wonder Book of Old RomanceThe criticism was perfectly true, from a literary point of view. The older romances were for the most part of small poetic merit, while their construc tion was often ill-balanced and digressive. There is hardly one of the features dwelt upon by Chaucer which cannot be paralleled in them. Sir Topaz was a knight fair and gent so were Sir Guy, Sir Bevis, and the rest of them. He came to a wood where was many a wild beast, both buck and hare: those ferocious creatures pastured there, apparently, because the poet had to fill up a line somehow, much as the author of Sir Bevis, anticipating King Lear, was forced to help out his metre with rats and mice and such small deer. Sir Topaz wore a breech and eke a shirt; his face was as white as the finest bread; he had a seemly nose: in like manner every detail of clothing, figure, and armour, relevant or irrelevant, is dwelt on in the old romances. He pricked over stile and stone, in his quest for the elf-queen, with ease, rapidity, and an absence of adventure; so too Amys journeys many days to seek Amylion, without, so far as the poet tells us, any accident or any ordinary occurrence of daily life except a feeling of great fatigue.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.